Bora Yoon
Selected Discography

Proscenium
2003

Outspoken?
1999
I'm going to leave a comment about Fleshbag (TM) instead. Click on Fleshbag's name and you'll see his auto-bio, which blames the cocaine use and mafia connections of the record executives who released his album for the fact that it's no longer available. Then there's the bitterness of his critique of Bora Yoon's lovely music. I suggest that Fleshbag get some kind of help -- spiritual, medical, psychologica l -- in getting a handle on his bitterness and anger. As an artist who has struggled with
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Check out Bora's youtube clips. she's evolved into a sound architect, using instruments and objects that aren't conventional l y thought of as 'musical' to create amazing pieces. As a budding choreographe r , i'm excited to create movement to her work. Bora, thank you for demonstratin g how to 'create outside the box'. Big metta, Rod
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While Fleshbag (TM)'s comment may be to some degree pertinent, I wonder whether the pungency of the critique is conditioned in any way by the likelihood that name Fleshbag (TM) removes accountabili t y from the writer.
The cost of the album, it seems to me, is less relevant than the production and performance quality, and the quality of the songwriting. The lyric and delivery of the same strike me as derivative particularly of Alanis Morissette, but this is, first, a tough act to follow, and seco |
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Bora Yoon is her own biggest fan and it comes out in her self fulfilling songs. While listening to her act the part of a singer/songw r i t e r you are overwhelmed with the feeling that at the very same moment she is also listening to her albums herself. then as you try to read into her voice abit more you are taken with the idea that the production of her two nearly identical albums must have cost her parents a fortune. Bora yoon has the unique sound that you only hear from wanna-be musician friends
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