Barry White
Biography
Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. He was at home appearing on Soul Train, guesting with a full band on The Today Show, and appearing in cartoon form in various episodes of The Simpsons. During the '70s, Dinah Shore devoted a full hour of her daily syndicated Dinah! show to White. While there was a period where Barry White wasn't releasing records or making the pop charts, he did stay active touring and appearing on other artists' records including Quincy Jones' "The Secret Garden (The Seduction Suite)," Regina Belle, and rap star Big Daddy Kane's "All of Me." It's surprising to find out that such an illustrious career almost didn't happen because White wasn't interested in being a recording artist.
Born in Galveston, TX, Barry White grew up singing gospel songs with his mother and taught himself to play piano. Shortly after moving from Texas to South Central Los Angeles, White made his recording debut at the tender age of 11, playing piano on Jesse Belvin's "Goodnight My Love." He made his first record when he was 16 with a group called the Upfronts. The song was called "Little Girl" on a local L.A. label called Lummtone Records. Later he worked for various independent labels around Los Angeles, landing an A&R position with Bob Keane, the man responsible for the first pop recordings by Sam Cooke. One of his labels, Mustang, was hot at the time with a group called the Bobby Fuller Four in 1966. White was hired for 40 dollars a week to do A&R for Keane's family of labels: Del-Fi, Mustang and Bronco. During this time, White flirted with the idea of being a recording artist, making a record for Bronco called "All in the Run of a Day." But he chose to stick with his A&R duties. One of the first groups he worked with was the Versatiles who later changed their name to the 5th Dimension. White's first big hit came from an artist familiar to dancefloor denizens -- Viola Wills, whose "Lost Without the Love of My Guy" went Top 20 R&B. His salary went up to 60 dollars a week. White started working with the Bobby Fuller Four. Bob Keene and Larry Nunes -- who later became White's spiritual advisor and true friend -- wanted to cut a female act. White had heard about a singer named Felice Taylor. They had three hit records, "It May Be Winter Outside," "I'm Under the Influence of Love," and "I Feel Love Coming On." They were huge hits in England. White started making 400 dollars a week.
When Bronco went out of business, White began doing independent production. Those were some lean times for White. Veteran arranger Gene Page, who would later arrange or co-arrange White's hits, helped him out, giving him work and non-repayable loans. Then three years later, Paul Politti, who also worked at Bronco, contacted him to tell him that Larry Nunes was interested in starting a business with him. Nunes had started cutting tracks for a concept album he was working on. Meanwhile, White had started working with this girl group who hadn't done any singing professionally. They rehearsed for almost a year. White wrote "Walkin' in the Rain (With the One I Love)" with lyrics that were inspired by conversations with one of the singers, Glodean James (who would later become White's second wife). White christened the group Love Unlimited.
Larry Nunes took the record to Russ Regan, who was the head of the Uni label owned by MCA. Love Unlimited's From a Girl's Point of View became a million-seller. Soon after, Regan left Uni for 20th Century Records. Without Regan, White's relationship with Uni soured. With his relationship with Uni in chaos and Love Unlimited contract-bound with the label, White decided he needed to work with another act. He wanted to work with a male artist. He made three song demos of himself singing and playing the piano. Nunes heard them and insisted that he re-record and release them as a recording artist. They argued for days about it. Then he somehow convinced White to do it. White was still hesitating up to the time the label copy was made. He was going to use the name "White Heat," but the record became the first Barry White album. That first album was 1973's I've Got So Much to Give on 20th Century Records. It included the title track and "I'm Gonna Love You Just a Little More Baby."
White got a release from Uni for Love Unlimited and they joined him over at 20th Century Records. Then he had a brainstorm for another concept album. He told Regan he wanted to do an instrumental album. Regan thought he had lost it. White wanted to call it the Love Unlimited Orchestra. The single, "Love's Theme," went to number one pop, was a million-seller, and was a smash all over the world. The song earned him a BMI award for over three million covers.
For the next five years, from 1974 to 1979, there was no stopping the Barry White Hit Train -- his own Stone Gon, Barry White Sings Love Songs for the One You Love ("It's Ecstasy When You Lay Down Next to Me," "Playing Your Game Baby"), Let the Music Play (title track, "You See the Trouble with Me"), Just Another Way to Say I Love You ("I'll Do for You Anything You Want Me To," "Love Serenade"), The Man ("Your Sweetness Is My Weakness," "Sha La La Means I Love You," "September When We Met," a splendid cover of Billy Joel's "Just the Way You Are"), and Love Unlimited's In Heat ("I Belong to You," "Move Me No Mountain," "Share a Little Love in Your Heart," and "Love's Theme," with lyrics). He also scored a soundtrack for the 20th Century Fox film The Together Brothers, enjoying a resurgence on home video.
His studio band included such luminaries as guitarists Ray Parker, Jr. (pre-Raydio, co-writer with White on "You See the Trouble With Me"), bassist Nathan East, Wah Wah Watson, David T. Walker, Dean Parks, Don Peake, bassist Wilton Felder of the Crusaders, Lee Ritenour, drummer Ed Greene, percussionist Gary Coleman, and later keyboardist Rahn Coleman. His hit streak seemed, well, unlimited. Then it all derailed. Russ Regan and another ally, Hosea Wilson, left 20th Century Records and White was left with management that he thought of in less than glowing terms.
White left after fulfilling his contract with two more album releases, Love Unlimited Orchestra's My Musical Bouquet and his own I Love to Sing the Songs I Sing. White signed a custom label deal with CBS Records. At the time it was touted as one of the biggest deals ever. He started a label called Unlimited Gold. The roster included White, Love Unlimited, the Love Unlimited Orchestra, Jack Perry, and a teenaged singer named Danny Pearson who charted with a song called "What's Your Sign Girl." He also did a duet album with Glodean James called Barry & Glodean. Aside from the gold album The Message Is Love, most of the albums weren't huge sellers. After eight Barry White albums, four Love Unlimited albums, four Love Unlimited Orchestra albums, constant touring, and dealing with the rigors of the music industry, White decided to take a break.
Then in 1992, White signed with A&M, releasing the albums The Man Is Back, The Right Night & Barry White, and Put Me in Your Mix (which contains a duet with Issac Hayes, "Dark and Lovely"). The Icon Is Love became his biggest-selling album since the '70s releases, going multi-platinum. It includes the platinum single "Pratice What You Preach." The production lineup includes Gerald Levert and Tony Nicholas, his godson Chuckii Booker, Jimmy Jam and Terry Lewis, and White and his longtime friend Jack Perry. While some later efforts buried his vocals in whiz-bang electronic effects, on The Icon Is Love, White's deep steam engine baritone pipes are upfront in the mix. Staying Power followed in 1999, showcased in the best tradition of soul music where the focus is the singer and the song. The album earned White two Grammys. White's career took him from the ghetto to international success with 106 gold and 41 platinum albums, 20 gold and ten platinum singles, with worldwide sales in excess of 100 million.
White, who suffered from hypertension and chronic high blood pressure, was hospitalized for kidney failure in September of 2002. He was undergoing dialysis treatment, but the combination of illnesses proved too much and he died July 4, 2003 at a West Hollywood hospital. By the time of his death, Barry White had achieved a near-universal acclaim and popularity that few artists achieve and even fewer within their own lifetime. ~ Ed Hogan & Wade Kergan, All Music Guide
Selected Discography

