Nine Inch Nails
Biography
Nine Inch Nails were the most popular industrial group ever and were largely responsible for bringing the music to a mass audience. It isn't really accurate to call NIN a group; the only official member is singer/producer/multi-instrumentalist Trent Reznor, who always remained solely responsible for NIN's musical direction (he was, however, supported in concert by a regular backing band). Unlike the vast majority of industrial artists, Reznor wrote melodic, traditionally structured songs where lyrics were a focal point. His pop instincts not only made the harsh electronic beats of industrial music easier to digest, but also put a human face on a style that usually tried to sound as mechanical as possible. While Ministry crossed over to heavy metal audiences, NIN built up a large alternative rock fan base right around the time of Nirvana's mainstream breakthrough. As a result, Reznor became a genuine star and his notoriously dark, brooding persona and provocateur instincts made him a Jim Morrison-esque sex symbol for the '90s. A long period of inactivity and writer's block followed, which gave virtually every alternative metal band of the late '90s a chance to rip off elements of NIN's sound.
By the time Reznor's five-year hiatus finally ended, he was still a popular figure but his commercial momentum had slowed somewhat.
Michael Trent Reznor was born May 17, 1965, in the small town of Mercer, PA; he went by his middle name to avoid confusion with his father, Michael. At age five, Reznor's parents divorced and he wound up being raised mostly by his maternal grandparents; even so, Reznor stated repeatedly that his childhood was mostly happy. He began playing the piano at age five, studying classical music, and later learned tenor sax and tuba in the school band; he also acted in musicals and became an avid Kiss fan. Reznor spent a year studying music and computers at Allegheny College, but dropped out after a year to pursue music full-time; he soon packed up and moved to Cleveland with high school friend Chris Vrenna. Around the same time, he was discovering new wave and assorted underground music; he was most fascinated with early industrial, since it offered an edgy, aggressive way to use electronic instruments. At age 19, he successfully auditioned to join an AOR band called the Innocent, which released one album, Livin' in the Streets (Reznor's picture does appear on the jacket). He quit the Innocent after just three months and subsequently gigged with local bands; he also worked in a keyboard store and as a janitor in the local Right Track recording studio. Eventually, he became a studio engineer, teaching himself various computer applications and working on his own material during off hours. In 1987, Reznor appeared in the Michael J. Fox/Joan Jett film Light of Day, where he played keyboards with a trio dubbed the Problems during a bar scene.
As Nine Inch Nails, Reznor began recording his own Ministry- and Skinny Puppy-influenced compositions in 1988, playing all the instruments himself. At first, he simply hoped to release a 12" single on a small European label, but when he sent demo tapes to around ten American labels, nearly every one offered him a deal. He wound up signing with TVT, which released NIN's debut album, Pretty Hate Machine, in 1989 (after having rejected an initial effort called Industrial Nation). Reznor quickly assembled a backing band and toured with Skinny Puppy for a short time, but soon tired of playing for strictly industrial artists. With a tighter outfit featuring Chris Vrenna on drums and Richard Patrick on guitar (plus several revolving-door keyboardists), he consciously chose to open for alt-rock acts (including, early on, the Jesus and Mary Chain and Peter Murphy), partly for the challenge of winning over fans who might not have liked industrial music. The strategy helped expand Nine Inch Nails' fan base substantially; the single "Down in It" got some airplay in dance clubs, reaching Billboard's dance and modern rock charts, and MTV later picked up on the video for the more rock-oriented "Head Like a Hole." In 1991, after settling on keyboardist James Woolley, Nine Inch Nails became part of the inaugural Lollapalooza tour, which expanded their fan base by leaps and bounds. Pretty Hate Machine's momentum kept building slowly, and although it never climbed higher than number 75, it spent over two years on the album charts and eventually sold over a million copies -- one of the first indie-label rock albums to do so.
