On the heels of their self-titled EP in late 1998, Jimmy Eat World released their breakthrough album Clarity in 1999 and took up the mantle of emo poster boys. Deftly produced by Mark Trombino and the band, Clarity mixes introspective balladry with power-chord punk rock, elements of chamber pop, and subtle doses of electronica to create a remarkably unique album. The only single to garner radio play, the hard-edged yet poppy "Lucky Denver Mint," was also featured on the soundtrack to the Drew Barrymore film Never Been Kissed, and while the album reached an audience that far surpassed Jimmy Eat World's previous efforts, it was by no means a commercial smash hit. The band's punk influences are evident on "Your New Aesthetic," which decries the commercialization of radio as effectively as any song since Elvis Costello's "Radio, Radio." The other songs are more personal and poignant. Using string ensembles, drum loops, chimes, piano, vibraphones, and tight vocal harmonies to create intricately layered songs, Clarity alternates between hypnotic and hard rock, often in the same song. The snarl of "Blister" and "Crush" are counterbalanced by the understated beauty of "Table for Glasses" and "On a Sunday." However, most of the tracks mix both ends of the emotional spectrum with dramatic effects. The sweeping "Goodbye Sky Harbor," which clocks in at an epic sixteen-minutes-and-eleven seconds, starts off as an up-tempo romp, but evolves into an expansive piece of dream pop that includes vocal loops, several layers of delicate electric guitars, bells, and a drum machine. Heartfelt, yearning vocals from Jim Adkins and Tom Linton tie the songs on Clarity together and set them apart from other post-grunge rock acts. Neither vocalist is afraid to wear his heart on his sleeve, but both pull it off without sounding wimpy or overly forlorn. They are also versatile enough to belt out the more aggressive tunes. Trombino also deserves praise for helping to brilliantly balance excellent songwriting and traditional rock elements with adventurous production and unique instrumentation. ~ Mark Vanderhoff, All Music Guide
clarity is a much more intricate album than bleed american. they're both good, but ther are so many layers on clarity. it seems that clarity is the creative highlight of the band, while bleed american is the commercial highlight. leave it to the major labels to screw up a free box lunch.
I got into Jimmy Eat World because of Bleed American, and bought Clarity much later. I STILL don't feel like Clarity is as good, musically, as Bleed American, but I've grown to appreciate the album for it's own distinct strengths. Definitely one of the best CDs in my collection.
i love all music. most rock genres, most hip-hop genres, jazz, a little bit of everything. if it doesn't have a southern twang to it, i'll probably give it a shot.
with that said, JEW's Clarity is one of my favorite albums of all-time. i grew up with this album. if there was a soundtrack to a coming-of-ag e story starring me, clarity would make up much of it.
if you only know jimmy eat world for bleed american, please give clarity a chance.