Cher
Biography
Cher has had three careers that place her indelibly in the public consciousness, and two have been in association with her then-husband, composer/producer/singer Salvatore "Sonny" Bono (February 16, 1935-January 8, 1998). She charted major hit records in the 1960s and 1970s, working in idioms ranging from early-'60s girl group-style ballads to Jackie Deshannon folk-influenced pop, to adult contemporary pop in the manner of later Dusty Springfield. She also embarked on an acting career, initially in the late 1960s in association with her work as part of Sonny & Cher but later on her own, which led to a series of increasingly polished and compelling performances in Silkwood, Mask and Moonstruck, for which she won the Academy Award for Best Actress.
Cherilyn Sarkisian was born in California in 1946; she was 17 when she first met Salvatore "Sonny" Bono, a songwriter and protégé of producer Phil Spector. Bono brought her to Spector, who used her as a backup singer and produced one single by her, a novelty Beatles tribute record called "Ringo I Love You" issued under the name Bonnie Jo Mason. It disappeared without a trace, but the couple were undaunted -- they emerged as a duo, initially called Caesar & Cleo, later that year, and cut "The Letter," "Do You Wanna Dance" and "Love Is Strange. "
Caesar & Cleo didn't trouble the chart compilers with any degree of success, but late in 1964, Cher (then known as Cherilyn) was signed to Liberty Records' Imperial imprint, and Bono came along as producer. A Spector-ish version of "Dream Baby" managed to get airplay in Los Angeles, becoming a local hit, and they suspected they were onto something. That same month, Sonny & Cher, as they were now known, signed to Reprise Records and released their first single, "Baby Don't Go." The song became a major local hit in Los Angeles, after which the duo jumped from Reprise to the Atco label, a division of Atlantic Records. In April 1965 their first single, "Just You" was released and rose to number 20 on the charts. The duo was on its way, and Cher also had Imperial Records after her for a second single. The couple had seen the Byrds pioneer commercial folk-rock with Bob Dylan's "Mr. Tambourine Man," and had witnessed them performing another Dylan number, "All I Really Want to Do" at a club in Los Angeles. The group intended to issue their own recording of "All I Really Want to Do," but Cher, with Sonny producing, beat them to the punch with her own recording of the song.
She pursued a dual career for the next two years, cutting solo recordings under Sonny's guidance that regularly charted, and duets with her husband for Atco. A month after "All I Really Want to Do," they released "I Got You Babe," which was one of the biggest-selling and most beloved pop/rock hits of the mid-'60s, and the couple's signature tune across two eras of success. Cher's solo career ended up slightly overshadowed by her work with Sonny & Cher, but at the time she was fully competitive on her own terms -- her first LP reached the Billboard Top 20 and was on the albums charts for six months. "Bang Bang (My Baby Shot Me Down)" was another hit, a million-seller that made number three in America and England, and she made the Top Ten once more with her 1967 single "You Better Sit Down Kids." The latter song, written by Bono (and which was also a hit for Glen Campbell), dealt with divorce, an unusual subject for a 1960s pop record, and was one of a series of releases on which Cher's music broached difficult areas -- others were "I Feel Something's in the Air," which dealt with unwanted pregnancy, and "Mama (When My Dollies Have Babies)," both written by Bono.
Cher's solo career at Imperial, which had created some political problems for the couple at Atlantic, ended with the lapsing of her contract in 1967, and she moved to Atlantic. Ironically, it was this move that contributed the unhappy reversal of the couple's fortunes at the end of the decade.
By the end of the 1960s, Sonny & Cher were no longer selling records. A series of commercial missteps, coupled with a change in public taste, had sharply curtailed their sales, and a pair of movies (Good Times, Chastity) had lost millions. Additionally, they were no longer recording for Atlantic -- though they were still under contract to them -- owing to the label's decision to take Cher's solo recordings out of Sonny's hands and assign a new producer to her.
