Judging from the way Dark Passion Play starts out, it's understandable to assume that it's some sort of opera aria. But hold tight, dear friends, because from out of nowhere metal guitar riffs come swooping in. That's Nightwish for ya -- a Finnish quintet that had been walking the line between symphonic and metallic for ten years by the time of this 2007 release. The album signals the arrival of new singer Anette Olson (who replaced longtime member Tarja Turunen), but for longtime fans worried that this lineup shuffle may alter the band's sound and direction, there's no reason to fret -- Nightwish are as bombastic and dramatic as ever. Understandably, there are quite a few similarities between symphonic metal and prog metal, and this is certainly the case on such tracks as "Bye Bye Beautiful," which contains a very Dream Theater-esque opening. Elsewhere, "Eva" focuses primarily on the vocal talents of Nightwish's new frontwoman, while the slow-building album opener, "The Poet and the Pendulum," proves to be a neat summary of Nightwish's style. Depending on which side of the metal fence you're on, Dark Passion Play is either a symphonic metal triumph or merely pretentious twaddle. ~ Greg Prato, All Music Guide
I suppose you're referring to Bye Bye Beautiful?
Besides, he's not hiding behind the songs, per se. Is it wrong to express opinions and feels in the form of music? Tuomas creates quality music partly because he draws from personal experiences; don't bemoan that source of inspiration.
Well said! They both bring unique talents to the band, and should be recognized for such, instead of pitting one against the other. In other words: no more debating the two vocalists! It's incredibly incessant!
@John Nightwish did not change their sound for Annette, per se. Dark Passion Play was composed BEFORE Nightwish hired Annette. The demo for the song "Amaranth" (then called "Reach") was sung by Marco. Tuomas took advantage of Tarja's departure and composed Dark Passion Play with a "new singer" in mind...not necessarily Annette.
Everywhere I go to discuss Nightwish, all I see is Tarja vs. Anette debates and, honestly, I'm tired of them. Anette is a real and accepted part of the band. Tarja has moved on to her own stuff. Forgive, forget. Nightwish is still Nightwish. I really cannot compare the two vocalists... they are both amazing in their own way. So let's stop this pointless conflict.
I don't want to offend any Anette fans, but I just can't enjoy this new album. Nightwish had such a great sound when Tarja was their vocalist. Her operatic voice matched so beautifully with that symphonic classical quality they had. Anette's voice, however, is scratchy, stringy and harsh and they've completely changed their sound to accomodate her.
I understand why they couldn't work with Tarja anymore, but they should have at least found someone with a similar vocal quality.
Tarja always sounded too operatic to me. Annette brings a fresh sound to Nightwish, and the new album kicks serious a** (particularly "The Poet and the Pendulum"). I don't know exactly what made Tarja Turunen leave Nightwish, just that there was some public falling-out. I suspect "Bye Bye Beautiful" might be some bitter farewell message to her.
If you like Tarja, get her album now that she's gone solo. Annette, in my opinion, is fecking amazing.
They're a talented band with either singer. Based upon how good this record is, I'm looking forward to several excellent albums with Anette to coincide with their Tarja albums.
I'm really mad with Nightwish right now, even though it was something outside their control, but 5 days before I was supposed to see them in concert, the concert gets cancelled, and it was the only event TO get cancelled! :(
I feel like a strange minority. It's not that I didn't like Tarja's voice in any way, in fact, it was one of the most memorable in music for me, but I find Anette more pleasing to hear, for me, at least.
Anette is alright, but she will never compare to Tarja. Nightwish doesn't feel the same without her, and their music as a whole doesn't sound as beautiful. The non-vocal parts sound just as good, but the new vocals change the overall feel of the songs. The new stuff is good, it's just.. not the same. It feels like a different band, and that's not a good thing for those of us who fell in love with the original sound of Nightwish.
Change is always hard, especially when it involves the lead singer -- who usually ends up being the head figure of the band -- but I believe Nightwish manages to pull it off amazingly well. This is a promising start to a new era in the music of Nightwish!