TVT had a massive hit on their hands, and to ensure that Reznor would produce another one, they attempted to take control of the follow-up's creative direction. Enraged by the outside meddling, Reznor tried to secure a release from his contract, leading to a vicious court battle. His only recording outlets were side projects; in 1990, he co-wrote and sang on "Suck," a track on Pigface's debut album, Gub, and also sang on the Al Jourgensen-led 1000 Homo DJs cover of Black Sabbath's "Supernaut." (TVT ordered Reznor's vocals removed from the track, but Jourgensen actually just altered them slightly and said he'd re-recorded it.) Eventually, he was able to sign with Interscope, which helped him set up his own label, the Cleveland-based Nothing imprint. Reznor had been recording new material on the sly, and in 1992 Nothing released the EP Broken as well as a concurrent remix disc titled Fixed. Broken featured more (and heavier) guitars than Pretty Hate Machine, partly in response to NIN's live sound and partly as a sonic evocation of Reznor's boiling frustration in the wake of the legal wars; it also featured two bonus cuts, a version of "Suck" and the Adam Ant cover "(You're So) Physical," a nod to Reznor's new wave roots. Despite many reviews characterizing the EP as a harrowing, difficult listen, Broken -- supported by NIN's now-considerable fan base -- debuted in the Top Ten and the first single/video, "Wish," won a Grammy for Best Heavy Metal Performance. Reznor enhanced his reputation as a provocateur with a widely banned clip for "Happiness in Slavery," which depicted S&M performance artist Bob Flanagan being torn apart by a machine; there was also a long-form clip for Broken that was never released commercially due to its graphic content (a torture victim is dismembered while viewing NIN videos).
Reznor moved to Los Angeles to craft the second full-length NIN album, assembling a studio in the house where actress Sharon Tate was murdered by Charles Manson's associates. The Downward Spiral was a highly ambitious work, a concept album indebted to progressive rock that featured the most detailed, layered studio craft of any NIN release yet. Hugely anticipated, the album debuted at number two and became one of the bleakest multi-platinum albums ever. Richard Patrick had departed the touring band to form Filter, and Reznor revamped the group with drummer Vrenna, keyboardist Woolley, guitarist Robin Finck, and bassist Danny Lohner. NIN caused a sensation at that summer's 25th-anniversary Woodstock concert, performing a ferocious set after horsing around and covering themselves in mud just before hitting the stage. Meanwhile, MTV had put an edited version of the video for "Closer" in heavy rotation and NIN scored one of the year's unlikeliest hits: a song whose chorus began "I want to f*ck you like an animal," which helped make Reznor one of alternative rock's biggest sex symbols. The subdued ballad "Hurt" gained some further airplay, even though it lacked the titillating shock value of "Closer." Later in the year, Reznor assembled the soundtrack of Oliver Stone's controversial Natural Born Killers, editing the songs together to create an innovative collage; he also guested on "Past the Mission," a track on Tori Amos' second album, Under the Pink. In 1995, with new keyboardist Charlie Clouser, Nine Inch Nails hit the road with David Bowie, whose late-'70s albums (along with Pink Floyd) had been a major influence on The Downward Spiral. He also contributed a cover of Joy Division's "Dead Souls" to the soundtrack of The Crow and issued the remix album Further Down the Spiral, which nearly reached the Top 20 (a testament to his popularity).
