Accept
Biography
With their brutal, simple riffs and aggressive, fast tempos, Accept was one of the top metal bands of the early '80s, and a major influence on the development of thrash. Led by the unique vocal stylings of screeching banshee Udo Dirkschneider, the band forged an instantly recognizable sound and was notorious as one of the decade's fiercest live acts. Despite recording two of the best heavy metal albums of the decade in Restless and Wild and Balls to the Wall, Accept remained too heavy and extreme for American audiences to embrace -- even when they tried to tone down their act with more melodic songs. Ultimately having conquered the rest of the world, but with their career stalled in the U.S., Accept fell apart, and by the time they reunited years later there was nothing left for them to say.
Vocalist Udo Dirkschneider formed Accept in his hometown of Solingen, Germany, in the early '70s, but it wasn't until quite a few years later that the band settled on a somewhat stable lineup, including guitarists Wolf Hoffman and Gerhard Wahl, bassist Peter Baltes, and drummer Frank Friedrich. A well-received performance at the Rock Amrhein Festival in 1976 brought them national attention, and they finally obtained a recording contract after replacing Wahl with guitarist Jorg Fischer two years later. Issued in 1979, their eponymous debut was badly produced, featured mostly subpar songwriting, and did absolutely nothing for the group. But with the arrival of new drummer Stefan Kaufmann prior to 1980s much-improved I'm a Rebel, the band had the final ingredient they were looking for, and their popularity began growing by leaps and bounds.
1981's even more accomplished Breaker was engineered by Michael Wagener (who would go on to produce such major hard rock acts as Motley Crue, Alice Cooper, and Ozzy Osbourne, among others) and continued to develop Accept's trademark sound, featuring the massive crunch and tight precision of Hoffman and Fischer's guitars laying the foundation for Dirkschneider's inimitable shriek -- akin to Bon Scott on helium. They also signed a worldwide deal with CBS Records subsidiary Portrait, and secured professional management from Gaby Hauke, who, under the Deaffy pseudonym, would help the band write most of their English lyrics from this point forward. Despite Fischer's sudden departure after a successful European tour supporting Judas Priest, the band was now poised to conquer Europe with their powerful Teutonic heavy metal.
All the elements were falling into place, and with the release of 1982's Restless and Wild, Accept finally stamped their passports to stardom. A heavy metal milestone, the album broke the band's career wide open, established their signature sound for years to come, and in the incredible "Fast as a Shark," featured possibly the first true thrash metal song ever recorded. Guitarist Hermann Frank was brought in for the ensuing tour, which, thanks to their ferocious live shows (including choreographed headbanging stage antics), turned the band into true stars all across Europe and the U.K. 1983's equally revered Balls to the Wall was an even greater commercial triumph, and qualified as one of the most obsessive, sexually explicit albums of all time. Led by the controversial title track, it broke the band worldwide and earned them their first magazine headlines in America. Fischer was invited back into the fold at this time, and the band embarked on a yearlong word tour that took them as far as Japan and culminated in a triumphant appearance at the 1984 Castle Donington Monster of Rock Festival.
With America now looming in their sight, the band decided to hire producer Dieter Dirks (of Scorpions fame) to give 1985's Metal Heart a more commercial edge and extra sense of melody. Also with U.S. audiences in mind, they abandoned the hedonistic fetishes of releases past in favor of a much lighter sexual tone and typical heavy metal subject matter like the title track's apocalyptic vision. The results were mixed, for while the album certainly helped to further their cause in the States -- where they embarked upon a very successful tour sharing a double bill with Swiss hard rockers Krokus -- it tarnished their reputation among some of their loyal following back home. A live EP recorded in Japan entitled Kaizoku Ban kicked off the new year, as the band prepared to begin work on their seventh album, Russian Roulette, again with Michael Wagener at the controls. A somewhat rushed, halfhearted attempt to backtrack into more aggressive metal territory, the album led to a serious splintering within the group, and after headlining a sold-out European tour with Dokken in support, Accept announced that they were taking an open-ended break so that Dirkschneider could record a solo project.
Simply called U.D.O., the singer's first album, Animal House, was actually written and performed by his former bandmates. But when {U.D.O}. released a second album, Mean Machine, in 1988, backed by a new band, the remaining members of Accept (Fischer had left once again) began trying out new vocalists, eventually settling on American David Reece for 1989's Eat the Heat. A lightweight metal album, it bore little resemblance to classic Accept, and the band's subsequent U.S. tour (with second guitarist Jim Stacy) was first interrupted when Kaufmann suffered a back injury (he was replaced by House of Lords' Ken Mary, then cut short due to poor ticket sales and increasing personality differences with Reece). The group eventually disbanded and, except for the release of 1990s Staying a Life (a live album featuring the original lineup in their prime), nothing was heard of Accept for the next three years.
