Bauhaus
Biography
Bauhaus are the founding fathers of goth rock, creating a minimalistic, overbearingly gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers. Throughout their brief career, the band explored all the variations on their bleak musical ideas, adding elements of glam rock, experimental electronic rock, funk, and heavy metal. While their following has never expanded beyond a cult, they kept their cult alive well into the '90s, a full decade after they disbanded.
The group formed in 1978 in Northampton, England. Guitarist/vocalist Daniel Ash, bassist/vocalist David J (born David Jay Haskins), and drummer Kevin Haskins had played together as a trio called the Craze before forming Bauhaus with vocalist Peter Murphy. Originally, the band was called Bauhaus 1919 after the German art movement; by 1979, they had dropped the 1919 from their name.
In August of 1979, the group released their debut single, "Bela Lugosi's Dead," on the independent record label Small Wonder Records. Although it did not make the pop charts, it became the de facto goth rock anthem, staying in the U.K. independent charts for years. Three months later, the group signed with Beggars Banquet's subsidiary label, 4AD. The group's second single, "Dark Entries," was released in January 1980. Following their first European tour, Bauhaus released their third single, "Terror Couple Kill Colonel," in the summer of that year, which became a hit on the indie charts.
After touring America for the first time in September, the group released a version of T. Rex's "Telegram Sam." In October, they released their debut album, In the Flat Field, which reached number one on the independent charts and number 72 on the pop charts. The success of the album led to their first hits on the pop charts; both "Kick in the Eye" and "The Passion of Lovers" made the U.K. Top 60 in 1981. In October, they released their second album, Mask, which revealed a more ambitious musical direction; the new direction, which featured elements of metal and electronic sonic textures, made the music more accessible without abandoning the dark, foreboding core of their music. Mask was a commercial success, peaking at number 30 on the U.K. charts.
In March of 1982, Bauhaus released the EP Searching for Satori, which reached number 45 on the U.K. charts; another successful single, "Spirit," followed in the summer. That fall, the group had a number 15 hit with their version of David Bowie's "Ziggy Stardust." The success of the single propelled their third album, The Sky's Gone Out, to number four on the album charts.
Murphy contracted pneumonia at the beginning of 1983, which prevented him from participating in the recording sessions for Bauhaus' fourth album, Burning From the Inside. Consequently, the record featured substantial contributions from Ash and J, who both pursued more personal and atmospheric directions. After Murphy recovered, the band toured Japan and then returned to the U.K. to promote the summer release of Burning From the Inside. The album was another hit, peaking at number 13. In July, Bauhaus split up.
After Bauhaus' breakup, Murphy formed Dali's Car with Japan's Mick Karn and then pursued a solo career. Ash continued with Tones on Tail, a project he began in 1981; Kevin Haskins also joined the band after Bauhaus' split. J made some solo records and joined the Jazz Butcher briefly. Ash, Haskins, and J formed Love and Rockets in 1985 after a proposed Bauhaus reunion fell apart because Peter Murphy wasn't interested in the project. More than a decade later, however, with the careers of both Love and Rockets and Peter Murphy at a standstill, Bauhaus re-formed for several live dates in Los Angeles, mounting a full-blown tour in 1998; the two-disc Gotham documented the reunited group's performance at New York's Hammerstein Ballroom. In 2008, the band resurfaced again with Go Away White, a studio album they promised as their last statement. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Los Angeles 10.29.05 (Live)
2006

