After making minor waves with his 1999 debut, Inside Wants Out, John Mayer hired veteran producer John AlagĂa (a longtime associate of the Dave Matthews Band) to lace his first major-label effort with commercial appeal. Released in September 2001, Room for Squares proved to be a savvy, well-timed album, quietly heralding the end of teen pop's glory days with nuanced wordplay, a relaxed gait, and intricate (although nevertheless accessible) songwriting. Songs like "No Such Thing" and "Neon" mixed jazz chords with digestible choruses, fashioning a sort of brainy, college-educated pop hybrid that found a home amongst discerning listeners and mainstream fans alike. Of course, it didn't hurt that Mayer also loaded the album with more straightforward numbers -- particularly "Your Body Is a Wonderland," a bubbling piece of bedroom pop that helped swell his female audience. Mayer's heralded guitar solos and bluesy, Stevie Ray Vaughan-styled flourishes were sorely absent from the mix, though, as he initially limited the bulk of his fretwork to the acoustic guitar. It would take a jam-friendly concert album -- 2003's Any Given Thursday -- to introduce the breadth of Mayer's axeman skills to the public, but Room for Squares still provides a nice introduction to the songwriter's catalog, highlighting his blend of collegiate pop/rock and sensitive acoustics while only hinting at the eclectic, genre-hopping chameleon he would later become. ~ Andrew Leahey, All Music Guide
I'm sorry for my intemperate comments. Upon further reflection, I will state that John Mayer is re-shaping 12 tone Western Music in its entirety. There has never been another artist like him. He has rendered all other music obsolete. This is the best album ever. I love his tats. He should marry Jen.
Each generation finds their own artists that "speak to them". Johh Mayer is no exception. Yes, he is very talented. He also benefits greatly from being the Great White Hope and a l-o-t of his work is a rehash of (rehashed) stuff that is simply older than the average person's frame of reference. For example, "Waiting for the world to change" is a complete rip off of "people get ready".("No, you old b**tard - it's jazzy and soulful. J Mayer is a visionary. He redefines Western Music")
Best tracks are 3x5 and My Stupid Mouth. I love 83, too, but I was 17 in 1983, not 6. You can tell his lyrics are influenced by Paul Simon. Each song tells a story. He gets better and better with each album, and his guitar work is maturing.
Michael, I couldn't have said it better...I agree with you. Although, you are making me want to listen to this album right now and closely. You should be John's public relations representative. HA!
I love the story in this album. The way I take it, it's a story of a young man realising his dream (No Such Thing) and leaving home (Why Georgia). He heads to the city and meets a girl (Neon). He brings her out of her shell (Great Indoors) they get together (City Love) and then he screws up (My Stupid Mouth). The young man realises his mistake (Back To You and St. Patricks Day) apologizes (Not Myself) and they get back together (Your Body Is A Wonderland). There are a few other songs mixed in.