Subscribing to the time-honored practice of striking when the iron is hot, the Jonas Brothers put out Lines, Vines and Trying Times in June of 2009, making it their third album in one year. True, Lines and A Little Bit Longer were separated by a soundtrack to a concert film, but the flood of product is a true reflection of the peak of the group's popularity, just as how the over-produced, stretched-thin Lines is a reflection of their hectic schedule. Where A Little Bit Longer was built on a strong song foundation, Lines, Vines and Trying Times feels constructed from the outside in, with the concepts coming before the tunes, concepts that all take the Brothers Jonas further away from the fizzy, power pop fun. Lines is designed to showcase a mature Jonas Brothers, who wear their maturation in an increased stylistic range, and fussed-over arrangements that lend this a stiffness of a band well beyond their years. Pop classicists that they are, the Jonases are a bit more comfortable with immaculate arrangements than they are with the expansion, as they fumble through a couple of country songs and "Don't Charge Me for the Crime," a truly bizarre duet with Common where they gamely, lamely affect a hard-boiled pose. Tellingly, most of the forced moments were written in collaboration with outsiders such as Cathy Dennis and Greg Garbowsky, the latter being responsible for co-writing "Poison Ivy," a power pop tune so labored it reveals just how good A Little Bit Longer was. Overthinking and over-production are the primary flaws on Lines, where every point is hammered home by horns transported from the waning days of the Reagan administration. This oddly yuppified production is more Taylor Hicks than Taylor Swift, but the presence of Joe's former girlfriend is felt elsewhere, whether it's in the lyric's heartbroken love songs (as well as a couple of rocking accusations), or how Miley Cyrus stands in for Taylor on one of those country songs. But Swift also comes to mind because she and the Jonas Brothers are trying to do a similar thing: make teen pop that skews adult in its sound and form. The JoBros did it effortlessly on A Little Bit Longer but on Lines, Vines and Trying Times the seams are showing, which makes it a little bit harder to enjoy, even if there are certainly moments where all their craft and charm click, resulting in some fine pop that points out what's missing from the rest of the record. ~ Stephen Thomas Erlewine, All Music Guide
This is f**king *terrible.* Now they're comparing the All-American Reject's When The World Comes Down to this stupid album. This almost a bigger travesty than comparing Miley Cyrus to Paramore.
Disney is extremely corny. Slipknot and Killswitch Engage have music so fill of testosterone-scream-rant- "I'm gonna kill you!" attitudes that they make me sick.
very true, but I try to respect those who find what is not "music" music. like I wouldn't go to the Slipknot page and say they are complete garbage if someone says they make music. I might find someone's opinion wrong in my eyes, but I try not to hold negative feelings towards him/her.
So, in context, what is considered to be "music" or not is really left up to one's individual interpretation of what music is and what it isn't. So I have every right to say that the Jonas Brothers are NOT music.
Its definition has been tackled by philosophers of art, lexicographers, composers, music critics, musicians, semioticians or semiologists, linguists, sociologists, and neurologists. Music may be defined according to various criteria including organization, pleasantness, intent, social construction, perceptual processes and engagement, universal aspects or family resemblances, and through contrast or negative definition.
You may see it as music, but I see it as a horrifying noise...
From Wikipedia:
How to define music has long been the subject of debate; philosophers, musicians, and, more recently, various social and natural scientists have argued about what constitutes music. The definition has varied through history, in different regions, and within societies. Definitions vary as music, like art, is a subjectively perceived phenomenon.
there are exceptions to everything. (and well, I'm positive JBFanGirl was referring to a slice of pizza, not the whole, you know? yes, it's a metaphor.)
Not all teens like boys and listen to pop music...
And sorry, I will NOT leave. You cannot make me, and I will say whatever I wish to about the JonASS Sisters. I'm not attacking you personally by expressing my opinion on them. So please do not attack me.
LEAVE! Stop haunting us! You are wasting your time! Get a LIFE! Let me spel it since oviously your a kindaergardener. L-E-A-V-E! Okay. DO you understand???!!! All your music is is screaming a yelling and talking about killing people.