Shout! Factory
2004
Has Been
About This Album
Toward the end of Star Trek's run, William Shatner released The Transformed Man, a collection of spoken word interpretations of popular songs and recitations of poetry pitched halfway between middlebrow art and trippy trendiness. With his overheated, hysteric delivery supported by syrupy strings and studio trickery, Shatner sounded like a psychedelicized Rod McKuen, and The Transformed Man was every bit a period piece as anything McKuen penned during that time -- such as the largely (and justly) forgotten Frank Sinatra concept album A Man Alone. The difference is, where A Man Alone was pompous, pedestrian, and dull, The Transformed Man was pompous, bizarre, and thrilling, a truly strange, compelling miscalculation that was ignored at the time but turned into a cult classic over the years, partially due to Shatner's iconic status as Captain James Tiberius Kirk, but mostly because it was flat-out, fall-down funny. Perhaps it wasn't intended as comedy, but by the time Rhino featured his histrionic versions of "Lucy in the Sky With Diamonds" and "Mr. Tambourine Man" on their 1988 compilation Golden Throats: The Great Celebrity Sing-Off, there was no doubt that they were now considered comedy records, and soon they were well known -- so well known that fans of those two cuts may not have realized that the rest of The Transformed Man was filled with readings of Shakespeare and obtuse poetry that somehow spoke to existential struggles with identity, winding up as some sort of a concept album.
Track List (try tracks 1,4,9 and 10)

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