Though the Fugees had been wildly successful, and Lauryn Hill had been widely recognized as a key to their popularity, few were prepared for her stunning debut. The social heart of the group and its most talented performer, she tailored The Miseducation of Lauryn Hill not as a crossover record but as a collection of overtly personal and political statements; nevertheless, it rocketed to the top of the album charts and made her a superstar. Also, and most importantly, it introduced to the wider pop world an astonishingly broad talent. Hill's verses were intelligent and hardcore, with the talent to rank up there with Method Man. And for the choruses she could move from tough to smooth in a flash, with a vocal prowess that allowed her to be her own chanteuse (à la Mariah Carey). Hill, of Haitian heritage, rhymed in a tough Caribbean patois on the opener, "Lost Ones," wasting little time to excoriate her former bandmates and/or record-label executives for caving in to commercial success. She used a feature for Carlos Santana ("To Zion") to explain how her child comes before her career and found a hit single with "Doo Wop (That Thing)," an intelligent dissection of the sex game that saw it from both angles. "Superstar" took to task musicians with more emphasis on the bottom line than making great music (perhaps another Fugees nod), while her collaborations with a pair of sympathetic R&B superstars (D'Angelo and Mary J. Blige) also paid major dividends. And if her performing talents, vocal range, and songwriting smarts weren't enough, Hill also produced much of the record, ranging from stun-gun hip-hop to smoother R&B with little trouble. Though it certainly didn't sound like a crossover record, The Miseducation of Lauryn Hill affected so many widely varying audiences that it's no surprise the record became a commercial hit as well as a musical epoch-maker. ~ John Bush, All Music Guide
she didn't mean it like that irishgirl...she's really into uplifting black folks, that's all....she's proud and vocal about it.....she's not racist...google it and you'll read what she actually said....i agree with the 'WAS' thing, though....i mean, what the f happened to her??
I think she is a truely talented artist, but can't get by the racist thing! When you are in a position like that, you need to just shut up about things like that, I mean, you are supposed to be a "good" role model, plus, those white people she hates so much put her where she WAS...
got stolen from my car :( how heartbreaking....... til i found out what she said about "white" people buying her albums.... that was even more heartbreaking!
i love this album, my ex had and i heard it and had to get a copy cause it was wonderful. every song is good. i love her and what she said was what i was going through, she is so real!
Ms. Hill was an innovator to the genre of R&B especially during the late 1990s. She is a legend and this album made me a mature woman and poet. This album is pure greatness!
She did that!! The Miseducation was the bomb, when she wrote those she brought it all home for everybody that was in her era. The groove was awesome. I hope she comes back with somethng similiar to that.
Now baby girl got down on this the lyrics macthing the beats all was great and she knew that everyone was feelen it that why she sat down for like 4 to 5 years and folks still request this album and still wanted her to sing this live thats what you call gifted
LOL @ Robbie about the school children interludes. I ALWAYS skipped over them. The Miseducation of Lauryn Hill is definitely my #1, fave album of all time :-)
Absolutely awesome. The only gripe I have with this album is the interludes of school children talking about love and whatnot. But overall, it's not even worth complaining about; this is one of the best records I own.