To everyone's surprise, Dirkschneider, Hoffman, Baltes, and Kaufmann eventually reconvened in 1992 to record Objection Overruled, which fared relatively well in Europe but didn't even dent the alternative rock-dominated U.S. market. The band continued to tour Europe and recorded sporadically over the next few years, releasing Death Row in 1994 and Predator (featuring Damn Yankees drummer Michael Cartellone) in 1996. Their final world tour included swings through North and South America and concluded with a number of sold-out engagements in Japan, after which Accept officially called it a day. ~ Ed Rivadavia, All Music Guide
Selected Discography
Head Over Heels is one of my favorite '80s metal songs. Hammerfall did an exceptional cover version of it too. ^.^
|
||
Accept is possibly the best metal band I have ever heard. I will never forget the 80's with the 70's muscle cars, lots of beer and the heavy metal of Accept blasting in the deserts of El Paso, TX !!!! Those were the days.
The Metal Gods have claimed you for themselves. Rock on!! |
||
Accept is awesome. Even though it's older music, it still rocks in my book.
|
||
This is some good stuff! I like me some good tunes and this is one of them!
|
||
Kick a** band. Always has been and always will be and if you don't like it, get your balls to the wall!
|
||
Dirkschneide r and Ozzy are my favorite metal vocalists. I think Balls to the Wall is the top metal song ever, I'll get lots of dissent on that but thats my opinion.
|
||
No one is mentioning the best concert I ever witnessed... Accept opening for Iron Maiden's Powerslave tour! What a combo! We were pumped by the time IM hit the stage.
|
||
Nothing better than a germen midget telling you to get YOUR BALLS TO THE WALL!
|
||
all i can say is "YOU GET YOUR BALLS TO THE WALL" and thats all i need to say
|
||
Great 80's metal band. UDO was on the high score lists of many Asteroid, Defender, and Dig Dug machines!! Hey, it was three letters and they rocked back then.
|
||
Fav of mine since '83...still have some home made cassetes of Restless and Wild and Breaker...
|
||
Awesome band with lots of amazing songs! They also sound alot like both AC/DC singers combined (to me at least) But where is Metal Heart? :(
|
||
GREAT BAND FOR AWHILE ANYWAY, UDO IS COOL , I saw them in there day to, opened for Saxon
|
||
this band is the opitome of metal wollfe hofman is a six string slinger , better than most viable guitar slingers , ive seen them in the day . 1985, was agood year for metal all scores settled and put metal on the map withballs to the wall already out restless and wild out there too . many good memories of UDO slinging our banner of the band at the shows . they wre what we all needed thanx
|
||
Too heavy for America? Ever hear of Judas Priest? I completely disagree with the assessment that they were ever too heavy for an American audience especially during that time period. I fell instantly in love with Balls to the Wall. Here's your sign of victory!
|
||
I'm going to suggest that they might have been about 5 to 10 years ahead of their time. Considering Udo's voice, he doesn't fit well with the *singers* of the 80s, and might have done better -- sounded really strong -- against the grungier sounds of the late 90s. There's my positive spin on a band I don't like.
|
||
ACCEPT IS ONE OF THE GREAT BANDS.ANY ONE WHO HAS HEARD FAST AS A SHARK FROM THEM KNOWS THE BAND IS DIFFERENT THAN ANYTHING ELSE YOU'LL EVER HEAR.THEY MADE VERY GOOD SONGS EVEN SOME OF THE OLDER STUFF FROM THEM IS GOOD.IF YOU GIVE THEM A CHANCE THE MUSIC GROWS ON YOU. IT'S CLASSIC 80S MUSIC METAL BAND.
|
||
Accept was screamin and playing thrash riffs long before Metallica and Megadeth came along. One of Germany's best imports. Along with Metal Heart, check out Death Row, Staying A Life, and the Final Chapter. Evern Eat the Heat was good, Udo was missed. These guys were true pioneers.
|
||
ive seen these guys numerous times . udo wolfe hoffman , etc. this is in the eighties before balls to the walls fame great voice in the era of creating metal gods like raven , exciter ,mttalica whatever well missed live but memories are forever
|
||
One of my favorite bands of all time. I will always remain RESTLESS AND WILD!!!!
|
||
Accept ROCKS! Its hard to believe that they didnt carry on. My friends & I always played The Balls to the Wall LP during KEG parties growing up.
|
||
Hell yea. I saw the Balls to the Wall tour! This s**t was and is so hot!
|
||
You are right. They were THE best metal band to not make it big. The lead singer was probably not "pretty" enough.
|
||
You know it is sad that this group was not accepted by the US fans. I saw them on their Balls to the wall tour with Saxon, I felt these were some of the best groups of the 80's.
|
||
| report abuse |


