Epitaph / Ada
2002
Blood Money
About This Album
Tom Waits has said: "I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth." When it comes to the material on Blood Money, I don't know if I can call Waits' mouth pretty, but he certainly offers plenty of bad news in a very attractive, compelling way. Released simultaneously with Alice, a recording of songs written in 1990, Blood Money is a set of 13 songs written by Waits and Kathleen Brennan in collaboration with dramatist Robert Wilson. The project was a loose adaptation of the play Woyzeck, originally written by German poet Georg Buchner in 1837. The play was inspired by the true story of a German soldier who was driven mad by bizarre army medical experiments and infidelity, which led him to murder his lover -- cheery stuff, to be sure. Thematically, this work -- with its references to German cabarets and nostalgia -- echoes Waits' other Wilson collaborative project, Black Rider. Musically, however, Blood Money is a far more elegant, stylish, and nuanced work than the earlier recording. With bluesman Charlie Musselwhite, reedman Colin Stetson, bassist and guitarist Larry Taylor, marimbist Andrew Borger, and others -- Waits plays piano, organ, marimba, calliope, and guitar -- this is a theater piece that feels like a collection of songs that reflect a perverse sense of black humor and authentic wickedness in places.
Track List (try tracks 1,2,3,4,5,6,7,8 and 9)

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