Biding time at a juncture when they don't necessarily need to, the Killers released the odds-n-sods collection Sawdust in November 2007, a mere 13 months after their second album, Sam's Town. If the title suggests that the group is digging further into a preposterous fixation on faux Americana, this grab bag of B-sides, new songs, covers, stray tracks, and re-recordings feels more like a sop to the fans who found the Springsteen worship hard to stomach. There's not as much Boss here but the ghost of The Joshua Tree still lingers, particularly in the clatter of the echoing Edge guitars, but that's married to the Killers' studied new wave moves, which is a better fit for that sweeping sound anyway. Better fit doesn't necessarily mean a perfect fit, however -- the return to the Killers' stylish throb only emphasizes their scattershot songwriting, where they can get elements right but they can't quite tie it all together. Tellingly, the best moments are leftovers from Hot Fuss -- whether it's the cool glam groove of the leftover "Leave the Bourbon on the Shelf" or "The Ballad of Michael Valentine," which does the cod-Americana better than Sam's Town -- but too much of the newer stuff clatters around pointlessly, all pomp and no circumstance. This goes double for the directionless Lou Reed duet "Tranquilize," which plays as if Bowie decided to have Lou sing on Tonight, then it goes triple for a stupifyingly silly "Ruby, Don't Take Your Love to Town," where the Killers seem like kids in cowboy hats even more than they did when they were kicking around the desert outskirts of Vegas. Covers don't treat the Killers well at all, as they reveal how hammy Brandon Flowers is at his core (swapping Mark Knopfler's sly, dry delivery for Flowers' community theater bluster robs "Romeo and Juliet" of its delicate beauty). When Flowers is in his natural setting, supported by glistening waves of keyboards and guitars that ring like synths, that ridiculous theatricality can be a bit of a guilty pleasure, and Sawdust does indeed contain some moments of grand pomp, but its scattershot nature works against the band as it winds up emphasizing the lingering question from Sam's Town, that the Killers have a hell of a lot of ideas but they just don't know what the hell to do with them. ~ Stephen Thomas Erlewine, All Music Guide
some awesome songs on here, also some i'm not impressed with, but the good ones make it worth while. maybe it is only for fans, but songs like "the ballad of.." "sweet talk" "glam. indie rock.."leave the bourbon..." and "all the pretty faces" are great songs that should be on the radio, unlike tranquilizer. this album has a lotta different stuff on it, from soft and acoustic to loud and electronic. listen to the killers. they can play their instruments well. best new band this decade.
review: "...digging further into a preposterous fixation on faux Americana..." harsh. but kinda true. "...the Killers' stylish throb only emphasizes their scattershot songwriting, where they can get elements right but they can't quite tie it all together." sounds like somebody takes this all a little too seriously. anyways, i like this album just as much as the other two. hard to judge which is the best. this one certainly had overkill, romeo+juliet, and the mister brightside monotony.
This is one of those albums that I would rate "probably only for fans".
I love it, because I love The Killers, but other people probably wouldn't get it.
I love the acoustic Sam's Town, better than the original.
I also love the "sawdust" idea... like, it's the stuff left over, but without it they wouldn't be who they are.
Faves on Sawdust are Tranquilize, All The Pretty Faces (interesting meaning if you look into it), LTBOTS, Under the Gun (it's pretty darn catchy), and Show You How.
i dont care what the reviews say! this grouping of songs has a lot of winners- some are ok, a few aren't worked out right, but a bunch of these songs are real winners! even a non-killers-fan would appreciate this album. there are songs on this album that deserve more than b-side status, such as :leave the bourbon: and sweet talk and under the gun and all the pretty faces= this group has got more talent than most others these days- look out for whatever comes from these guys. this album won me o
I LOVE this album! The Killers can do no wrong in my eyes. Leave the Bourbon and Sweet Talk are favorites of mine, but every song keeps me singing and happy all day!
I just LOVE this band!