Solo Star, Solange's debut, lacked character. Not without a small clutch of memorable songs, much of it was nonetheless generic, containing little to separate it from the average R&B album fronted by an up-and-coming performer. Sol-Angel and the Hadley St. Dreams, released five years later, is an entirely different affair -- fun, silly, slightly eccentric and, most importantly, fearless. Steeping an album in classic Motown and other R&B sounds of the late '60s and early '70s may not be the wildest maneuver in 2008, but throughout Sol-Angel, there is a kind of frolicsome adventurousness that is singular and undeniable, even when Solange lets loose with the sourness and addresses her false public image. In spots, it sags, and a couple tracks seem more like sketches than neatly bundled songs, yet it's one of the year's more entertaining and easily enjoyable R&B releases, fronted by someone who does not take herself all that seriously, someone who is slightly more concerned with raw emotion and clowning around than technical prowess and polished product. Solange hasn't merely taken Stevie Wonder and Minnie Riperton's advice to "Take a little trip through your mind and explore it." She has inhabited the space, converting into a combination rumpus room/whimsically ornamented meadow/unmanned Hitsville U.S.A., where she can be herself, pull all the strings, and make her album, whether that entails paying tribute to What's Going On-era Marvin Gaye ("Ode to Marvin"), ringing Lamont Dozier (the Mark Ronson-produced, Dap-Kings-sampling "6 O'Clock Blues"), rewriting Martha & the Vandellas' "Heatwave" ("I Decided"), or collaborating with Cee-Lo and Soulshock & Karlin on a laser-laced shaker that is nothing if not clever ("I'm a cool ol' Jane with a skip on my feet/I play as tough as nails with my heart on my sleeve/I'm nothing but a sandcastle/Don't blow me away"). Most surprisingly, she uses Boards of Canada's typically downcast and alluring "Slow This Bird Down" as a platform for a cathartic kiss-off, the album's true finale, one of three songs not soaked in bouncing pop-soul: "I'm not in denial/I'm not suicidal/Not an alcoholic/I'm not out here ho'in'/So just shut...the f**k...up." Despite the mood and purpose, the song -- because of its invitingly insular nature -- is just as representative of the album as the ones that are dressed in handclaps and horns. ~ Andy Kellman, All Music Guide
Sounds like Kahlolcuy81 was trying to express that at first she was impressed by Solange performance on a late night show and decided to check her album out and was disappointed by it; but not really surprised that it was diappointing. Solange however has more guts and sounds like she at leat graduated from High School unlike her retard sister.
I was expecting Beyonce 2.0, which is why I always shied away from Solange's work. But I heard TONY on a late night show, liked it, and decided to check out the rest of the album. I was and am pleasently disappointed.
ok this album is hott!! its different. she's not anything like Beyonce, which is good. Solange is very talented and her album is about her real-life situation with her ex-husband, her child and family. Didn't expect this after the first album Solo Star. This album is actually like a story. A real story; her story. Great Job on this on mama!!!!!
This album is actually very good, I had my doubts because, you know how it is very siblings of mega stars, but truley this is a very good album, it has a very old school soul approach , is very hot! go Solange