Bathory
Biography
In a musical realm where scale of influence has little to do with commercial success, few originators of the extreme metal arts evoke as deep a sense of mystery, or incite such hushed, reverential tones of admiration, as Sweden's Bathory. Essentially a one-man operation helmed by the mysterious Quorthon, Bathory's development from the rawest form of embryonic black metal, to thrash, death, and back to its self-devised Viking-themed black metal, has mirrored and regularly defined the genre's very evolution. Indeed, along with Switzerland's Celtic Frost, Germany's Kreator, and Denmark's Mercyful Fate, they easily qualify as one the most important European extreme metal acts of the '80s and '90s. The Swedish-born multi-instrumentalist Quorthon (also known as Black Spade and/or Ace Shoot, although his real name, Thomas Forsberg, is still the subject of debate) formed Bathory in 1983 with sidemen Hanoi (bass) and Vans (drums). These two would soon be ejected, however, just as soon as they'd completed work on two of the best tracks heard on 1984's now infamous Scandinavian Metal Attack compilation. Influenced by every form of speed metal known to man at the time (which, admittedly, wasn't much), Bathory soon staked a claim as Scandinavia's answer to Motörhead and Venom (from whose song "Countess Bathory" they attained their name).
And, like Venom's early work, Bathory too were challenged by the downright primitive recording conditions of Heavenshore Studios (actually a converted car garage and storage space) -- limitations which inadvertently set the rough, uncompromising template that was later carefully scrutinized and accepted as gospel by generations of black metal-metal musicians. In fact, 1984's eponymous debut and its like-minded successor, 1985's The Return were so inaccessible, so unprecedented in their abrasive anti-commercialism, as to be ahead of their time, carving a niche all their own within this quickly developing subgenre. Interestingly, the additional curiosity that Bathory rarely performed live (and never, after 1985), and that these recording provided almost no information about its constituents (which, aside from main man Quorthon, briefly included various anonymous bassists and drummers going by the monikers Kothaar and Vvornth) only added to their cult-like mystique over time. Not even this promising start was enough to sustain Bathory's momentum within such limited stylistic boundaries, however, and, after exhausting the possibilities of rudimentary black metal with his first two efforts, Quorthon realized that a creative face-lift was necessary. Sure enough, over the course of their third and fourth albums, 1987's transitional Under the Sign: The Sign of the Black Mark and 1988's watershed Blood Fire Death, Bathory re-focused its interests -- away from rock & roll-based arrangements and towards a more purely European aesthetic. Gradually incorporating symphonic elements drawn from classical music into its black and death metal base, by the time of Blood Fire Death Quorthon had abandoned most of the rote Satanic/Christian-bashing lyrics of yore, and embraced the pagan themes and Viking mythology of his ancestors. This anthemic approach culminated in what many consider to be Bathory's finest hour, 1990's landmark concept opus Hammerheart. Part quantum leap, part continuation of Blood Fire Death's sketches, the album in no way recalled Bathory's humble origins, and provided the archetype for 1991's nearly-as-revered Twilight of the Gods, to boot. Confirming the impact of this vision, these three works helped ignite a surge of patriotism through music for countless Scandinavian youths, who subsequently began celebrating their pre-Catholicism cultural heritage. Sadly, while commendable for encouraging a self-contained and highly inventive local scene (featuring Mayhem, Emperor, Darkthrone et al.), this movement also sowed the seeds for future acts of hateful vandalism (as ghoulish as they were absurd) and outright murder at the hands of a small extreme contingent. Ironically, Quorthon himself had by now grown weary of the stereotypes and artistic trappings of the revolution he'd helped galvanize. Feeling uninspired to write any new music in that vein, he abruptly announced Bathory's demise and spent the next two years compiling the Jubileum, Vol. 1, Vol. 2, and Vol. 3 collections. When his desire to compose finally did return, the music he came up with was so unlike anything ever released under the Bathory banner, that he chose to put out 1994's simply named Album under the Quorthon moniker instead. Filled with surprisingly straightforward alternative rock, the record nevertheless revitalized Quorthon's interest in heavy metal, and a new Bathory L.P, Requiem (released later that year), saw a return to the simple, brutal thrash metal of yesteryear. Subsequent Bathory efforts gradually upped the ante once again, as longer songs and more complex death, black, and even industrial metal elements were cautiously added to the mix for 1995's Octagon. In turn, 1996's ultra-doomy, Conan the Barbarian-inspired Blood on Ice marked a return to the Viking metal style, and offered a retooled collection of previously abandoned sessions from seven years earlier. But, besides proving that this epic style was back in his plans, the album's greatest reward may have lain in the extensive liner notes penned by Quorthon. These not only explained the long overdue album's release, but also revealed a significant amount of information about Bathory's until then very murky history -- almost to the point of upsetting older fans' long-held theories and expectations of their hero, ironically enough. 1997's second Quorthon set, the double disc Purity of Essence, arrived next, and again served as a repository for non-Bathory-like ideas; and the third installment of the Jubileum 'best of' series arrived a year later to close yet another chapter, and signal another extended layoff. Inevitably, however, Quorthon resurrected Bathory once again in 2001; his new album Destroyer of Worlds inaugurating a new phase at first characterized by a more streamlined, rock-oriented approach, while striking a mature balance with the grand scope of works past. But those Viking inclinations were once again brought to the fore on the subsequent, twin-album project Nordland, part one of which was released in late 2002, and part two arriving in 2003. Unfortunately, this return to both the style and form of old glory would prove to be Bathory's swan song, when, with a number of as-yet-unreleased demos already under his belt, Thomas Forsberg -- the living black metal legend known as Quorthon -- was found dead in his Stockholm apartment on June 7, 2004, apparently a victim of heart failure. With his death, so dies Bathory, although there is no doubt that his career-long record label Black Mark (owned and operated by Quorthon's father) will eventually unveil any unreleased Bathory material which may still lie in their vaults. ~ Ed Rivadavia, All Music Guide
Selected Discography

