After shocking the R&B world with 1986's Control -- a gutsy, risk-taking triumph that was a radical departure from her first two albums -- Michael and Jermaine Jackson's younger sister reached an even higher artistic plateau with the conceptual Rhythm Nation 1814. Once again, she enlists the help of Time graduates Jimmy Jam and Terry Lewis (one of the more soulful production/songwriting teams of 1980s and '90s R&B) with wildly successful results. In 1989, protest songs were common in rap but rare in R&B -- Janet Jackson, following rap's lead, dares to address social and political topics on "The Knowledge," the disturbing "State of the World," and the poignant ballad "Living in a World" (which decries the reality of children being exposed to violence). Jackson's voice is wafer-thin, and she doesn't have much of a range -- but she definitely has lots of soul and spirit and uses it to maximum advantage on those gems as well as nonpolitical pieces ranging from the Prince-influenced funk/pop of "Miss You Much" and "Alright" to the caressing, silky ballads "Someday Is Tonight," "Alone," and "Come Back to Me" to the pop/rock smoker "Black Cat." For those purchasing their first Janet Jackson release, Rhythm Nation would be an even wiser investment than Control -- and that's saying a lot. ~ Alex Henderson, All Music Guide
I have always thought Janet's voice is weak but, boy, can she put together hot albums. Control and Rhythm Nation were the best albums she's ever done. It's time for Janet to get off the cutesy, sexy stuff and go back to her old school jams.
1814 was the code name of the album while they were making it, so that nothing about the album's theme would leak. It is both the year that "The Star-Spangled Banner" was written, and it is numerical code for the initials of the album name... R is the 18th letter, N is the 14th letter of the alphabet. Its link to the national anthem is that Janet envisioned this record as kind of a group of anthems to rally young people around social awareness.
i think the 1814 thing has something to do with when the national anthem was written or something to do with that whole revolutionary period....not exactly sure.....love the album though!
I agree that this was quit possibly her best work but it wasn't all smoke and morrors(Jam and Lewis) you must give credit where it is due the producers work their magic but she had to present the package. Small wispery voice? Yeah. But big on carisma, confidence, engaging and altogether wonderful show(o)manship.
Jam & Lewis produced Patti Labelle and she didn't sell a "billion" records--at some point we've got to give Janet some credit for her own success.
If Janet were male, we wouldn't even be thinking about giving the credit to the producers. Nobody ever gives Quincy Jones all the credit for Michael's success.