Casablanca
2009
The Boy Who Knew Too Much
About This Album
Making an album even more vibrant than Life in Cartoon Motion would have been difficult for Mika. On The Boy Who Knew Too Much, he doesn't try to top himself; instead, he reins in just enough of his debut's indulgent tendencies to let his gift for great melodies and hooks be the focus. His multifaceted pop sounds a little calmer and a lot more confident here -- rather than cramming songs with moments intended to impress that end up being overwhelming, "Dr. John"'s finger-popping minor fall and major lift and the calypso-tinged "Blue Eyes" actually are impressive because they're so direct. While Life in Cartoon Motion was remarkably engaging, occasionally it felt like Mika was more skilled at pastiche than presenting his own sound. Here, Mika and producer Greg Wells fashion songs that sound truly distinctive; though touches of inspirations and peers like Elton John, the Bee Gees, and the Scissor Sisters still pop up, the musician Mika borrows from most on The Boy Who Knew Too Much is himself. The album's opening trio of tracks nods to his debut's most vivid moments without copying them: "We Are Golden" is every bit as sunshiny as "Love Today"; "Blame It on the Girls" builds on "Grace Kelly"'s sleek style; and "Rain" is a kissing cousin to "Relax"'s pulsing, melancholy disco-pop.
Track List (try tracks 2,3,4,6,7,8,10 and 12)

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