Fully understanding the details of the concept spread across The Cool, first introduced on Food and Liquor's "He Say/She Say" and "The Cool," may only happen after pointing a Lupe Fiasco decoder ring toward Chicago during the vernal equinox, but the synopsis is simple: a fatherless boy is raised by supernatural characterizations of the streets (named the Streets, not to be confused with Mike Skinner) and the game (named the Game, not to be confused with Jayceon Taylor), squanders his potential, becomes motivated by greed, turns to dealing drugs, gets caught up on a few levels. A key piece to understanding the details is "Pills," an "I Gotcha" B-side that can also be found on some non-U.S. copies of Food and Liquor and the MTV2 My Block: Chicago compilation. Coming from an ambitious MC who is only on album two and considering retirement due to various forms of dissatisfaction -- including what the actual streets and the actual game have done to hip-hop -- The Cool has a kind of set-up that may provoke some involuntary tedium preparedness. Lupe incorporates the hyper-expressive, pincushion-sensitive male rock voice wherever it is feasible. (The appearances that come from female voices are much more affecting.) Ditto modern quasi-symphonic soft rock, sometimes toughened up by pensive, churning guitars. Ditto dramatics laid on so thickly that they tend to take a turn toward the acutely melodramatic -- and on this album, strings and other drama signifiers are nearly as integral as the beats beneath them. Even considering the over-abundance of elaboration on all fronts, it's a credit to Lupe that he has made an album that cannot be processed after one or two listens, and if you have the time, its inscrutability turns into mere complexity. (And it turns out that, at the very most, only a third of the album is conceptual, even though it looks and initially sounds like it.) He is one of the most clever artists around, and as far as telling stories with rhymes goes, he's way up there, best exemplified by "Hip-Hop Saved My Life" (a gripping story about a struggling rapper) and "Gotta Eat" (where Lupe's inspiration for metaphors is a cheeseburger, yet it is no more corny than Main Source's classic "Just a Friendly Game of Baseball"). For anyone opposed to their own perception of Lupe Fiasco -- the always-thinking, always-plotting, uptight moralist brainiac, for instance -- The Cool will sound like meandering, overblown prog-rap that is far less tolerable than Food and Liquor. For anyone sick of hearing MCs who boast about themselves (which is akin to taking a stance against R&B songs about love, but whatever), The Cool will sound like a major artistic triumph. It's somewhere in between. ~ Andy Kellman, All Music Guide
lupe fiasco makes me appreciate hip hop at its finest. yes weezy is sick but upon an educated level like lupe, only common, mos def and talib kweli come even close.
I found the smaple but now pandora is showing that this song " superstar " is on the album +the cool+ . N-E ways when somebody is on there game then you can just tell, and Mr Fiasco is good at what he does.
I came upon Lupe by accident the other day, and i think i'm in love.Its been so long since there has been an artist who talks about really important stuff society and suffering everytime I hear kick push II my eyes well up,not since Tupac has there been a hip hop artist talking about more than his necklaces, expensive alcohol, a**, and cars (I blame biggie for that). I'm so thankful for Lupe at least someone understand that the art of spoken word SHOULDN'T BE REDUCED TO A SHOPPING LIST!
3) what one calls "over-abundance of elaboration" is the stickily deep-stretching existence of another. as in, music critiques shouldn't downplay songs, the content and the melodies, just 'cause they never could have conceived it.
it is precisely in this sphere that most hip-hoppers dissatisfaction with hip-hop lies. and this is just one layer of the issue; consider the (mainly) black males spitting diddy-bop and/or slip-slop rhymes for more zeros on their check.
2) lupe's dissatisfaction with hip-hop is not spurred on by the streets. the streets created and nurtured hip-hop. do ya research. what most people call hip-hop as proclaimed by their local radio station, is controlled by, and has been for a long time, big corporations (aka rich, white men).
my calla-lilly in my bedroom recently grew so slanted in reaching for light from the window that the stem broke. get the problem? now imagine it systematically set-up and involving people.
corrections to andy's horrible synopsis. 1) selling drugs isn't merely a matter of "greed" and "squandering one's potential." think about a tree planted in concrete or a flowering plant given minimal light. is it not like the plant, naturally, to bend up and over itself as to get the light so it can continue existing, let alone living?
lupe fiasco definitely critically thinks, no doubt about it. and he did what jay-z couldn't do; he kept his lyrics sociopolitical, relevant, and accessible all at the same time. as in, dude ain't compromise his voice for the dolla-dolla bills, y'all.
one of the best albums ever...his storytellin skills is unmatched, soundtrakk makes great music behind him too. the words are clever, the beats (especcially on litl weapon) are great. must buy. btw the best album of the year (2007)
I LOVE the album, it's even better when he performs it live. Great to hear an intelligent rapper. Lupe is definately on the Kweli level. Take advantage while he's still making records!
HANDS DOWN THE BEST RAP ALBUM OF THE 2000'S. Lupe is dropping it like no other on this album. Everyone says Dumb it Down is the best song on the album. But it tells a story and I haven't fast forwarded through one track. Gold Watch is on repeat though........