Warner Bros.
2008
Death Magnetic
About This Album
Call Death Magnetic Kirk Hammett's revenge. Famously browbeaten into accepting Lars Ulrich and producers Bob Rock's dictum that guitar solos were "dated" and thereby verboten for 2003's St. Anger -- a fraught recording chronicled on the 2004 documentary Some Kind of Monster -- Metallica's lead guitarist dominates this 2008 sequel, playing with an euphoric fury not heard in years, if not decades. This aesthetic shift isn't because Hammett suddenly rules the band: powerless to add solos to St. Anger, he couldn't reinstate them without the blessing of Ulrich and James Hetfield, the politburo of Metallica. The duo suffered some combination of shame and humility in the wake of the muddled St. Anger and Monster, convincing these two unmovable forces to change direction. They ditched longtime producer Rock -- who'd helmed every album since 1991's breakthrough blockbuster Metallica -- in favor of Rick Rubin, patron saint of all veteran rockers looking to reconnect with their early spark. Rubin may be the go-to producer for wayward superstars but as the producer of Slayer, he's also rooted in thrash, so he understands the core of Metallica's greatness and gently steers them back to basics on Death Magnetic.
Of course, Metallica's basics are pretty complex: intertwined guitar riffs, frenetic solos, and thunderous double-bass drums stitched together as intricate seven-minute suites. Metallica slowly weaned themselves away from labyrinthine metal during the '90s, tempering their intensity, straightening out riffs, spending nearly as much time exploring detours as driving the main road, all the while losing sight of their identity. This culminated in the confused St. Anger, a transparent and botched attempt at returning to their roots, crippled by the chaos surrounding the departure of bassist Jason Newsted. With all their problems sorted out in public -- including replacing Newsted with Robert Trujillo, who acquiesces to the Metallica custom of being buried far, far in the mix -- the group embraces every gnarled, ugly thing they eschewed in the years since "Metallica." Death Magnetic bounces the band back to the days before Bob Rock, roughly sounding as if it could come after ...And Justice for All. Such a deliberate revival of the glory days can be tricky, as it could make a group seem stuck in the past -- or, just as badly, they can get essential elements wrong -- but Death Magnetic is a resounding success because they hunker down and embrace their core strengths, recognizing that their greatest asset is that nobody else makes noise in the same way as they do.
That's the pleasure of Death Magnetic: hearing Metallica sound like Metallica again. Individual songs and, especially, Hetfield's lyrics -- less the confessional ballast of St. Anger, more a traditional blend of angst and terror -- are secondary to how the band sounds, how they spit, snarl, and surge, how they seem alive. Metallica isn't replicating moves they made in the '80s, they're reinvigorated by the spirit of their early years, adding shading they've learned in the '90s, whether it's the symphonic tension of "The Unforgiven III" or threading curdled blues licks through the thrash. Listening to the band play, it's hard not to thrill at Metallica's mastery of aggression and escalation. There is no denying that the band is older and settled, no longer fueled by the hunger and testosterone that made their '80s albums so gripping, but on Death Magnetic older doesn't mean less potent. Metallica is still vitally violent and on this terrific album -- a de facto comeback, even if they never really went away -- they're finally acting like they enjoy being a great rock band. ~ Stephen Thomas Erlewine, All Music Guide
Track List
(try tracks 1,2,3,4,5,6 and 7)
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Hell, they didn't even have CDs when the 1st few Metallica albums came out, LOL!
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Mustain went back and remastered & re-released a bunch of his old Megadeth albums. I would buy remastered Metallica CDs in a heartbeat.
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Man I think this is a SICK album!!!! Totally great that Metallica's getting back to their '80's type sound. And yes I agree someone should just go back and remaster Justice. That would be great, even though it's a brilliant album as it is
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No s**t. People need to make up their minds. Do you want good mastering or not?!?
I prefer good mastering. AJFA just made me mad that good music didn't have a good quality CD. |
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Got to agree with himay333 and add this - why doesn't somebody go back and remaster Justice? I'd buy a better mixed AJFA in a heartbeat.
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all nightmare long best song on the album if you disagree then get out of my face
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My second/third fav... Love My Apocolypse which is the best song on the album
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For everyone complaining about the how poorly this album was mastered - would it really be a throwback Metallica album with good mastering? I mean Justice was one of the worst mastered major label releases of all time.
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They haven't gone back to what they were in the 80s, which was incredible; but they're going somewhere new, and I like it. Black Album was amazing, but after that was just horrid. Especially St. Anger. I'm glad that they're turning in a direction that allows Kirk to show his amazingness.
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They had to hire Slayers Producer "just to stay in the game" thank you Malevolent Hate... that was very well said.. though not entirely true.. well said and makes the point...Clif f Burton is the best thing that ever happend to Mettalica, and Rick Rubin is the second best thing that could have ever happend! Celebrate Cliff Burton! and thank Rick Rubin for bringing Cliff Burton's energy back to the band..withou t Cliff Burton, we would have never even heard of this Band Metallica.To live is to die
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not to bad better than St. Anger or reload I think that James just doesn't have the vocals anymore.Is it just me or does the album cover remind you of a hairy vagina?
