Artemis Records
2004
The Heat
About This Album
With New York City in his back pocket once again, Jesse Malin continues his serenade to lost loves and forgotten opportunities on his second album, The Heat. He kicks his best buddy, Ryan Adams, out of the production seat to take care of things himself and once more cuts apart his honest heart. Isn't that why most become musicians, to deal with the fear of loss and regret? Their wounded soul becomes their art and a way of dealing with the bad hand they got dealt. It's good therapy for most artists and a cold-water cure for a lot of music fans, but relying on that formula itself doesn't automatically make a great record. The Heat goes through the motions of telling stories and Malin is a charmer with his self-pitying poetics. Songs such as the false sexual gratification of "Arrested," the rompish skip and run of "Mona Lisa," and the haunted political errors of "New World Order" are loaded in affection and raw roots rock. Malin's drag racer-like desire to find some kind of solace with love is even more fierce on "Hotel Columbia," an excellent piano-guitar dalliance that never lets up. But no matter how much The Heat yearns for common ground, Malin's songwriting suffers somewhat.
Track List (try tracks 1,2,3,4,5,6,7,8,9 and 10)

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