Gotham
1999

In The Flat Field
1998

Crackle
1998

Swing The Heartache: The BBC Sessions
1989

1979-1983 Volume One
1986

Press The Eject And Give Me The Tape
1982

The Sky's Gone Out
1982

Mask
1981

Go Away White
I love it.
Mysterious. Thought-prov o k i n g . Original. Hypnotic. Addictive. The kind of music I search for . . Bauhaus masters it all beautifully, surprising me one song at a time. |
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These guys kinda sound like the pre-Tool. Thanks Pandora, never heard of these guys before. The lead singer definitely isn't Maynard, but they got sorta the same "feel"
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One Word; Groundbreaki n g (Oh wait that's two words). Amazing, Haunting and betwitching even after all these years.
A must for all you little kids. |
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No synth in Bauhaus, all the sounds you think are synth are from an E-Bow or are feedback from big amps. I do not know why I keep seeing listings that say Bauhaus have "cold synth sounds" Check the album credits if you do not think so. Iv also seen them play live three times and never saw a synth on stage.
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Hate goths? Some of my best friends/foll o w e r s are goths.
...they still look silly. |
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I enjoy mocking goths. What can I tell you? They are easy targets. They dress silly. They conform within their dull, non-conformi s t creeds. That said, Bauhaus finds a way to my musical sweet spot now and then.
Mr. Bauhaus still builds some awful buildings though. He should stick to music I say. |
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ah! i agree with both of you!
bauhaus=imag i n a t i o n = a w e s o m e ! ! ! |
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I love what Mascera said.... that's what this song is about... letting your imagination go .... into any dark place that you want...lets find that corpse and dance around all night. I remember when this song came out and I thought finally there are people out there that think like I do... so cool....
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I love Bauhaus. Makes me want to sacrifice a goat and then dance around it's corpse.
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Joy Division
The Cure Siouxsie And The Banshees The Sisters Of Mercy New Order, Their music is the only reason I made it through the early 80's...The failure of my first marriage w/ 3 kids and the loss of a good job, 27 years later they still entertain me ..oh, my kids also love these bands too and they found them on their own.. I guess it's in the blood, and not the EMO flavor of the month club.. commercial bull crap that that it's turned into. "Turn off your TV set" and "Hang the DJ"! Pandora |
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"While their following has never expanded beyond a cult..." Is it me or are Pandora's writers almost constantly dinging 80's alternative rock bands' lack of massive record sales or for not being mainstream enough?
Maybe you should let people who don't think Fall Out Boy is the shizz write these things up. |
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The fact that goth girls everywhere still get moist over this stuff almost 30 years later is an amazing testament to the significance of Bauhaus.
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ya thats a true statement. cause trolls are freaking sweet. i wanna live under a bride though and eat baby's.
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I agree Michellecb73 , I miss Bauhaus so much. I miss music that made me feel this way.
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I love the press the eject and give me the tape version of Bela Lugosi's Dead better than the original....
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and i heard that everyone on the internet is a troll.
except me. i'm not cool enough to be a troll. |
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I heard that on the set of "The Hunger", Susan Sarandon did all these guys. Except the lead singer because he thinks he really is a vampire and can't have sexual intercourse.
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i'm ashamed to admit this but when i first bought their CD after owning much other goth music i didn't like them or understand how they are goth.
But after i listened to it a few times and saw the gotham DVD i fell in love too. Now i like them almost as much as i like Diva Destruction and Voltaire. I've been known to put just the song Severance on repeat for an hour. |
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oh PLEASE,"caLy X " .
just because mr. Murphy is influenced by artaud does not make him "his generations artaud". cut the pseudo-intel l e c t u a l i s m already. artaud was SO MUCH CRAZIER than the admittedlY talented yet aLso fairLY pretentious and preening mr. murphy. mr. artaud perhaps would have pissed in peters' coffee cup of counter cultured collections. |
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Bauhaus is what started "it" all for me. The first time I saw them live, I was completely blown away by their artistry and intensity... e s p e c i a l l y Peter Murphy. His stage presence is AWESOME! When he looks at you, you feel like he's reaching down into your soul! I'll never be the same again, and I'm glad!
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When I am in the presence of Mssrs. Peter Murphy, Daniel Ash, David J and Kevin Murphy, every cell in my body is at attention, and I know, as I know my name that I am in the presence of art, of poetry, of beauty, of strident mockery, of the razor's edge, and the wanton's charms more deeply, better, closer than at ANY other time in my life. You may think this is hyperbolic. Learn to listen and to see more deeply. Peter Murphy, for me, is his generation's Antonin Artaud, and I feel blessed each
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BEST BAND EVER!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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why not mention the glam 70"s /trex obsession they had? You folks who are interested in this band should bathe yourselves in the right 60's and 70's rock to fully get the musical art of Bauhaus..... . . . . . . . .
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Saw them live in '99. Who ever said that time travel was impossible? It was as good as ever.
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