Aphex Twin
Biography
Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. James' recordings as Aphex Twin brought him more critical praise than any other electronic artist during the 1990s. Though his first major single, "Didgeridoo," was a piece of acid thrash designed to tire dancers during his DJ sets, ambient stylists and critics later took him under their wing for Selected Ambient Works 85-92, a sublime touchstone in the field of ambient techno. James' reaction to the exposure portrayed an artist unwilling to become either pigeonholed or categorizable. His second Aphex Twin album, Selected Ambient Works, Vol. 2, was so minimal as to be barely conscious -- in what appeared to be an elaborate joke on the electronic community. Follow-ups showed James gradually returning to his hardcore and acid roots, even while his stated desire to crash the British Top Ten (and perform on Top of the Pops) resulted in a series of cartoonish pop songs whose twisted genius was near-masked by their many absurdities. His iconoclastic behavior surprisingly aligned with MTV audiences turned on to end-of-the-millennium nihilist pop along the lines of Marilyn Manson and Nine Inch Nails.
James began taking apart electronics gear as a teenager growing up in Cornwall, England. (If the title Selected Ambient Works 85-92 is to be believed, it contains recordings made at the age of 14.) Inspired by acid house in the late '80s, James began DJing raves around Cornwall. His first release was the Analogue Bubblebath EP, recorded with Tom Middleton and released on the Mighty Force label in September 1991. Middleton left later that year to form Global Communication, after which James recorded a second volume in the Analogue Bubblebath series. This EP (the first to include "Digeridoo") got some airplay on the London pirate radio station Kiss FM, and prompted Belgium's R&S Records to sign him early the following year. A re-recording of "Digeridoo" made number 55 in the British charts just after its April 1992 release date, and James followed with the Xylem Tube EP in June. He also co-formed (with Grant Wilson-Claridge) his own Rephlex label around that time, releasing a series of singles as Caustic Window during 1992-1993. Available in cruelly limited editions, most of the recordings continued the cold acid precision of "Digeridoo" -- though several expressed humor and fragility barely dreamed of in the hardcore/rave scene to that point.
The climate for "intelligent" techno had begun to warm in the early '90s, though. The Orb had proved the commercial viability of ambient house with their chart-topping "Blue Room" single, and R&S scrambled to find useful material from its own artists. In November 1992, James acquiesced with Selected Ambient Works 85-92, consisting mostly of home material recorded during the past few years. Simply stated, it was a masterpiece of ambient techno, the genre's second work of brilliance after the Orb's Adventures Beyond the Ultraworld. As his star began to shine, several bands approached him to remix their work, and he complied, with mostly unrecognizable reworkings of tracks by St. Etienne, the Cure, Jesus Jones, Meat Beat Manifesto, and Curve.
Early in 1993, Richard James signed to Warp Records, the influential British label that virtually introduced the concept of futuristic "electronic listening music" with a series of albums (subtitled Artificial Intelligence) by ambient techno pioneers Black Dog, Autechre, B12, and FUSE (aka Richie Hawtin) among others. James' release in the series, titled Surfing on Sine Waves, was recorded as Polygon Window and released in January 1993. The album charted a course between the raw muscle of James' nose-bleed techno and the understated minimalism of Selected Ambient Works. A deal between Warp and TVT gave Surfing on Sine Waves an American release (James' first) by the summer. A second album was released that year, Analogue Bubblebath 3, for Rephlex. Recorded as AFX, the LP renounced any debt to ambient music and was the most bracing work yet in the Aphex Twin canon. On a tour of America with Orbital and Moby later that year, James clung to the headbanging material, to the detriment of his mostly unreplaceable gear. He later cut down on his live performance schedule.
In December of 1993, the new single "On" resulted in James' highest chart placing, a number 32 spot on the British charts. The two-part single included remixes by old pal Tom Middleton (as Reload) and future Rephlex star µ-Ziq. Despite James' appearance on the pop charts, his following album, Selected Ambient Works, Vol. 2, appeared to be a joke on the ambient techno community. So minimal as to be barely conscious, the quadruple album left most of the beats behind, with only tape loops of unsettling ambient noise remaining. The album mostly struck out with critics but hit number 11 on the British charts and earned James a major-label American contract with Sire soon afterward. During 1994, he worked on the ever-growing Rephlex stable, signing µ-Ziq (Michael Paradinas), Kosmik Kommando (Mike Dred), and Kinesthesia/Cylob (Chris Jeffs) to the label. In August 1994, he released the fourth Analogue Bubblebath, this one a five-track EP.
The year 1995 began with the January release of Classics, a compilation of his early R&S singles. Two months later, James released the single "Ventolin," a harsh, appropriately wheezing ode to the asthma drug on which he relied. I Care Because You Do followed in April, pairing his hardcore experimentalism with more symphonic ambient material, aligned with the work of many post-classical composers -- including Philip Glass, who arranged an orchestral version of the album's "Icct Hedral" on the August 1995 single Donkey Rhubarb.
Later that year, the Hangable Auto Bulb EP replaced Analogue Bubblebath 3 as Aphex Twin's most brutal, uncompromising release -- a fusion of experimental music and jungle being explored at the same time on releases by Plug and Squarepusher. In July 1996, Rephlex released the long-awaited collaboration between Richard James and Michael Paradinas (µ-Ziq). The album, Expert Knob Twiddlers (credited to Mike & Rich), watered down the experimentalism of Aphex Twin with µ-Ziq's easy-listening electro-funk. The fourth proper Aphex Twin album, November 1996's Richard D. James Album, continued his forays into acid-jungle and experimental music. Retaining the experimental edge, but with a stated wish to make the British pop charts, James' next two releases, 1997's Come to Daddy EP and 1999's Windowlicker EP, were acid storms of industrial drum'n'bass. The accompanying videos, both directed by Chris Cunningham, featured the bodies of small children and female models (respectively) dancing around, all with special-effects-created Aphex Twin faces grinning maniacally.
James released nothing during the year 2000, but did record the score to Flex, a Chris Cunningham short film exhibited as part of the Apocalypse exhibition at London's Royal Academy. With very little advance warning, another LP, Drukqs, finally arrived in late 2001. Although James continued making frequent DJ appearances, he released no more material until 2005, when Rephlex issued the first installment in a lengthy, 11-part series of 12" singles titled Analord. The singles' minimalist acid techno harked back to his Caustic Window/Analogue Bubblebath material of the early '90s. Chosen Lords, a CD compilation of some of the Analord material, appeared in April 2006. ~ John Bush, All Music Guide
Selected Discography

