Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum. ~ Andy Kellman, All Music Guide
Track List
(try tracks 1,2,3,4,5,6,7,8,9,10 and 11)
This album was good but it is definitely near the bottom of the list of their albums with only pablo honey lower. What I am saying is that even a lower quality album by radiohead is still a good album.
After I began questioning Thom Yorke's sanity with Kid A and Amnesiac, this album restored my faith in Radiohead. This album shows them expanding their style, but doesn't seem like experimentation for experimentation's sake like the previous two albums. This ranks right behind Ok, Computer for me.
They were too politically driven in this record, starting with the damm title. There There, 2+2=5 and a few others hold the album together. Bottom of the list of Radiohead albums.
I enjoy Radiohead, but it just seems to me like they try too hard to be "on the edge". Their greatest work was OK computer because it was so bold, but at the same time it felt like a natural record. Nothing was forced. Later records however...
Radiohead is the best band ever, period. Need to know that for a fact? Look it up in Time Magazine and in the Rolling Stones. I absolutely adore Radiohead, and am in a band striving to be much like them. We are Social Deviance, and despite our Sociological and Psychologically based name, our music is very similar to radiohead's, mixed with bits of the Gorillaz and Bob Marley. Our First Album, "Everything is A Fractal. Everything In Time." Look for it on Myspace Music very soon.
I think this album is very good and I like it but that doesn't change the fact that I agree with jbsowden and don't think that this should be grouped in the same music catagory as bloc party
Not a comment about this album,just a comment about your classifications;you need some input from musician-types .To balance out the sheer lack of knowledge about non-pop rock that whomever is in charge of editing/classifying,you must have someone who actually understands that The Sex Pistols and The Misfits should not be mentioned in the same sentence,let alone be played in the same category.I really enjoy listening to your station,but you guys get some s**t so wrong.
I don't know how they do it. A lot of bands come out with a good album or two and then go downhill. These guys are able to change their sound with each album and they keep getting better. It blows my mind. It wears me out.