Using money from The Downward Spiral, Reznor built a state-of-the-art studio in New Orleans in a building that had once been a funeral home. While pondering his next move in the wake of his sudden stardom, he produced Nothing signee Marilyn Manson's second album, Antichrist Superstar, which did indeed make him a superstar. In 1997, longtime friend Vrenna had a falling out with Reznor and eventually was replaced by Jerome Dillon; Reznor's maternal grandmother also passed away that year and his friendship with Manson soon deteriorated. Even so, he produced another movie soundtrack, for David Lynch's Lost Highway, and contributed the new single "The Perfect Drug," which flitted unpredictably between several different rhythm tracks. Though "The Perfect Drug" kept him in the public eye for a time, Reznor was still unsure what kind of statement would be an appropriate follow-up to The Downward Spiral; that uncertainty resulted in a severe case of writer's block. In the meantime, NIN were proving vastly influential on a new crop of bands; major labels signed up industrial metal outfits like Filter and Stabbing Westward, and an assortment of alternative metal bands started grafting industrial production flourishes onto their music; Guns N' Roses lead singer Axl Rose even fired the rest of his band and holed up in a studio to pursue a more NIN-influenced direction.
Nine Inch Nails finally returned in 1999 with the double-CD opus The Fragile. It debuted at number one with massive first-week sales, but slipped down the charts rather quickly afterward, perhaps because the musical climate had changed a great deal over the past five years. The remix album Things Falling Apart followed a year later, as did an extensive world tour. An album of live performances culled from the tour, And All That Could Have Been, was released in early 2002. Reznor was largely quiet during the next three years, finally re-emerging in 2005 with another chart-topper, With Teeth. Touring continued into 2006, where NIN spent the spring and summer on the road with various support acts including Saul Williams, Bauhaus, TV on the Radio, and Peaches. The EP Every Day Is Exactly the Same appeared in April 2006; it contained the title track and five various remixes (all originally from With Teeth). Touring America followed, and then late in the year Reznor was back in the studio working on the next album. In early 2007 the band resumed touring, this time in Europe. A viral marketing campaign began when USB key chains that contained new songs were found in the restrooms during NIN shows. These key chains also contained a noisy audio file that, when run through a spectrum analyzer, drew an audio wave in the shape of a phone number. The phone numbers were answering machines filled with conspiracy theories, there were fake websites strewn across the net, and busy Internet forums and wikis appeared to theorize about and document it all. The big payoff appeared in April when the dystopian concept album Year Zero arrived. A year later Reznor began experimenting with different methods of distribution when he made the Saul Williams album The Inevitable Rise and Liberation of Niggy Tardust available as a digital download. Reznor had helped produce the album and had planned to release it on his Nothing imprint but as his distaste for the major label system increased, so did the possibilities of digital distribution. He completely broke free from the system when he left Interscope and released the entirely instrumental album Ghosts I-IV on his own in 2008, making it available in both digital download and CD formats. The album's release also marked the end of his Interscope distributed Nothing label and the beginning of a new imprint, Null Corporation. ~ Steve Huey, All Music Guide
Selected Discography

