Black Flag
Biography
In many ways, Black Flag were the definitive Los Angeles hardcore punk band. Although their music flirted with heavy metal and experimental noise and jazz more than that of most hardcore bands, they defined the image and the aesthetic. Through their ceaseless touring, the band cultivated the American underground punk scene; every year, Black Flag played in every area of the U.S., influencing countless numbers of bands. Although their recording career was hampered by a draining lawsuit, which was followed by a seemingly endless stream of independently released records, the band was unquestionably one of the most influential American post-punk bands. A full decade and a half before the fusion of punk and metal became popular, Black Flag created a ferocious, edgy, and ironic amalgam of underground aesthetics and gut-pounding metal. Their lyrics alluded to social criticism and a political viewpoint, but it was all conveyed as seething, cynical angst, which was occasionally very funny. Furthermore, Black Flag demonstrated an affection for bohemia -- both in terms of musical experimentation and a fondness for poetry -- that reiterated the band's underground roots and prevented it from becoming nothing but a heavy metal group.
And it didn't matter who was in the band -- throughout the years, the lineup changed numerous times -- because the Black Flag name and four-bar logo became punk institutions.
Black Flag was formed in 1977 by guitarist Greg Ginn, a graduate of UCLA. Ginn formed the band with bassist Chuck Dukowski; the pair soon added drummer Brian Migdol and vocalist Keith Morris. At the same time, Ginn and Dukowski formed an independent record label, SST, which released the band's first EP, Nervous Breakdown, in 1978. Morris and Migdol departed the following year -- Morris went on to form the Circle Jerks -- and they were respectively replaced with Chavo Pederast and Robo. By the release of 1980's Jealous Again, Black Flag had begun to tour the U.S. relentlessly, building up a small, but dedicated, following of fans. After the release of Jealous Again, Pederast left the group and was replaced by Dez Cadena. However, Cadena preferred to play guitar, and his transition to that instrument in 1981 gave the group a heavier sound; his replacement on vocals was Henry Rollins, a Washington, D.C., fan who jumped on-stage to sing with the band during a New York performance.
Early in 1981, Black Flag signed a record contract with Unicorn Records, a subsidiary of MCA. The band delivered their first full-length album, Damaged, to Unicorn; the label refused to release the record, citing the content of the music as too dangerous and vulgar. Undaunted, Ginn released the album on his own SST Records. Upon its release, the album received considerable critical acclaim. Soon after it appeared on the shelves, Unicorn sued Black Flag and SST over the release of Damaged. For the next two years, the band was prevented from using the name Black Flag or their logo on any records. During that time, the group continued to tour, and surreptitiously released Everything Went Black, a double-album retrospective that contained no mention of the band, although it listed the names of the members on the front cover. The dispute ended in 1983, when Unicorn went bankrupt and the rights to the Black Flag name and logo reverted back to the band (by this time, Cadena had left to form his own group).
As if to make up for lost time, Black Flag became impossibly prolific when it returned to recording in 1984. A new version of the group -- featuring Ginn on guitar and bass (the latter was credited to the pseudonym Dale Nixon), Rollins, and drummer Bill Stevenson -- recorded the albums My War and Family Man. After those two albums were recorded, the group added bassist Kira Roessler and cut Slip It In, its third official album of 1984. In addition to those three albums, Black Flag released the cassette-only Live '84 and the compilation The First Four Years in 1984, as well as reissuing Everything Went Black with all the proper credits restored. The group's touring and recording pace didn't slow in 1985; they released three records: Loose Nut, The Process of Weeding Out, and In My Head. By the end of the year, Anthony Martinez replaced Stevenson on drums.
After Black Flag released the live album Who's Got the 10½? in early 1986, Greg Ginn broke up the band. Ginn recorded two albums with the more experimental Gone, but he primarily concentrated on running SST Records, which had become one of the most important American independent labels of the era. By the time Black Flag broke up, SST had already released albums by such bands as Hüsker Dü, the Minutemen, Meat Puppets, and Sonic Youth. For most of the late '80s, Ginn retired from performing, choosing to operate SST Records instead; during this time, the label released the first recordings from bands like Soundgarden, Dinosaur Jr., and Screaming Trees. Ginn returned to music in 1993, releasing a solo album on his new record label, Cruz.
Following Black Flag's breakup, Henry Rollins formed the Rollins Band. For the rest of the '80s, he released music recorded with the Rollins Band on a variety of independent labels, as well as solo spoken-word recordings. In the early '90s, Rollins became one of the most recognizable figures of alternative music. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Wasted Again
1987