Coupled with the presentation of a bill from the Internal Revenue Service for $200,000 in back taxes, these events left the couple in dire financial straights at the end of the 1960s. They were forced to play club dates, opening for artists like Pat Boone, and it was there that their second career, and a second career for Cher, took shape. A new contract with Decca Records in 1971, coupled with a chance at a summer replacement gig on the CBS television network, brought them a second chance at success.
The try-out on television was a success, as the couple proved to be as funny as they were musically diverse. It took a little longer to find a new formula for Cher's music -- her initial single on Decca's Kapp label, "Classified 1A," written by Bono, was a failure; a serious song dealing with a girl's feelings for a boyfriend killed in Vietnam; it was topical in all the wrong ways to become a pop chart success. Producer Snuff Garrett was recruited to work with her, and he found a series of songs that were perfect for Cher's maturing talent.
"Gypsies, Tramps and Thieves," a conscious attempt to emulate Springfield's "Son of a Preacher Man" (which also recalled Cher's own "Bang Bang") was released late in 1971 and became a number one hit and a million-seller. To some listeners, "Gypsies, Tramps and Thieves" was the epitome of schlocky pop/rock, but the song's subject matter, unusual tempo changes, and an incredibly memorable chorus-hook became a vehicle for a transcendent performance by the singer, marking Cher's maturation as an artist (the B-side, "I Hate to Sleep Alone," written by Peggy Clinger of the Clinger Sisters, curiously enough, managed to recall Sonny's Spector-influenced productions from the Imperial years). A follow-up album, featuring her covers of contemporary hits such as "Fire and Rain," sold well also, and her next single, "The Way of Love," a revival of a mid-'60s Kathy Kirby hit, solidified the image of a new, more confident and powerful Cher. And the debut of the couple's regular network variety series on CBS in January 1972 brought them back to the center of American and international popular culture in a more mature, wittier guise, and one that concentrated much more on Cher as a personality.
Her 1960s music ran the gamut from Spector-style miniature teen-pop symphonies to covers of contemporary adult pop ("It's Not Unusual") and folk-rock, all cut under Bono's guidance. Her voice wasn't very rich or powerful, but it was expressive and surrounded by Bono's radiant Spector creations, and she could put over an almost inappropriately cheerful sounding version of "The Bells of Rhymney" or "Blowin' in the Wind." By contrast, her early- 1970s material, solo or with Sonny, had a more adult point of view and personality. {"Gypsies, Tramps and Thieves"} and the later number one solo hits "Half-Breed" and "Dark Lady" were dramatic, highly intense performances, almost as much "acted" as sung, and very different from her 1960s output.
In 1974, it was revealed that the couple's marriage was coming to an end. Ironically, Cher came out of this split more secure than her husband, despite his having guided her career for a decade and having all of the real training in the entertainment business. She embarked on an acting career, even as she continued to make headlines for her romantic exploits, including an affair with (and two marriages to) Gregg Allman. She became a far better actress than she was a singer, first revealed in Mike Nichols' Silkwood (1983) and then in Peter Bogdanovich's Mask (1985) and George Miller's The Witches of Eastwick (1987). Her acting peers caught on to the worth of her work in time for an Academy Award for Best Actress for her performance in Norman Jewison's 1987 romantic comedy Moonstruck.
Since the mid-'70s, Cher has been known more for her acting than for her music, although she has continued to record for numerous labels, including Columbia, and in 1998 scored an international chart-topping smash with the club-friendly single "Believe." She is, by Garrett's analysis, more of a stylist than a singer, and almost as much a personality as an actress, almost a modern-day Helen Morgan (Showboat, etc.) with better luck in life and career. ~ Bruce Eder, All Music Guide
Selected Discography