The Slip
2008

Ghosts Iii - Iv
2008

Year Zero
2007

Y34rz3r0r3mix3d
2007

Every Day Is Exactly The Same
2006

With Teeth
2005

And All That Could Have Been (Live) (Explicit)
2002

Things Falling Apart
2000

The Fragile - Left
1999

The Downward Spiral
1994
or feel free to check out downwards stations and see how diverse they are...
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Mikie, why do you have to clump all of us together? Feel free to check my stations & see how diverse they are, even though I'm a NIN fan.
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Mikie.. you have no idea what your talkin about. Im a huge fan of NIN but I listen to everything accept Rap and Country..Tha t s alot more of a variance than youll ever know!! I dont limit myself when it comes to music. I have passion for certain groups and genres but I truley am a music lover I appreciate all music (rap isnt music just noise!)..so you can take that s**t back about us..NIN isnt ALL we listen too..so have fun trying to come up with another bash topic. WE ARE WAITING!!
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well at least we got to the source of the problem, now can we fix it.
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are you still here AoA? youve said your peace. do you need attention or some kind of approval? were you ignored as a kid? what is your motive? to save us from nin on some retarded crusade? you just make us appreciate what we love even more, i think your mad because long after you and me and everyone else in here eventually dies nin music will live on forever and be remembered as a landmark event that reshaped music as people know it, that bothers you doesnt it while your favorite band fails
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@ mike hawk, Nine Inch Nails happens to be my favorite band. Not that I or anyone else on this page has to justify that to people that have close minded ignorance such as yourself.
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hey mike what the f**k makes you think you know whats on my ipod. everyone fan in here listens to other stuff. so no i dont see the irony i just see an jurk trying to back up AoA. and as for AoA it is now officially hate not criticism. it was the first time you said it but when your repeat it over and over just differently then you become the loud obnoxious drunk guy at the bar that every one wishes would shut the f**k up, kinda like willow except he is funny.
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aoa the recognition of your opinion towards one NIN song was obvious. Do you want a gold star for that? You just have so many negative opinions about them without even knowing the facts. Their music is forever changing with the in depth layers of sounds and vocals. Trent Reznor is an artist that is exceptional at what he does. He cares about his fans as well and puts his heart and soul into his work.
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ya know what's ironic, the people on this page think they're so open minded, but the only band they listen to is NIN. HYP0CRYTES.
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the worst thing about sacramento is that the capitol is there-no thats the second worse thing-its that the deftones are from there as i am.another boring band.
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instead of smoking crack in mansions with high paid hookers giving them(im inspired by willow here)lap dances and etc. and then putting out the same old s**tty music they always put out...before you turn me in-those of you who are so open minded-this is not hate but critcisim-NI N i s boring-hes not putting out anything new or exciting-may b e thats why its free.
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I will give offer another band that can mix up pretty well, besides Deftones. Tool! They certainly have changed (for better or worst is a matter of opinion), and yet they retain alot of the qualities that made them successful. Trent Reznor is a talented musician, but I won't proclaim him The King until he wins a karaoke contest singing some Elvis. Only then will I admit that he can truly do it all!! Chino = Trents Daddy!
This is only semi serious, so if you dont like it keep on truckin! |
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a few days ago i said one of NINS was great and there has been no mention of this at all from you guys.other bands to watch out for-metallic a - s t o n e temple pilots(excep t for two great songs)rhcp,k o r n , t o o l - t h e s e bands are either unoriginal or treat their fans like crap or suing some so and so-these are the guys who would be better driving taxis------- - - -
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i have heard a lot of NIN-when i'm on this station over the years-so i have heard proably every song-none of this about hate-thats your word-wow-im fighting an army here by myself oh well-if trent is as original as you say he is he must feel like i do-alone-whe n i say a word that disagrees with the party line on this page.
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Highya, NIN rock well, and this is said while mine hippie earholes are being serviced by fergie!~
Timothy :o) |
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If you think you dont like NIN, that means you havnt given them a chance..You cant base your oppinion on just one or two songs..There is such a vairety when it comes to them..I think they have something for everyone..yo u just have to open your mind and try songs that arnt ever played on the radio. They only play like 6 songs..more or less....but the Radio cant even touch the surface of Trents music. I think you just hate NIN because you hate us..the fans..its a shame..your loss
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Trent Reznor is an artist that deserves the utmost respect that he gets from his fans. The music evolves perfectly and if you can't recognize it that's your problem. You just choose to exude too much hate and feel the need to unload it on our page. The more you do that, the stronger our passion for NIN will grow.
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aoa,in no way do NIN songs all sound the same. Each one has its own melodious originality that intensifies with every new creation. I have to listen to them on the computer or on cd because the one radio station that does play NIN doesn't play them often enough for my taste. Definitely not overplayed like your Britney Spears and lady ga ga music is. So if that's what you enjoy, then try going to those pages and praising them.
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and hope to god the rest of the album will be good, and your hate blogging for fun? that just sad. why dont you go blog on bands you like. there is a clever idea!!