Who's Got The 10 1/2? (Live)
1986

Loose Nut
1985

The Process Of Weeding Out
1985

In My Head
1985

Nervous Breakdown
1978
i would love to meet Ian McKaye, he would be such a neat interesting person to meet!
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And fakitch, Jello Biafra is the better poet, also Jello wrote the guitar parts of all DK's songs with his f**king VOICE!! Henry Rollins could not do that, he cant sing worth s**t, but damn can he scream and shout.
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Then why do you do it? Anywho, Flag is a really good band and also an important band. They and the Dead Kennedy's and Fugazi and Bad Religion and many other 80's hardcore/mel o d i c hardcore/cro s s o v e r thrash bands helped punk evolve into the many shades of it that can be found today. Black Flag was much better at humour and personal s**t than politics, songs like Damaged, Fix Me, and Nevous Breakdown are classics. And Marryanne, Bob Coffins was being ironic.
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dude rollins beat poetry is f**king amazing its magnificent yeah hes kindof a dick but he never sold out to any of that s**t and influenced punk as we know it so back the f**k off
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not right....I'm not right.....YO U ' R E NOT RIGHT!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
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Black Flag was an amazing band, Rollins is a pretenious(s i c ) tool. He thinks he is a f**king poet just becauase he can string together a stanza of bad political free verse. Oh and f**k the whole mall punk/metal scene, Thank you "grogalien". Oh and by the way Jello Biafra embodies punk way the hell more than Henry Rollins, also Jello Biafra was a poet before Rollins, so there. However Flag was still amazing, despite the fact that Rollins is a misodgynist prick.
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black flag is a really cool band. my favorite album by them is way "Damaged".
dude "Bob Coffins" real punks do not date Nicole Richie. She's a dick. No punk should be in that kind media with the stars and stuff. that's just gay a** |
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its funny how all the mall metal/punk crowd is so ready to yell sellout at any one whoes mommy and daddy dosent pay their bills so they dont have to live in the real world.lets see how "hardcore" "punkgod003" i s when he is pushing 50 something.
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who would thought henry rollins would sleep with lou dobbs-well they were still a f**king great band
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No matter what anyone says, Black Coffee Blues is a great book. Helped me put things in a perspective I could understand when I was younger.
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No way dude, real punks date Nicole Richie and wear platinum chains and Gucci shades.
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Today Rollins is a sell-out self absorbed, prick who buys his own B.S. about how awesome he is. But when he was in Black Flag he ws one hardcore M.F. I just wish Rollins would look at himself in the mirror and wak the f**k up. I was at a music festival once and Rollins played between rancid and me first and the gimmie gimmie's. rRollin's band was the chill band where everyone stopped slamming and moshing and relaxed. should tell you what he became.
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one of least talented groups in my collection, but certainly one of the most fun to listen to. with rollins, they were a punk wrecking ball.
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let me here u say fuckkkkkkkkk k k k k k k k k k k k k k k ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! f**kin ninjas simply hardcore f**king ninjas
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Yeah! Real punks have talk shows and play bit parts in bad Charlie Sheen movies!
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this is punk not the crap today - green day can kiss my tush - I've seen them and dead kennedy's, dead boys, vibrators, real punk not the trash wanna be money punk stars today - that is not punk it is wanna be - you have to live it and play it - i'm 50 years old I've sen punk bands - black flag is it - tv part tonight
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Yeah, I heard them and the Misfits would beat up Motley Crew. I hope thats true!
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Yeah, I heard them and the Misfits would beat up Motley Crew. I hope thats true!
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This is real punk. Bands like Taking Back Sunday and Good Charlette really piss me off. I can't believe they even think they are close to punk. Poppy a** s**t.
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sabbath,ramo n e s , a n d black-flag make my world happen....gr e g ginn f.t.w.
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