Judging from the way Dark Passion Play starts out, it's understandable to assume that it's some sort of opera aria. But hold tight, dear friends, because from out of nowhere metal guitar riffs come swooping in. That's Nightwish for ya -- a Finnish quintet that had been walking the line between symphonic and metallic for ten years by the time of this 2007 release. The album signals the arrival of new singer Anette Olson (who replaced longtime member Tarja Turunen), but for longtime fans worried that this lineup shuffle may alter the band's sound and direction, there's no reason to fret -- Nightwish are as bombastic and dramatic as ever. Understandably, there are quite a few similarities between symphonic metal and prog metal, and this is certainly the case on such tracks as "Bye Bye Beautiful," which contains a very Dream Theater-esque opening. Elsewhere, "Eva" focuses primarily on the vocal talents of Nightwish's new frontwoman, while the slow-building album opener, "The Poet and the Pendulum," proves to be a neat summary of Nightwish's style. Depending on which side of the metal fence you're on, Dark Passion Play is either a symphonic metal triumph or merely pretentious twaddle. ~ Greg Prato, All Music Guide
I'm very surprised to hear (on the track Amaranth) that Anette can actually sing. I'd been under the impression that she had a very weak, typical pop voice based on the other songs I'd heard. I can't help wondering whether the apparent power in this song is through studio manipulation. Has anyone heard her live? Can her voice actually carry on its own?
I like Tarja's voice, although I totally understand why they booted her. Nobody likes a prima donna. But I'm apprehensive about Anette.
Sometimes wonderful musical groups are like a intimate relationships. We're initially smitten with them, how they make us feel, and want to spend time in their presence. Over time, we've grown used to their presence, exactly as they are. They're comfortable and familiar. When they change or go away, our hearts despair. My point? Tarja was a wonderful time with Nightwish. It's hard to let go of that. Now, Anette has taken her place... equally lovely and talented. I can accept both as they are.
I agree with Chris - Anette holds her ground as a singer solidly, but apart from the "The Poet and the Pendulum" and the album's singles, I didn't find myself enchanted with the album overall. Lyrically it is superb, however.
The biggest problem I see with this album is that they slow the songs down so much after the intro. Take Sahara, for example: by far one of the best intros I have heard to a song ever. But after that, they lose all of the momentum and slow it down so much that you forget the awesomeness. I love Nightwish, even with Annete, but they need to keep it going after they blow you away.
While I still like Tarja, I have come to the conclusion that (for me) her voice, being so above-and-beyond operatic, is a little jarring when paired with the heavy metal backing. Some songs, not so much, and I still like her stuff, but I am pleased with the direction they're going with Anette.
And this is the last I shall say on the subject. (Probably.)
I think that everyone should stop fighting over wether annetter or tarja is better. Different people like tarja because of her more operatic voice while other people like annette better because of their taste in music. This is still symphonic rock not pop rock at all.
i agree with you, jill982. i think it's just a personal preference thing about which vocal styles appeal to a person and which ones don't. i prefer Anette as well.
7 Days to the Wolves, Islander, and Amaranth are my favs. I kinda like Bye Bye Beautiful but.. eh... no real feelings. I won't go into comparing Anette and Tarja. I'm out of that battle.
This album is about half and half for me. I like the songs that blend metal evenly with symphonic stuff, so I don't care for the crazy metal songs (Master Passion Greed) or the too-native sounding stuff either (The Islander). Tracks 2, 3, 9, and 11 are my favorites from this album.
About Tarja leaving, I agree with ash. Bands shouldn't ever try to replace an old member, they should just adapt to what they have and move on. Nightwish has done an excellent job of this.
i love everything about nightwish and i agree with persephone, getting someone who's sounds just like tarja wouldn't be right. anette may not sound the same, yet she's still a very fantastic singer and this album shows it well. may not be the same old nightwish, but i still love this album.
To John, and all the others who think that Nightwish should have gotten someone who sounds like Tarja, I have this to say: If Nightwish had gotten a singer exactly like Tarja, it would just sound like they were trying to live in the past and hang onto something that, unfortunately, ended. I am glad they went for a new sound, if only because it shows they are willing to move forward.
I agree that it wont ever be quite the same. I listened to some of the songs they released on their website of the new singer when it was first official and I wasn't impressed at all. I just heard a new one (well new compared to all other Nightwish) "Cadence" and it's actually the first time I didn't think she was awful. Maybe there's more hope with this album...but I wont be paying for it.
I just can't listen to the new Nightwish... it just isn't Nightwish without Tarja, I don't care what people say.
Wish they had just changed the name.
Thank the gods Tarja went out for a solo album!
I suppose you're referring to Bye Bye Beautiful?
Besides, he's not hiding behind the songs, per se. Is it wrong to express opinions and feels in the form of music? Tuomas creates quality music partly because he draws from personal experiences; don't bemoan that source of inspiration.
Well said! They both bring unique talents to the band, and should be recognized for such, instead of pitting one against the other. In other words: no more debating the two vocalists! It's incredibly incessant!
@John Nightwish did not change their sound for Annette, per se. Dark Passion Play was composed BEFORE Nightwish hired Annette. The demo for the song "Amaranth" (then called "Reach") was sung by Marco. Tuomas took advantage of Tarja's departure and composed Dark Passion Play with a "new singer" in mind...not necessarily Annette.
Everywhere I go to discuss Nightwish, all I see is Tarja vs. Anette debates and, honestly, I'm tired of them. Anette is a real and accepted part of the band. Tarja has moved on to her own stuff. Forgive, forget. Nightwish is still Nightwish. I really cannot compare the two vocalists... they are both amazing in their own way. So let's stop this pointless conflict.
I don't want to offend any Anette fans, but I just can't enjoy this new album. Nightwish had such a great sound when Tarja was their vocalist. Her operatic voice matched so beautifully with that symphonic classical quality they had. Anette's voice, however, is scratchy, stringy and harsh and they've completely changed their sound to accomodate her.
I understand why they couldn't work with Tarja anymore, but they should have at least found someone with a similar vocal quality.
Tarja always sounded too operatic to me. Annette brings a fresh sound to Nightwish, and the new album kicks serious a** (particularly "The Poet and the Pendulum"). I don't know exactly what made Tarja Turunen leave Nightwish, just that there was some public falling-out. I suspect "Bye Bye Beautiful" might be some bitter farewell message to her.
If you like Tarja, get her album now that she's gone solo. Annette, in my opinion, is fecking amazing.
They're a talented band with either singer. Based upon how good this record is, I'm looking forward to several excellent albums with Anette to coincide with their Tarja albums.