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thats so passionate you get paid fifteen dollars an hour when there are people that voulenteer to do that. but you have to get paid to help people ehhh? not all of his sound are remixes not even half not even one third, giving away music isnt an enterprise. it gives people a chance to listen so that if they like it they can donate money for what they think its worth and/or make up there mind if they want to invest in going to a concert or buy merchandise unlike other bands were you hear a single
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well besides maybe deftones but they still dont hold a history or leave that bit of an impact on music like trent did.
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AoA you are slowly becoming a willow except he is funny but no one takes either one of you serious damn right "right were it belongs is a good song it a perfect example of how is music is that much eclectic. he can go from a thrashing song like happiness in slavery" to a beautiful instrumental balled "a warm place" to a complex poetic song of consiociousn e s s like right were it belongs. now does ministry do that or any other band change sounds and be that well rounded without loosing its roots?
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allow me to retort 1. he has two cd's that are free. the ghost tracks and the slip. and every cd from now on will be free(he had to get rid of his label which cost him s**t loads of money)do research before speaking please!2.lad y gaga is WAY mainstream.y o u will hear little gurls with lady gaga ring tones not nin.your comparing apples with oranges 3.his music is the most original ever heard and it gets more rounded and more complex each album, growin leaps and bounds with new technology of sounds
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as always you are entitled to your opinion, but I disagree. I never felt Trent was in it for the money. I'm not sure how you can call NIN unoriginal, or boring, or static. But whatever, I think Nails rocks and so do a lot of other people. Hope you enjoy your "better" music as much as I enjoy and am moved by NIN. and once again....wha t e v e r .
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aoa I think we all know that you like coming to our page just for kicks. Obviously no one here cares how much you hate what we love so much. Maybe you could get your 2 for 1 argument deal on the Tool page instead. Yeah ha ha ha how's that for silliness. NIN albums are commendably original one album after another. All of the true fans know that. I am here to agree with the positive comments because I love this band. You just have no regard for anything we say.
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but as an artist as i walk at night-alone- i n t o a camp of methamphetam i n e users-i could be killed at any moment-i am risking everying-my life for 15 dollars an hour...
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any band that creates its own logo-protect s its sound by experimentin g - r e m i x e s dont count-gives music away for free is a business enterprise.a n d yes-downward i would work for free but one thing i have in common with trent is this is what i do(street outreach)its my art-i am not a volunteer and i need credability to get respect with licensed professional s .
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the best thing you get when you argue with downward is you get a 2 for 1 argument because sweet little goddess will always agree and chime in with some silly insult.the bottom line is the tool,NIN,and nirvana pages are the most fun to blog on.the fans are passionate and don't bend.i'll give them that.i just hate the bands.
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so here is my argument
1.free music is a marketing ploy-thats been around forever and it was for just one cd 2.lady ga ga and brittany spears sell more records that trent-so sales don't qauntify quality. 3.his music is unoriginal,s t a t i c , n o t growing-very boring |
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radiohead gave their music for free-his records aren't free-go to best buy and try walking out with one.what do mean ? didn't you study marketing at jc.the music is not original.tha t s my critical judgement.it all sounds the same.its boring.there are at least three hundred better bands out there and lady ga ga just sold two million copies-so f**king what.?its s**t.
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no one here is buying what your trying to sell. partly because you argument is biased, unfounded and you have no facts. just hatred. and thats your loss and burden. were happy. and any ways how can you call any artist money gruber can you put a price on music or what its worth you you? no. so dont put a price on what i feel is comftorable paying for something i love and feel passionate about. i just pray you find something you feel that passionate about insteat of trying to price everything.
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good for you anarchy. an official broken record, willow wanna be. know one cares if you dont like reznor or you think they are money grubbers(eve n though he gives his music away for fee. Do you work for free? any ways your opinion is welcome its when you become a condescendin g prick over and over is when you become beligerant and lose peoples respect for you. lets face it you vs 500,000 plus fans and you think im going to give you what you have to say into consideratio n ? not me or anyone here
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Wow! That's pretty wild william. When I was 10 I was listening to the Police, and Def Leppard. Later, The Doors, and Pink Floyd. But anyways, how lucky for you to have been able to listen to NIN at that age! I've loved NIN since the 90s and they are the most influential industrial band ever. I just can't get enough of their music.
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While previous generations grew up w/ The Who or the Ramones I was lucky enough to be blasting Reptile at the tender age of 10. What were my parents thinking? Oo yeah,thats right, they weren't mwahahahahha h a h a
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Not to be argumentativ e with u willow, but you cannot compare Godsmack to NIN. I'm a fan of both, especially since Sully is a fellow pagan, but to call them metal? true metal? I'm sorry but you have lost it. Nails rocks so much harder than Godsmack. Rethink your position...p l e a s e .
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