Richard D. James Album
1996

...I Care Because You Do
1995

Classics
1995

Selected Ambient Works Volume II
1994

Selected Ambient Works 85-92
1993
While I feel his more experimental braindance stuff is something you have to acquire a taste for, his earlier ambient techno works are absolutely amazing.
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So, Rich James is all the below stated. Enough then. Zephyr fester Kasper queer vest Xever.
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"Nannou" sounds like something you'd hear on Bjork's Vespertine album. I love it!
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Pure emotion. what can i say aboout this guy.. well i guess i can say that 99% of people have no clue what big kicks were getting and probably never will.... im ok with that.
zercoolxxxxx @ g m a i l . c o m |
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I'm going to try that when I get home from work. Thanks for the idea.
Have you seen the face that appears in the spectrograph viz during the song on Windowlicker ? You probably have. Incredible. |
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By the way: Try listening to both CDs of DrukQs at the same time. If you sync it up right, it's one of the most incredible things you will ever hear. Good luck!
Also: Aphex is a techno god. Enough said. |
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I quit composing music electronical l y b/c of this guy. Aphex twin broke thru the walls of sound in every way i dreamt.
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Don't stick AFX in any small category of music, yes his stuff is great and widely varied.. 'Selected ambient Works' to 'Come to Daddy' span a wide listening range so sit back, relax and hold on for the ride. You can never be to sure what your going to get when listening to AFX, well... except that it will be great music.
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damn thats a long bio.. =^_^=
i bet this guy s**ts awesomeness! |
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Aphex Twin is like a little good vibe fairy that sprinkles epic on you.
Thanks Aphex Twin Fairy for sprikling Epic on my day! |
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Same with me, I didn't like him at all at first, but now he's one of my favorite artists
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can't.....st o p . . . . . l i s t e n i n g . . . . t o . . . . . a p h e x twins....
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it's difficult to make electronic music emotional, but he stirs you... i love it
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I really enjoyed the ripoff of Kate Bush's video that he did. He's awesome...be e n a fan since '93. He's a diggable freak...love him.
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I Want Your Soul,
I Will Eat Your Soul. I Want Your Soul, I Will Eat Your Soul. I Want Your Soul, I Will Eat Your Soul. I Want Your Soul, I Will Eat Your Soul. COME TO DADDY. Repeat × 8. Repeat Line 1 × 3. Aargh. lmao it took me a while to appreciate his music, but now I love it! |
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It is good music, but it seems really repetitive. I also agree with Roman Alec Langrock. Freaky album art...
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Honestly, I dont think people were ready for this kind of music. I'm just glad things came around.
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melodies are captivating tears die-as numbness soars under the mediocrity lie and past the fog beyond the dark moor dwells the insincere core-why do we fool ourselves,ev e r y day,all day long wrapped in fear,numb to the captivating tear.
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There was a time in my life where I would listen to Windowlicker and IZ US about 10 times a week per song. He is an amazing, talented artist.
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His album "Selected Ambient Works Volume II" gave me one of the most horrifying, and eye opening experiences of my life (coupled with mushrooms). I've loved his music since I was pretty young (14, 24 now) even before I knew what electronic music encompassed. You can really hear a sense of emotion, intelligence and other worldly stuff you can not even begin to describe in his music. Although his ambient works are by far my favorite, Drukqs, Windowlicker , and Come to Daddy are all amazing as well
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My hero...
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I only really enjoy the selected ambient stuff from Aphex Twin.. (no techno or beats or any of that..) any other artists you guys recommend along that same genre?
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If you want a good expiriance Listen to the Richard D. James Album First Before you start talkin S**T!!!!!!
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