Sub Pop
2007
Down Below It's Chaos
About This Album
Kinski's relentless drive to the next level -- via being louder than everything on the planet on the one hand, and on the other having a rigorous structure to their efforts that practically compels listeners -- takes an interesting turn on Down Below It's Chaos for a variety of reasons. First, having always sounded very futuristic just by being clean and hot-wired, the album is as close to a tribute to early-'70s fuzz worshipers as the quartet's yet made since its very earliest days -- Chris Martin's initial guitar invocation on "Crybaby Blowout" just needed a leather-clad greasy biker to go with it and all of a sudden it's Death Valley 1970. (Not for nothing is the album's final song called "Silent Biker Type.") The feeling is maintained throughout the album, with the help of production guru Randall Dunn, and while it's a bit surprising on first blush it's also no surprise that Kinski rock it out brilliantly, with tight stop-start moments showing their precise eye for dynamics remains key, as songs like "...Boy, Was I Mad!" and "Child Had to Catch a Train" -- which even adds in a note-perfect garagey keyboard part -- show.
Track List (try tracks 1,3,5,6 and 8)

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