The Gallagher brothers' boundless, boorish, boasting bluster and blather only felt like brazen British working class moxie as long as they made great records that backed up their obnoxious arrogance. So when the songwriting fell off the last six years, on the bloated Be Here Now and Standing on the Shoulder of Giants, it was like watching helium hiss out of an overstuffed blimp. After all the bellicose babble, and the posturing prattle, Oasis's U.S. sales plummeted like the Hindenberg over Lakehurst. The pompous Wizard has been exposed and humbled, bringing joy to thousands of Totos tugging on Oasis's huffy pantleg, glad to see such massive egos get stuffed like smelly socks back up their big mouths. So leave it to Oasis to resort to the biggest, emptiest rock gesture of all: the huge-stadium live LP! Their popularity remains unchanged in home England, which still worships the group uncritically like the equally-diminished, figurehead Royal Family. So the brothers give us this document of Wembly stadium and its Canyonesque acoustics, with its cheering, singing throngs of 70,000 people. Just contemplating the 98-minute, double CD Familiar to Millions, you think, "They don't get it, do they?" So how come the group were actually able to pull this off, instead of dropping an overbearing embarrassment on us? It's because Oasis always deliver their material with conviction live, with the music as the focus in lieu of some bogus floor-show. And because they play a best-of set, going all the way back to their initial singles "Supersonic" and "Shakermaker," and such enduring tunes as "Acquiesce," "Roll With It," and "Live Forever," Familiar is a reminder of the substance they retain, even as they doggy-paddle along, stuck for bearings. Strong Noel-sung covers of Neil Young's "Hey Hey, My My" and The Beatles' "Helter Skelter" are also delivered in their hard-working, serve-the-song demeanor-this is no ghastly Rattle and Hum trip. Most of all, the band plays well. New key member Andy Bell, late of early-'90s fantastic favorites Ride (let's forget Hurricane #1) is twice the bassist Paul McGuigan was, so the loss of three-fifths of the original lineup has actually tightened them up. The band's strengths-Noel's hooks and Liam's strong, gruff, accented vocals-come to the fore, while the weaknesses-inferior material-are weeded out like it they were never written. Hell, only five of these 18 songs are post-1995, one of which, "Gas Panic!" (which sounds like it's sung by Bell, hurrah!), sounds vintage. It still would have been better to record at a rock theater or hall. This sounds a tad hollow, even though the guitars are so meaty-rare for a stadium tape. But if Oasis has been staggered here by a punch they invited (we'll see if they get off the canvas or not, as the siblings keep snipping at each other), Familiar shows they went down fighting as a touring live band. And with the mainstream rock scene as dire as it is now, we could still use them. ~ Jack Rabid, The Big Takeover, All Music Guide
Agree with danger2374 and david4134, this review is way out of line. Clearly Jack Rabid (an appropriate surname?) has an axe to grind with the Gallaghers. Some rock bands fade gracefully, most flame out. "Boasting bluster" is part-and-parcel of rock, Elvis, Jerry Lee Lewis and Little Richard started it. It guarantees flame out when your novelty wears off. Oasis was truly great in their hey-day. Bands like Green Day took their place, but that doesn't subtract from their contribution to rock.
Regardless of what you think of Oasis, this is a horribly written review. What's with all the alliteration, similes, and metaphors? This critic is just as pompous and overblown as he claims Oasis to be. This is by far the most pretentious review I've ever read.
Jack Rabid, you're an arrogant, over-verbose prick. When you have a better grip of the English and decent music revisit your overly embellished article. It's pretty obvious your understanding of what makes English music great is about as limited as your knowledge of the Royal Family. Stick to what you know, blowing hard about US bands that spend most of their time drawing influences from the British.
I agree with Atlanta Tater Tot. Oasis had their moment and it's gone, G O N E! And I'm thankfull! I'm glad I got to see them in '94 but swore after that show i'd never see them again. Just to simplistic for my tastes. Hey, but I hear their still big in England!
In Mr. Rabid's defence, I too think that Oasis purveys overrated sing-songy
c-r-a-p. Further, I wouldn't walk across the street to see them for free. That being said, his review was a little much.
Whoever wrote the biased info for this album should be fired and never be able to work in the music industry.. what a load of crap.
Shame on you, Jack Rabid, you idiot!