With two states down and only 48 to go, Sufjan Stevens' ambitious musical map of the Unites States of America should be completed -- if he puts out one a year -- sometime around 2053. It's a daunting task (and not an entirely original one at that), but if each subsequent record is as good as Illinois, fans who live long enough to witness the project's completion will no doubt find themselves to be scholars of both state history and its narrator's shape-shifting soul. Stevens' soulful folk epics, as played by his signature mini-orchestra, have changed little since his 2003 foray into Michigan -- a charge that may cause some grumbling among that album's detractors -- but there's a newfound optimism that runs through much of Illinois that echoes the state's "Gateway to the West" pioneering spirit. Glorious road trip-ready cuts like "The Man of Metropolis Steals Our Hearts," "Come On! Feel the Illinoise!," and "Chicago" have an expansiveness that radiates with the ballast of history and the promise of new beginnings. Stevens has done his research, with references to everyone from Abe Lincoln, Frank Lloyd Wright, and the ghost of Carl Sandburg to John Wayne Gacy -- the latter provides one the song cycle's most affecting moments. The lush (yet still distinctly lo-fi) indie pop melodies draw as much from classic rock as they do progressive folk. "Jacksonville," with its four-chord banjo lurch, mines "Old Man"-era Neil Young, disco strings dance around "They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!," while the rousing pre-finale "The Tallest Man, the Broadest Shoulders" is pure Peanuts-infused Vince Guaraldi as filtered through the ambiguous kaleidoscope of Danielson Famile spiritualism. There's a distinct community theater vibe to the whole affair that may or may not be the result of numerous photo shoots in which the players are dressed in adult-style Boy Scout uniforms -- it brings to mind the Blaine Players from Christopher Guest's small-town theater parody Waiting for Guffman -- but the majority of Illinois is alarmingly earnest. Stevens may be a snake-oil salesman, but he's got pretty good stuff, and like many of history's most untrustworthy wordsmiths, he somehow manages to switch the opportunist off and turn on the human being each time the listener gets suspicious of his intentions. ~ James Christopher Monger, All Music Guide
"John Wayne Gacy, Jr." is the humblest song I've ever heard. It's a terrible story about a child molestor and murderer. The whole song tells of the atrocities of this man's sins. The last lines and the closing gasp bring all the heartbreaking humility and conviction that we have all made mistakes and all sins are equal in God's eyes: "And in my best behavior, I am really just like him. Look beneath the floor boards for the secrets I have hid."
I know music is so subjective and based on individual taste... but I'm dumbfounded every time I find someone indifferent to Sufjan Stevens. Especially if they have heard this album. Not that they dislike it, I can understand that... but indifferent?! Hmph.
This is by far the best folk album of all time. It touches the heart and soul in places I never knew existed. Sufjan's skill is unsurpassed in anything I have listened to before and after hearing his music. Never have I been moved to tears by songs as much as this album. Sufjan is a genius.
and i forgot that he goes a little over board when it comes to song titles but maybe he's changing something. i think in some ways the super long undecisive song titles are innovations and everyone will catch along soon enough.
i lost all my cd's on a plane and this cd was the first one i bought after what i like to call 'the tragedy' and i have to say it is one of the best albums ever made and the song Chicago i believe is the best song in the world and i cant get enough of it. sometimes i listen to the cd-espesically Chicago-three times a day. Stevens is a amazing. its like he is the crayola of music.
I live in Illinois, so this was a very fun album to listen to. Not to mention it was also very flattering that he actually wrote a song about the town I live in, that being Rockford. It felt nice that there some recognition from such a brilliant songwriter to write a song about a city that I personally have a love/hate relationship with.
Poor lad, a blind, deaf, and mute child obviously he missed the whole musical aspect. How can you? its a progressive masterpiece it sweeps you off your feet and you ask it, " take me around one more time." ,and it always delivers. it's supposed to sound like a a symphony on folk/rock steriods. check out the dear hunter if you like sufjan. Best song on this recond...come on feel the illinoise ,but they're really all good.
IM SRY YOUR REALLY, REALLY MISSING OUT IF YOU DON'T LIKE IT
?how did you posably make it this good it honestly doesn't make sense, not kidding why is it;you must of cheated somehow (is that even slightly possable, at all) man are you good i meen your as good as some my favorite bands in fact you are one.
this sounds like someone used an encyclopedia for lyrics. is this what song writing has been reduced to ? there's some cool instrumentation here, but beyond that I struggle to find the message here. This is a folksy history/geography lesson with interesting melody that hardly delivers what it promises. I really want to like this, but I struggle.