Not long after the release of A Northern Soul, the Verve imploded due to friction between vocalist Richard Ashcroft and guitarist Nick McCabe. It looked like the band had ended before reaching its full potential, which is part of the reason why their third album, Urban Hymns -- recorded after the pair patched things up in late 1996 -- is so remarkable. Much of the record consists of songs Ashcroft had intended for a solo project or a new group, yet Urban Hymns unmistakably sounds like the work of a full band, with its sweeping, grandiose soundscapes and sense of purpose. The Verve have toned down their trancy, psychedelic excursions, yet haven't abandoned them -- if anything, they sound more muscular than before, whether it's the trippy "Catching the Butterfly" or the pounding "Come On." These powerful, guitar-drenched rockers provide the context for Ashcroft's affecting, string-laden ballads, which give Urban Hymns its hurt. The majestic "Bitter Sweet Symphony" and the heartbreaking, country-tinged "The Drugs Don't Work" are an astonishing pair, two anthemic ballads that make the personal universal, thereby sounding like instant classics. They just are the tip of the iceberg -- "Sonnet" is a lovely, surprisingly understated ballad, "The Rolling People" has a measured, electric power, and many others match their quality. Although it may run a bit too long for some tastes, Urban Hymns is a rich album that revitalizes rock traditions without ever seeming less than contemporary. It is the album the Verve have been striving to make since their formation, and it turns out to be worth all the wait. ~ Stephen Thomas Erlewine, All Music Guide
I remember having a bout of insomnia that lasted roughly a year. That was back during the time when the music video for "Bitter Sweet Symphony" first began playing. I used to stay up all hours of the night to catch that video. I fell in love with the song and received Urban Hymns as a gift for my 14th birthday. Eight years later, it is still (almost) in mint condition and always in rotation in my CD changer. It defined my teen years and holds many fond (and wretched) memories for me.
I purchased my 1st Urban Hymns CD in college back in 97' after being introduced to the Verve by Jimmy, one of my best friends. I have to say that this CD defined my college life. I have so many great memories attached to this CD. So, along with the music which is close to perfection in my humble opinion, I have great memories to go with it. The Verve's music from this era is the gold standard by which many other would be bands should be measured.
By the way, along with purchasing all their other stuff, I've gone through at least 10 copies of Urban Hymns. Thank goodness I finally discovered burning copies and saving the original. Long live The Verve, you brought great joy to this U.S. Midwesterner.
eeamonn: No, The Rolling Stones did NOT create "Bitter Sweet Symphony," The Verve did. Despite The Verve having received permission to use a sampling of the Jagger/Richards song "Last Time" for the string section of "Bitter Sweet Symphony, The Rolling Stones managed to successfully sue The Verve for copyright infringement. They claimed an alleged overuse of the permitted sampling of the "Last Time." As such, Jagger/Richards own (or rather "legally" stole) the rights to "Bitter Sweet Symphony"--m
I think that the song Bitter Sweet Symphony helped this album take off a lot when the track was used in "Cruel Intentions." (Couldn't have been a better song for that scene... It was pretty awesome). And I think that people need to stop saying that Oasis created that song...