Live: The Farewell Tour
2003

The Very Best Of Cher
2003

Living Proof
2002

Bittersweet: The Love Songs Collection
1999

Believe
1998
i love the songs
1.I Found Someone 2.We All Sleep Alone 3.Bang Bang 4.After All 5.If I Could Turn Back Time 6.Just Like Jesse James 7.Heart of Stone 8.Save Up All Your Tears 9.Walking In Memphis 10.One By One 11.Believe 12.Strong Enough 13.All Or Nothing 14.The Music's No Good Without You 15.Song For The Lonely 16.Alive Again 17.A Different Kind of Love Song 18.When The Money's Gone 19.Love One Another and 20.Love Is A Lonely Place Without You |
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the best, awesome and strong....lo v e everything about her!
miss her concerts.... |
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ONE OF MY FAVORITES SINGER, BEAUTIFUL AND STRONG VOICE
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Love her voice what a strong singer . Love her outfits.
She always puts on a GREAT show. I would love to see her live. You go girl!!!!!!!! ! awesome ... |
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I love her style... She did not get slammed as bad as Madonna.. But she did get some flack with her outfits at the awards ceremony. She is and always will be one top favorite artist...
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I must say you have the most beautiful voice I have ever heard thanks you for the years of greatness
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1985 Cher released Geromino's Cadillac which is in my estimation, her very best song, ever. The problem is that apparently Warner Brothers must of kept it as a limited release as I cannot find it on online ? Can anyone help? Moppsy Davis
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Yeah! I remember the first album Sonny and Cher came out on, and I really loved it then. I've witnessed Cher mature more and more into a full spectrum of talent. I really love her voice, her acting, and what she has done with herself professional l y .
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Great performer! She has stood through thick and thin. She is an inspiration. When my mom turned 70, I took her to a Cher concert at her request and she loved it. Best of luck Cher!
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I Agree With all yas. Cher is a true artist! She should be alot of people's IDOLS> She was DYNAMITEIN HER MOVIES_MASK_ S O N N Y A N D CHER> SHEREALLY CAN SINGANDWILL ALWAYSSHINE> NO SHE IS NOT EVEN DONE YET! SHE WILL BE MORE POWERFULL IN THE FUCTURE> CHer is an extrodinary Lady and will come out in the end ON TOP>LOVE YA CHER!!! IF WE ALL COULD TURN BACK TIME< WE"D DO IT AGAIN!!!THAT " S MY FAVORITE TUNE>BLAZINB I T T C H I N JOSEY OR ANGEL_BIRD#3 .
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cher one of kind! true artist,has beeen my adiol since the moment i saw her at 11 being in an ophange she has beeen my muse! love her great lady.
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I LOVE LOVE LOVE Cher! Cher is a music ICON and an exceptional artist who CANNOT be matched in talent by anyone.
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I think Cher is faboulas ever since I meet her in 1964 and had lunch with her and sonny. I DONT UNDERSTAND WHY SHE IS NOT IN THE MUSIC HALL OF FAME SHE HAS EVERYTHING LOOKS STYLE AND CHARM. sO LIKE ONE OF MY FAVORITE SONG bABY DONT GO.
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The little teenage bride matured and has many years of hits to leave as her legacy.
Even some halfway decent film roles as well! Her career began with strong dependency on others, but she went-on to establish herself as a genuine talent. |
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I like the version "Walking in Memphis" sang by Cher. I like her as a singer and as an actress.
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Just wanted to send a comment when listening to Cher's music
i loved the song Believe the most cause after my divorce i hope and pray that one day i find that feeling and always wanted to meet Cher so much... her music always gets me through the toughest days when I moved to florida I was so hoping to see her in a concert I have never been to one and then I found out she does not do them anymore.. but she will always be in my heart and her music will always be there for me.... If I ever ge |
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i like you alot and your songs are awesome i got all your cd's you have made
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I REMBER HER MOSTLY AS SONY AND CHER AND THERE BABE DAUGHTER .BUT I SAW THE LOVE SHE STLL HAD FOR SONY WHEN HE DIED SKYING AND GOT TO NO HER EVEN MORE WITH HER VOICE AND SOME OFFITS WHERE WEARD .BUT I LIKE THAT SHE DID NOT CARE ABOUT WHAT SHE WORE IT WAS ALL HER MORE SHOWED OF HER PRIVATE PARTS THEN NEEDED TO BE SEAN
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She sounds very masculine but I like the song When The Monkey's Gone.
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