Sony Music Distribution
2007
The Historical Conquests Of Josh Ritter
About This Album
The Historical Conquests of Josh Ritter, despite its lofty title, does not come with a four-paneled foldout map with a bejeweled compass rose, nor does it feature the art of Roger Dean or the keyboard theatrics of Rick Wakeman. Instead, Ritter's fifth foray into full-length album land is loaded with walls of electric guitars, waves of brass, ebbing tides of strings, and enough colorful analogies both historical and biblical to ignite a thousand cigars and refill an equally impressive number of brandy snifters. Listeners looking for a sequel to 2006's beautiful, bittersweet, contemplative (and primarily acoustic) Animal Years will either need to board another train or realign their senses, as Ritter has made the rowdiest record of his career. On first listen, the Idaho-born singer/songwriter's Historical Conquests are a dense bunch, both lyrically and musically, but further spins reveal a carousel of folk-rock splendor that echoes everyone from Springsteen to Ron Sexsmith to Summerteeth-era Wilco. Opener "To the Dogs or Whoever," with its motor-mouthed emissions of love cloaked in the mythology of Joan of Arc, rants and raves for a mere three minutes, but by the time he catches his breath on the last refrain of "I thought I heard somebody calling in the dark," it's hard not to feel like you've spent the whole time in the "belly of that whale" with him.
Track List (try tracks 1,2,3,4,5,6,7,8,9 and 10)

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