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I just don't get it. Every rock/metal song on the radio in the '80s had a solo, and it was usually the best part of the song.
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Bob rock was the instigator of the guitar solo boot. I would like to know how a format or sound can become "outdated". What he was really saying is that guitar solos don't work well for radio. Also progressive music is not radio friendly for the same reasons.
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Well, you don't have to argue the format switch because they admit that's exactly what they did. They wanted to try the 'cleaner, more concise' format, and Bob Rock is the guy to go to for that. For some reason they also got rid of guitar solos because they were told that was 'outdated.' Turned out to be good for the black album, but lost a lot of respect by Reload.
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i dont know what this review is on about. this album is crap. half the songs on this album could have been cut up into 3 or 4 solid tracks easily; it all sounds schizo, unfocused and masturbatory . interestingl y many of the main riffs sound like near-exact copies of either riffs already used in earlier albums, or megadeth songs. hetfields pseudo-count r y wailing is retarded. unforgiven 3 is an insult. et cetera et cetera. gg, get out forever
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true ...since justice,mata l i c a should be the definition of sell out.jump on the korn band wagon{st.ang e r } f.o.t.m. bob rock-lars wants to be guns n roses rockstar bullshit.but danm it sounds good to hear the boys playn a bit what theyr capable of again.
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I would argue that they switched their format entirely under the influence of Bob Rock. I would also argue that switching formats is VERY different from experimentat i o n .
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@albie: That is exactly why they fail. Metallica didn't evolve or progress such as you state. They "de"volved. They were excellent progressive thrash. They switched from the complex digressions to simple boogie. The slowed their tempo and simplified the sound and lyrics immensely. They became superficial.
Would anyone here argue that from the "Kill 'em all" album to Justice that their sound did not evolve?? It certainly did, in a way that was respectable and true to form. |
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Bands evolve, grow, and change. Sometimes for the better, sometimes for the worse. It's the nature of a creative industry. If you took any of metallica's albums from black to st.anger, and put another band's name on it, they would all probably be considered good albums. But since it's metallica, and they have such a solid history and fanbase, they just didn't cut it. What's worse, a band who never changes, grows, experiments, and becomes boring and predictable. . . or one that tries new things
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Is this there greatest album? Nope. But damn if it dont beat the s**t out of the black album-st. anger.
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This is unacceptable behavior from any band in my book, not easily atoned for by a one album attempt at regaining their former selves. That being said, the firing of Bob Rock was long overdue, and they do seem to finally realize what they lost. The adage "You don't know what you got till it's gone" seem appropriate here. I gave them up for dead long ago, but now it looks as though they are attempting to pull themselves out of the muddy pit they dug for themselves.
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@ sabrock: "Sell out", "Conformist" ... "potaato", "potawto". It all amounts to the same thing. A band allowing their desire for commercial success to influence their creative process. Many here are talking about a 10 yr of 15 yr lapse of creativity. I say it is EXACTLY 20 yrs. When you consider that they were only around for 6 years before that, it becomes clear that they spent most of their best creative years filling their pockets with green and fighting anyone who didn't give them more.
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I remember standing in line outside waiting to buy Master the day it came out, and have been a huge fan ever since. Reload is about the only studio album I don't like (the symphony one is worse though). But this was a good comeback, with several good songs and a few weak ones, and All Nightmare Long is the best thing they've done since Justice.
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Who knows why the mix sounds like it does. The Day That Never Comes is a particularly bad track as far as quality is concerned. It's very distorted and sounds like I've got the volume up way too high on a cheap stereo.
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I can't believe their still making Unforgivens. I mean, I don't know how they made the second one after the awful first, but whatever. Glad the made a new album. I was beginning to think Metallica was finished.
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All right, look at it this way... what's really selling out? Is it trying something new and taking a risk (yes, I know it wasn't evolving)? Or is it refusing to experiment and putting out the same album 10 times knowing that people will love it? Or is the term "sell out" completely ridiculous? The latter, I think. Try "conformist. " Anyway... this album brims with fresh energy. Nice job. Quit b**ching and enjoy this; if not, it's your loss.
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This album does pick up where Justice left off. I am one of the early fans that quit listening since Bob Rock stared producing their albums. Based on only hearing one song from this album, I like it, they have returned to their earlier roots. F&#$ Yeah!
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I think metallica is awesome this album show it 2. Master of puppets and this are there best albums by far. Most of there albums suck lol
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Metallica hasn't sounded good since Clif Burton died. With him died the spirit of what this band should have been.
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I still put Justice and Master of Puppets ahead of this album. Not to say it was bad, but in those early years they weren't trying to sound like the old Metallica, the were simply Metallica. And to just say, this album was a relief that Metallica still had a great album in them.*winces at St. Anger*
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This is their best album since "Justice". I even like it better than "Justice". This is what they should have been doing for the last decade and a half or so. My hat is off to you Metallica, for making a comeback with a great metal album. "All Nightmare Long" is the best new song. It's classic Metallica and it's also my new fav song from them.
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