In an essay on "The Guitar's Use in Pop Music," Frank Zappa once made reference to latter-day guitarists and their penchant for "clouds of educated gnat-notes." (He also referred to their "pathetic lick-spewage and freeze-dried stereotypifications.") The point he was hammering home like so many nails at a crucifixion was that pop/rock guitar playing/soloing had lost its character and no longer reflected the personality of the individual player. Form and feel had been sacrificed for blazing speed and spiritless riffage. One must assume that G3 Live: Rockin' in the Free World -- from star guitarists Joe Satriani, Steve Vai, and Yngwie Malmsteen -- is, by and large, the kind of axemanship that Zappa was decrying: machine-like technicians lacking a sense of musical lyricism. While that appraisal does lend some valuable insight into this album, it would also be too harsh to apply it rigorously here. To begin with, this primarily instrumental two-disc set -- recorded at the Uptown Theatre in Kansas City on October 21, 2003 -- is entertaining. And there's no doubt that this trio of guitar slingers really can play -- it's just that they do so, particularly in terms of their soloing, within rather narrow stylistic parameters (for the most part).
Each guitarist performs his own set on the lengthy first disc, before they team up to perform three covers -- Jimi Hendrix's "Voodoo Child (Slight Return)" and "Little Wing," and Neil Young's "Rockin' in the Free World." Admittedly, the vehicles for the trio's virtuoso indulgences on this album range from hard rock to metal to classical, but are really just hooks to hang solos on. Sometimes the other instruments cut out altogether. Satriani's titanic boogie rocker "The Extremist" opens proceedings and sets the bar pretty high. He shows a lighter touch on "Always With Me, Always With You," and dips into his classical bag for "Midnight," before tearing things up again with the metal raver "The Mystical Potato Head Groove Thing." Vai offers up the loftier, organ-laced "You're Here," the lurching hard rock of "Reaping," and the slow and stately "Whispering a Prayer," which brings to mind the playing of Yes' Steve Howe and some of the work on Jeff Beck's solo albums. A nice stylistic departure. Meanwhile, Malmsteen, renowned for his preternatural speed, shows just how fast those gnat-notes can be fired out on tracks like the perfectly titled "Blitzkrieg" and the classical "Trilogy Suite Op. 5: The First Movement." The Hendrix jams are disappointing and suicidal song choices to begin with, utterly damning the players on the matter of style through unavoidable comparison to the originals. But "Rockin' in the Free World," which doesn't dilute the song itself, is a highlight and gives the set a certain passion that is lacking in other places. This is a showcase album from three guitarists with plenty of flash and flair, excellent technique, and just enough stylistic variety to keep the balloon in the air. Of course, regardless of what Frank Zappa might've had to say, speed-guitar freaks are gonna love this one. ~ Adrian Zupp, All Music Guide
Adrian Zupp, the guy who wrote the review above, is an arrogant jackass. Vai played guitar, and transcribed guitar for Mr. Frank Zappa for many years, before becoming the solo artist he is today. Do the research Zupp! Also- the solo improvisation on the Hendrix covers, as well as the other covers, is amazing. Not disappointing at all. If you played guitar, you would know.
Interesting insight by both. I would lean a liitle more toward Zappa, but I also have all the respect in the world for Stevie Vai. Steve is at the top of guitar playing. He makes it cry, scream, wail, and sing. Frank had more skill in knowing how to organize a band, and write interesting music. Let's not forget who the teacher is, and who the student is. Sure, the teacher is always going to draw from his students, but few are able to be leaders themselves.
And, I would also agree, there i
i think zappa was just jealous he didnt have any of the skill or technical prowess these guys have. Rusty Cooley and Michael angelo baito play too fast, but satch retains the soul in his music, while still being able to play at the skill level and pace he likes
It's hard to imagine who Zupp would consider to be a guitar virtuoso if he can't find good to say about three of the masters. He's probably one of those idiots that would try to convince you that George Harrison was a great guitarist. It makes me want to puke. Frank Zappa was a musical genius, but he in no way was a guitar master. Sach, Vai, and Malmsteem are some of the greats. There are others, EVH, SRV, Hendricks, Page, etc. Zupp and Zappa should take a minute to enjoy new innovations and tal
I totally agree with Crash and Zappa. Zappa said in "Pop music", guitarists have lost their flare. This is not "Pop Music". I think Zappa was referring to bands like Styx, Foreigner, REO Speedwagon and the likes. REO had a great guitarist but he definitely lost personality trying to hard to sell albums. This trio plays with more emotion and passion than most others. This is what Zappa says has been lost. They're the ones keeping it alive. Try Uli Jon Roth if you like more of the same.
Vai toured and recorded for many years with Zappa, after working for him as a music transcriptionist, which you just can't do without a a few technical beans under the old hood.
I've seen the G3 tours twice, Satch alone and I went to see them on this tour with Yngwie. None of these guys are what Frank was talking about in that essay. They all play with heaping gobs of emotion, soul, and technical prowess. This reviewer has not been around.
Additional reviewer slagging:
Zappa played some pretty fast solos himself. Frank wasn't saying it's not ok to be technically proficient. He was saying that if someone plays out of sheer technical brilliance without having some soul and emotion to add to the equation, then it just doesn't sound all that good. The reviewer assumes a lot about what Frank was saying and his commentary leads me to believe he wouldn't know Zappa's music from Donny Osmond's. And yes, Vai toured and recorded with Zappa
Blah, blah, blah.... I suppose this writer could do better? If so, why have we never heard of him?? What's that old saying- "those who know, do. Those that can't do, teach." And I guess those who don't know s*** critcize those who are experts in their fields in order to feel more important?
critics are critics. sometimes I believe they just write to stir s**t up. I mean come on, Via did play with Zappa so if Zappa was trashing these guys then that means Zappa is trashing himself for allowing Via to play in his band. Personally, I'm not the biggest fan of these virtuoso's but you got to give them credit...they can play!!
Everyone has an opinion whether like or dislike I like all of them myself those that do not play with yourself maybe that you will like just a thought.
Wow Adrian, you really trashed this one. I don't know how you can do that when most guitar players consider the works of these three to be the best to offer. I think you should talk to a few of them before you review something you know nothing about.
I love people that review guitar greats that cannot even play. Perhaps the person who wrote the nonsense about this lacking spirt forgot that Steve Vai played for Frank Zappa for several albums. I love people that think that trashing something perfect makes them seem smart.