Spectral Sound
2004
Backstroke
About This Album
If you're attempting to keep tabs on Matthew Dear, Backstroke arrives eight months after Leave Luck to Heaven; during the time between these releases, he produced two more singles for Spectral Sound (including one as the relatively hostile Audion) and another for Richie Hawtin's Minus label (as False), in addition to remixes for Monobox, Lusine, and HÃ¥kan Lidbo. By today's silly standard, Backstroke is being classified as a mini-LP, even though it's 40 minutes in length. (The LP version has one less track and is still longer than your AC/DC or early Prince records.) Whatever its designation, Backstroke is a marked turn away from Leave Luck to Heaven, if scarcely a stylistic changeup. Several cuts will indeed serve adequately in the clubs, but the album as a whole is tailored for a more personal setting. "Grut Wall" is an instant standout, one of the handful of instances where Dear continues to tweak the traditional pop-song format. Backward-sounding basslines, cascades of battered keyboard melodies, and multi-tracked vocals make it askew enough to make you feel as if you've just spent too much time on a sit 'n' spin, but the hooks are equally important -- it's the strangest and catchiest song he has made yet.
Track List
(try tracks 1,2,3,4,5 and 6)
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