Jubileum, Volume III
1998

Jubileum, Volume II
1994

Jubileum, Volume I
1994

Hammerheart
1990

Blood Fire Death
1988

Under The Sign Of The Black Mark
1987

Bathory
1984
I wouldn't f**k a jew; they carry diseases!!
Keep spreading the Hate!! |
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Valhalla doesn't exist, you can go on and pretend if you like... Why do the brutal bands always incite antisemitism ? Whenever i'm on a slayer or mayhem page someones always like "F**K THE JEWS" You're here and then your dead, don't waste your time with that schismatic bullshit. Our paths all began in the same place, and they will all end the same. The universe has no conceptions of right or wrong, it doesn't care if you're jew or Aryan, the worms agree we're all good enough to eat so STFU |
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Even before they were bathory they made it big. The most shocking thing about this band is that they have more than doubled the maximum sales ever for a black metal band. Last I checked they were at about 2, 878 and counting. That is a little too commercaial for my taste but they continue to impress me with all that masculine grunting and all that shaking of the horns and what not. Rather super if you ask me;)
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@Punk Guy: If you like ambient music at all, there is a really good Black Metal/ Black Ambient Band from Canada (not United States, but still America) called Wold (they need to get them on here) But I agree. Almost all of the good Death/Black metal is in Europe. We have good music, just not so much in those genres.
Anyhoo, this kicks a**. Bathory rules. |
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Why is it that all the good metal bands are from Europe? All the american metal bands cannot touch bands like Immortal or Bathory, except maybe Slayer.
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ALL HAIL THE METAL WARRIOR THAT WAS QUORTHON! ALL LESSER JEWISH SLAVES BOW BEFORE THE VIKING METAL MASTER! THE ALL FATHER AWAITS YOU IN THE GREAT HALLS OF VALHALLA!
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jesus is a dead jew ov yhwh and the jewniverse created in the minds ov jewish ethnocentici s t ov supremacy screw that crap they are the real racist
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I'm listening to "Shores in Flame" right now...I like it a lot. What's a good first Bathory alblum?
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How many nights i sat there with my headphone blasting in the pitch dark of my room , listing to Bathory my mind void of everything but the mood and sound of his music. if there was only one man standing at the end of the batle of armogeddon, it would be Quorthon, well and Jesus, but Jesus is god so that really dont count
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Well, I wasn't planning to die as a useless old f*rt, my planned way to die is being on the field of battle surrounded by the corpses of *nearly* all of my enemies...
RIP Quorthon. I'll see you in Valhalla! |
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You guys do realize that in Norse mythology the only way to get into valhalla is to die in battle right?
Hail Bathory! |
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Oh no.... do I have to go into the explanations of who doesn't go to Valhalla here too?
One Rode to Asa Bay is a sweet song though. |
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Ed needs to actually learn about these bands, quorthon said flat out in an interview during the 90's he's only heard 2 venom songs and has never even owned an album he was just interested in the story of countess bathory, that being said, One road to asa bay and Satan my Master are my favorite songs from any genre. Hails to bathory, Hails to Quorthon, till we meet in valhalla RIP
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Do you know what a paragraph is? Because that is a gigantic paragraph...
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Even though alot of people consider Bathory A black metal band in my opinion their early material will always be thrash to me. R.I.P Quorthon your music is legendary... . A legacy of brutality!
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can't go wrong with bathory
well yeah you can really, a lot of bad things happen if you think too far into it... RIP Quorthon |
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If bacon - the food - could sing, this is what it would sound like. That was meant to be a compliment. This is great music.
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Hail Quorthon god of all that is evil I await the day when I can finally shake his hand in the Halls of Valhalla
RIP |
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Qourthon wa sperhaps the greatest song writer of all time, and one of the best guitar players ever, because of the emotion that oozed out. RIP QOURTHON!
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god wut a voice. how duz he do that through the hole song. yes i no it kinda creeped me out but now i kinda dig it.
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any1 know y some peoples guy or wut ever r blue and sum r grey? btw bathory rulez. not my favourite satanic band. still pretty good. ace's voice kinda givz me the chills. his voice iz so weird. but cool.
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awsome band, and R.I.P. Quothon. but the weird voice kinda creeps me out.
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