Minor Threat
Biography
Minor Threat was the definitive Washington, D.C., hardcore punk band, setting the style for the straight-edge punk movement of the early '80s. Led by vocalist Ian MacKaye, the band was staunchly independent and fiercely sober. Through their songs, the group rejected drugs and alcohol, espoused anti-establishment politics, and led a call for self-awareness. Every song was fast, sharp, and lethal, often clocking in at just around a minute. Their speed and fury often hid their fairly catchy melodies, but the band's main function was to vent rage. Over the course of three years, Minor Threat released two EPs, one album, and several singles, all of which were quite popular in the American punk underground. Their records and concerts helped spawn straight-edge, an American punk lifestyle based on the group's intense, clean-living ideology. Following the disbandment of Minor Threat, MacKaye formed Fugazi, who became one of the more popular American indie rock bands of the late '80s and '90s.
The origins of Minor Threat lie in the Teen Idles, Ian MacKaye's first band. MacKaye formed the Teen Idles while he was attending Wilson High School in Washington, D.C., and after he graduated in 1980, he founded the Dischord record label with the intent of putting out his group's records through the label. Shortly after graduation, the Teen Idles had broken up and MacKaye had formed Minor Threat with former Idles drummer Jeff Nelson, former Government Issue bassist Brian Baker, and guitarist Lyle Preslar. By the end of the year, Minor Threat had released the singles "Minor Threat" and "Straight Edge," and had played many concerts along the East Coast. Throughout 1981, they followed this same pattern, playing a lot of concerts and releasing 7" singles. That year, they also released two EPs, Minor Threat and In My Eyes, both of which compiled their singles.
In 1982, bassist Baker had left and was replaced by Steve Hansen; Baker later played with the Meatmen, Junkyard, and Dag Nasty. With Hansen on board, the group recorded their only full-length album, Out of Step. Upon its 1983 release, the album became popular within the underground and Minor Threat were becoming alternative stars, which didn't sit well with MacKaye. By the end of the year, he broke up the band. MacKaye and Nelson continued to run Dischord, which thrived well into the '90s. The pair also played together in another band, Egg Hunt. Following the disbandment of Egg Hunt, Nelson played with a variety of bands -- including Three and Senator Flux -- before devoting his energies to running Dischord. MacKaye played with Embrace, Skewbald, and Pailhead before forming Fugazi, who carried on the aesthetic, if not the sound, of Minor Threat. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

First Demo Tape
2003

Complete Discography
1988
Dude, both the Captain and Bromide are funny as hell. But I don't agree with the Captain, but he's funny.
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The Captain is Ian Mackaye!!! That puts me in my fourties not my tweens...
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I agree with Punk Guy with the Stars in His Eyes the captain is obviously a kid or doesn't know the first thing about punk rock. Blink is total poser rock. They totally suck. They only appeal to teenagers who themselves are new to music.
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F**k that whore who calls himself or herself "The Captain". Minor Threat is one of the best hardcore bands ever. And amen, jz7878. Although Ian MacKay started the emotional hardcore scene, to him it was just hardcore about all the f**ked up emotions that we all need to purge. But then 'round about the second wave of emo, it got whiney. And blink are 3rd wave emo, so MT kinda kicked off blink, but MT is way the f**k more awesome than blink.
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...Minor Threat sounds like blink-182? I doubt that, on account of the fact that they play two different styles of punk. Minor Threat is hardcore, as stated in the band review above. A quick glance at blink's review will reveal that they play pop-punk. Also, if you have not listened to either band, just go to youtube, look for music videos from either, and you will see that they are far different from each other. Rancid mimicks more of the early Clash music, particularly their selfentitled debut
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What blew me away was the sound. I remember HS in the early 90's and being s**t faced by the sound of MT, and then stealing the CD, this is when CD's were in cardboard boxes, we used to slice the box and let the CD fall into our pants.
That aside. MT still holds strong today. |
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punk lives thru ians voice and lyrics. true punk fans know how important they were on thje modern punk scene. windmills 2 the face. pick up the change and get with the program. underground punk lives 4 ever. gutter punkes throw ur fists in the air. fahk the system. hell yeah.
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you know the sound is probobly not the best, but minor threat makes there s**t sound good
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Geeze. Calm down, guys. All I was saying is that the quality of the recording isn't the greatest and not all the instruments/ v o c a l s come through clearly. Wasn't trying to take anything away from the music. No need to get all bent outta shape over it. Can't we all just get along?
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hop on over to the eric clapton channel - you can hear that assh0les bassist loud-n-clear .
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I have a big book of all the bass players that ever existed. So why don't you look up how to be smart.
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love this band. i'm guilty of being white too. its okay. and dont b**ch about bass lines. few bands would be as good as they are without an unrecognized bassist that you probably never took the time to look up.
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these guys were the best! Still one of my favorites. True garage sound!!! Ian encapsulated the American Hardcore... nobody in the record (yes vinyl, it's like a plastic substance, whatever) there was zero support for this kind of music in "the industry" in the early 80's and nobody cared about making money so we got what the put out. Great stuff.
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Hmm. Interesting. I suppose that's what I get for wanting to hear the bass line. I forgot that punk is supposed to be recorded badly. My fault. =/
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who gives a s**t its punk its not ever supossed to sound good nowmatter what so shut the f**k up
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Minor Threat rules, but I need to get something off my chest. As much as I love the punk/indie thing, one problem keeps coming up: the recordings suck. The music itself kicks a**, but it's almost like the sound engineers (for the most part) either didn't have good equipment to work with or they didn't know how to use what they did have. A lot the stuff made back in the 70's and 80's sounds like it was recorded in a toilet.
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This band has changed my perspective on how I look at music. I look at other punk/post-ha r d c o r e bands and think to myself, "Damn, not ONE of these bands could ever even be as good as Minor Threat."
Simply stated, the best punk-hardcor e band EVER. |
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