Modest Mouse's Epic debut, The Moon & Antarctica, finds them strangely subdued, focusing on mortality as well as the moody, acoustic side of their music and downplaying the edgy, spastic rock that helped make them indie stars. Not that their first major-label release sounds like a sellout -- actually, the slight sheen of Brian Deck's production enhances the album's introspective tone -- but occasionally The Moon & Antarctica's melancholy becomes ponderous. Unfortunately, the album's middle stretch contains three such songs, "The Cold Part," "Alone Down There," and "The Stars Are Projectors," which tend to blur together into one 17-minute-long piece that bogs down the album's momentum. Individually, each of these songs is sweeping and haunting in its own right, but grouping them together blunts their impact. However, this trilogy does provide a sharp contrast to, as well as a bridge across, The Moon & Antarctica's more vibrant beginning and end. Though it explores death and the afterlife, The Moon & Antarctica's liveliest moments are its most effective. "3rd Planet"'s simple, ramshackle melody and strange, moving lyrics ("Your heart felt good"), the elastic guitars on "Gravity Rides Everything," and the angular, jumpy "Tiny Cities Made of Ashes" and "A Different City" get the album off to a strong start, while the fresh, unaffected "Wild Packs of Family Dogs," "Paper Thin Walls," and "Lives" bring it to an atmospheric, affecting peak before "What People Are Made Of" closes the album with a climactic burst of noise. Their most cohesive collection of songs to date, The Moon & Antarctica is an impressive, if flawed, map of Modest Mouse's ambitions and fears. [The 2004 reissue has been remastered and features BBC performances of "3rd Planet," "Perfect Disguise," and "Tiny Cities Made of Ashes," as well as an instrumental version of "Custom Concern" from This Is a Long Drive for Someone With Nothing to Think About.] ~ Heather Phares, All Music Guide
Track List
(try tracks 1,3,4,5,6,7,8,9,11,12 and 13)
LOL i was so pissed that that they called it their epic debut album until i realized it was they meant it was their debut on epic records hahahhaaha, I like their stuff on Up Records tho.... either way Modest Mouse is one freakin damn good band :) much love
It's their "Epic debut" as in their debut album with the label called Epic. Heather (the reviewer) was probably being clever because, after all, their Epic debut was pretty damn epic.
Agreed jwayne, I don't see how you can call Alone Down There ponderous. It bothers me that Pandora has no characteristics indicating things like the breakdown in I Came as A Rat... that needs some recognition.
I'm really glad I actually bought this album, but the bonus tracks are just ridiculous, they're just like, bad versions of songs already on the album. Haha, anyway, this album rules, especially... well, there's actually too much to mention.
I first came to Modest Mouse with Lonesome Crowded West, but really learned to love this album after it grew on me. I love the trilogy that the review speaks kinda negatively about, but that's just me.
This is to the individual who left the last comment: "EPIC" is a record company, this was their first album for that record company; hence forth "EPIC debut". Not trying to be a smart a**, it just comes naturally. DCJ
I absolutely LOVE this album. They must have re-issued it because the old album cover looked entirely different. 3rd Planet, Tiny Cities, Paper Thin Walls and Life Like Weeds are Great! ...Actually, almost all the songs are!