Merge Records
2005
Gimme Fiction
About This Album
The three-year stretch between Gimme Fiction and Spoon's previous album, Kill the Moonlight, was the longest gap between the band's releases since the end of its disastrous relationship with Elektra Records helped put two and a half years between A Series of Sneaks and Girls Can Tell. Though the circumstances behind this hiatus probably weren't as dire as those behind the band's previous one, the anticipation surrounding Gimme Fiction was nearly as high as it was for Girls Can Tell, and Gimme Fiction feels like as much of a refinement on what came before it as Girls Can Tell did at the time. A dark, theatrical album seething with late-night tension and menace, Gimme Fiction is a bigger-sounding affair than Spoon's previous work, with lots of keyboards, guitars, and strings parts courtesy of the Tosca Strings. But, even with the album's bigger scope, the band keeps its eye for detail. Everything about Gimme Fiction, from its artwork -- which looks like photographer Irving Penn doing a surreal fashion spread on Little Red Riding Hood for Vogue Magazine circa the 1950s -- to the little sound effects that embellish each song, is meticulous. Fortunately, "meticulous" doesn't spill over into "careful" or "precious"; the album's first three tracks show that Spoon makes music that's intricate and rousing at the same time.
Track List (try tracks 1,2,4,5,7,8,9 and 10)

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