Velour Recordings
2003
Everybody Loves You
About This Album
Simply put, Kaki King possesses the most original voice on the acoustic guitar in a generation. Her sound, full of gorgeous tapped melodies and popping basslines, is as deeply emotional as John Fahey's, as technically savvy as Preston Reed's, and as energetic as Leo Kottke's (à la 6- and 12-String Guitar, Greenhouse, and Mudlark). Citing these legendary players is not for the sake of comparison in style or approach, but in metaphor only for she sounds only like herself. King's thumb over the neck and simultaneous double-handed melody line playing is a muscular approach to the instrument to be sure, but in her melodies. harmonic runs and basslines become checkpoints to the musical cosmos; they are complex, indescribable emotional pathways to the heart as well as the mind. There is no "math" in her playing. She goes too far inside the musical labyrinth for that and speaks like a guitarist whose virtuosity lies not only in her technique -- which is truly and literally stunning -- but in her "singing" voice on the instrument. King is a songwriter for the guitar -- and not like Michael Hedges either. This is the music of luminous motion, where trains, planets, and constellations meet at some interstitial point; where earth and sky kiss lustily.
Track List (try tracks 1,2,3,4,5,6 and 7)

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