Alive Records
2009
Universal Malcontents
About This Album
Nine albums in, and Outrageous Cherry still find ways of making their vintage-steeped music sound fresh on Universal Malcontents -- by exploring other classic sounds. Matthew Smith and crew know their rock history inside and out, and know how to evoke early to mid-'70s pop and rock atmosphere, from the album's warm, roomy sound to its double-tracked vocals, strutting guitars, handclaps, and piles of piano and organ. There are a couple of quintessential Outrageous Cherry moments of fuzzed-out garage pop with bittersweet melodies and smart lyrics, like the reverb-laden "I Wouldn't Treat My Enemies the Way You Treat Yourself" and the album closer "Memory," which compares memories to horror movies and once again proves this band is expert at putting a sugary, crunchy coating on sour feelings. The rest of Universal Malcontents, however, finds them casting farther afield. "I Recognized Her" borrows a bit of Sparks' and Roxy Music's synth-tinged glam, giving a sharp, sci-fi edge to Smith's always-witty songwriting. Meanwhile, "Anymore" dresses up its hooks in '70s AM pop balladry, another apt setting for Smith's way with song structure and wordplay ("Feels Like Shadows" is also a fine example); "The Song Belongs to Everyone" adds a bit of boogie to its cleverly crafted story of a songwriter compelled to create despite the perils of the music business and anonymity: "I want my 50 percent/Before it's all spent.
Track List (try tracks 1,2,3,4,5,6 and 7)

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.