Love Collection
2004

The Best Of Barry White: 20th Century Masters The Millennium Collection
2003

The Ultimate Collection
2000

All-Time Greatest Hits
1995

The Icon Is Love
1994

Put Me In Your Mix
1991

The Man Is Back!
1989

Greatest Hits Vol. 2
1981

The Man
1978

Sings For Someone You Love
1977

Let The Music Play
1976

Just Another Way To Say I Love You
1975

Barry White's Greatest Hits
1975

Can't Get Enough
1974

Stone Gon'
1973
IT WAS AT A HIGH SCHOOL CLASSMATE HOUSE THE FRIST TIME I HEARD I.VE GOT SO MUCH TO GIVE AND BARRY WHITE HAS BEEN A PART OF MY LIFE EVER SINCE. 35 YEAR LATER I STILL LOVE THE SONGS. I WILL ALWAYS LOVE YOU BARRY
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The ICON of love. INDEED!! With WHITE in the background your "love sessions" are somehow,more POTENT.
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He was the master of a love song. I grew up listening to him as a teenager. He will be missed forever.
Mark From Michigan |
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NAIMFISHER@Y A H O O
MAY THE PEACE AND BLESSING OF ALLAH (GOD)BE UPON YOU. LOVE FOR EVER AND ADAY. |
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I grew up to the music of this incredible artist, I'm 59, and still get my "Groove On". everytime I hear Barry. I still DJ Private functions here in Angola NY, and I still play Barry, to get the "Luv Flowin".
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I grew Up with Barry....I love his sensual voice...This man had an orchestra... Y o u can't get any better than that.
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I've got to expound on Kevin's comment; Barry White is the reason a generation of kids were born, nobody's voice was ever smoother,mor e mood setting or sensual. There will never be another! Rest in Peace, your gift is sorely missed. DJ EASY STEVE.
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Just a comment is enough for this great singer (RIP), UNIQUE & DIVINE!!!!!! ! ! ! ! ! I have admired him since I was 12 years old, he had a beautyful voice.
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As I've gotten older, I can really, really appreciate his love songs.And I'm 60 now. When I was younger his music was ok, but now I Love his music. Time does change things and people! Go head Barry and play on! Please continue to play Barry White.
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Oh, the sound. In the old days if you wanted romantic music this was it. If you couldn't get a girl relaxed with this, then it was you. So smooth, so fine. Five years he has been gone this week; what a loss, but thank you Barry for the joy.
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What a classy artist with priceless music. And oh...his voice is so captivating. The "Maestro" will always be remember. Sho' You Right!!!!
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I truly LOVE this man and his music. God truly broke the mold after his demise and there' NO other. God bless him! This is from Mara from Miramar, FL, 2008.
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i definitely miss the mistro, there never be another BARRY WHITE!!!
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BARRY WHITE VOICE MAKE ME WANT TO TAKE OFF MY CLOTHES WHEN IT IS 30 BELOW OUTSIDE, HIS VOICE IS JUST THAT SEXY AND OHH SOOO SWEET.
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hola soy D puerto rico quiero conocer gente me pueden llamar al 787-747-0733 soy alegre . ME llamo RIcardo Espero TU llamada
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He has a very sexxy voice you want to hear it all the time. Pure pleasure, I am sure is he looking down at all of us really enjoying his great gift that he has given to us,,,,, Thank you sir for all the good times.You are the best ever..
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Love and truly miss him thank God he left his music and his Love
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My hubby and I really enjoyed Barry's music and in fact still do we really do miss him I pray that he knows that we loved him.
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What can you say, if you are a true Barry White fan as I am there are no words to describe him, he is all that and then some
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This man and his music will truely be missed. A stack of Berry White albums ready to play, a bottle of wine, a few candles, your girl and your night was about to be special. Barry was a 70's icon. Pure romantic soul !!!!!!!!
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One of the saddest Labor Day holidays came to fruition when Barry White flew up to see his Angels. He had a unique voice, a unique style and always packed the music stadiums in Philadelphia . He is truly missed.
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I loved this man growing up in the 70's!!! His music is so sexy and romantic!!
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