On their twelfth full-length, Iced Earth indulge guitarist and principal songwriter Jon Schaeffer's passion -- some would say obsession -- for history. On the bonus-disc edition, there are 11 tracks on the first disc, and on Disc Two, a three-part suite entitled "Gettysburg." Disc One begins, appropriately enough, with "The Star Spangled Banner," played in overdrive with plenty of crunch, but nonetheless reverently. That statement aside, the album truly begins with "Declaration Day," an examination of the events leading up to the signing of the Declaration of Independence, and the beginning of the American Revolution. Singer Tim Owens steps into the fray and relates, amid the bone-crushing riffing and half-time drum thud. But interestingly, it's a track that gets juxtaposed with the one that follows it, "When the Eagle Flies." Together they comprise a kind of view across the historical battlefield, from the tyranny of the British Empire to the tyranny of terrorism. The latter cut, with its haunting acoustic guitars in the front line before it breaks wide open, sort of looks back at "Declaration Day," and notes its inspiration. A truly majestic song full of plodding, jarring chords, and a hooky chorus, it is part funeral hymn and part a call-to-arms. Indeed, as the careening bombast of "The Reckoning (Don't Tread on Me)," comes into sharp focus, one can see that Schaeffer's intent is to very clearly showcase the various difficult, and even horrifying, moments confronting America since its inception -- one can read the double meanings in all of the songs that have American lore at their core. America isn't the mythical and/or archetypal muse here: on tracks such as "Attila," "Red Baron/Blue Max," and "Waterloo," the metaphors are extended to three other figures from the dust of the past. Also, the deluxe edition contains an unplugged version of "When the Eagle Flies." Musically, this is tough, intensely passionate, no-nonsense heavy metal featuring amazing production and engineering. The bonus disc contains three tracks, the shortest of which is almost seven minutes. In Schaeffer's words and music, the entire Gettysburg campaign comes into focus and is illustrated with gorgeous guitar work, abundant, lush riffs, and drumming that comes from the heart of battle itself. Strings, acoustic guitars, and an epic sense of drama accompany the metal-drenched proceedings that tell a difficult yet glorious tale: it offers no easy answers, and gives great musical pleasure. At last, here is a record about patriotism that contains no jingoism; it offers its perceptions honestly and without compromise, but instead of going along for the ride, it offers a place to argue from, as well as to enjoy. Highly recommended. ~ Thom Jurek, All Music Guide
Because my first Iced Earth was the Glorius Burden - I prefer Ripper myself. But Barlow is certainly good and respect that he is probably more recognized as the singer of Iced Earth. I love this review. Gettysburg is classic and the album itself totally kicks a**. Mattreed is dead on. When taking a break from Maiden - why not track some Iced Earth?
Haha I'm the opposite Jarrat, the first iced earth I heard was from The Dark Saga (with barlow) so when i hear Owens it just doesn't sound right to me. He's not a bad vocalist I just think Barlow was waaaaaayyyyyyyyyyy better
Agreed, David. Pandora introduced me to IE. I'm a big fan a great singers and Owens is pretty damn good. I've heard a bit of Barlow, but I what I've heard I'm not so sure about. Does he do much gutteral "singing?" I can't stand that style. Help me out users as I'll probably buy more of their material (Glorious Burden is all I own) based on your feedback.