Curtis Mayfield
Biography
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Judged merely by his records alone, the man's legacy is enormous. As the leader of the Impressions, he recorded some of the finest soul vocal group music of the 1960s. As a solo artist in the 1970s, he helped pioneer funk and helped introduce hard-hitting urban commentary into soul music. "Gypsy Woman," "It's All Right," "People Get Ready," "Freddie's Dead," and "Superfly" are merely the most famous of his many hit records.
But Curtis Mayfield wasn't just a singer. He wrote most of his material at a time when that was not the norm for soul performers. He was among the first -- if not the very first -- to speak openly about African-American pride and community struggle in his compositions. As a songwriter and a producer, he was a key architect of Chicago soul, penning material and working on sessions by notable Windy City soulsters like Gene Chandler, Jerry Butler, Major Lance, and Billy Butler. In this sense, he can be compared to Smokey Robinson, who also managed to find time to write and produce many classics for other soul stars. Mayfield was also an excellent guitarist, and his rolling, Latin-influenced lines were highlights of the Impressions' recordings in the '60s. During the next decade, he would toughen up his guitar work and production, incorporating some of the best features of psychedelic rock and funk.
Mayfield began his career as an associate of Jerry Butler, with whom he formed the Impressions in the late '50s. After the Impressions had a big hit in 1958 with "For Your Precious Love," Butler, who had sung lead on the record, split to start a solo career. Mayfield, while keeping the Impressions together, continued to write for and tour with Butler before the Impressions got their first Top 20 hit in 1961, "Gypsy Woman."
Mayfield was heavily steeped in gospel music before he entered the pop arena, and gospel, as well as doo wop, influences would figure prominently in most of his '60s work. Mayfield wasn't a staunch traditionalist, however. He and the Impressions may have often worked the call-and-response gospel style, but his songs (romantic and otherwise) were often veiled or unveiled messages of black pride, reflecting the increased confidence and self-determination of the African-American community. Musically he was an innovator as well, using arrangements that employed the punchy, blaring horns and Latin-influenced rhythms that came to be trademark flourishes of Chicago soul. As the staff producer for the OKeh label, Mayfield was also instrumental in lending his talents to the work of other Chi-town soul singers who went on to national success. With Mayfield singing lead and playing guitar, the Impressions had 14 Top 40 hits in the 1960s (five made the Top 20 in 1964 alone), and released some above-average albums during that period as well.
Given Mayfield's prodigious talents, it was perhaps inevitable that he would eventually leave the Impressions to begin a solo career, as he did in 1970. His first few singles boasted a harder, more funk-driven sound; singles like "(Don't Worry) If There's a Hell Below, We're All Gonna Go" found him confronting ghetto life with a realism that had rarely been heard on record. He really didn't hit his artistic or commercial stride as a solo artist, though, until Superfly, his soundtrack to a 1972 blaxploitation film. Drug deals, ghetto shootings, the death of young black men before their time: all were described in penetrating detail. Yet Mayfield's irrepressible falsetto vocals, uplifting melodies, and fabulous funk pop arrangements gave the oft-moralizing material a graceful strength that few others could have achieved. For all the glory of his past work, Superfly stands as his crowning achievement, not to mention a much-needed counterpoint to the sensationalistic portrayals of the film itself.
At this point Mayfield, along with Stevie Wonder and Marvin Gaye, was the foremost exponent of a new level of compelling auteurism in soul. His failure to maintain the standards of Superfly qualifies as one of the great disappointments in the history of black popular music. Perhaps he'd simply reached his peak after a long climb, but the rest of his '70s work didn't match the musical brilliance and lyrical subtleties of Superfly, although he had a few large R&B hits in a much more conventional vein, such as "Kung Fu," "So in Love," and "Only You Babe."
Mayfield had a couple of hits in the early '80s, but the decade generally found his commercial fortunes in a steady downward spiral, despite some intermittent albums. On August 14, 1990, he became paralyzed from the neck down when a lighting rig fell on top of him at a concert in Brooklyn, NY. In the mid-'90s, a couple of tribute albums consisting of Mayfield covers appeared, with contributions by such superstars as Eric Clapton, Bruce Springsteen, and Gladys Knight. Though no substitute for the man himself, these tributes served as an indication of the enormous regard in which Mayfield was still held by his peers. He died December 26, 1999 at the age of 57. ~ Richie Unterberger, All Music Guide
Selected Discography

Superfly - Deluxe 25th Anniversary Edition
1999

The Very Best Of Curtis Mayfield
1996

New World Order
1996

Back To The World
1973

Roots
1971
I love the work Curtis Mayfield did as a member of The Impressions and his work as a solo artist. My favorites are the Superfly soundtrack and There's No Place Like America Today, among others.
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That was a good story selfstlyewiz d o m ! I have always love Curtis Mayfield, even as a kid. When I was stationed in Germany, Kurtis Blow was in town doing a show. While we were at the show, I was thinking how cool it would be if Curtis Mayfield was on the stage instead. LOL
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One of the all time greatest song writers ever in the music industry. There has been no one to tell the stories and experiences of every day life for people living in the inner city trap of society(the ghetto)like Curtis. He was real.
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I had the opportunity to meet Mr. Mayfield once in D.C. I remember my brother and I was mad as hell at our parents because we thought we were going to see Curtis Blow. True Story. Yes we were both young and dumb then. Right Bruh
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This dude here is Blacker than Blue. This guy is the greatest song writer of his time. He knew that his music was bigger that Rythem and Blues. It's SOUL MUSIC
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I agree with Maurice..... o n e of the greatest singers(soul or otherwise)an d most definetely underrated.
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One of the (if not the) most under-rated greatest soul legends of all time!
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Unterberger has done a great job summing up and enlightening others about this great brotherof ours who didn't enjoy the fame and fortune that people with 1/10 his talent get to enjoy today. Mayfield should have gotten to enjoy the across the board respect that people like frank sinatra-stev i e wonder-and james brown enjoy. dying at a early age from a stupid accident in brooklyn makes all the worse. i remember that concert and had planned to go. May the brother have all iss
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curtis mayfield is tops. without his music and lyrics I don't know how I would have made it through pre-adult hood. He is the man.
sab |
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Curtis music identified with life in the inner-city. All his music had a message that will always have a place in today's and furture inner-city life.
The Con |
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Thats why I love Pandora... I learn all this and if you do not like it , SKIP IT!!!
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another G O D
$$$$$$$$$$$$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ |
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one of america's most prolific poets, a musical legend. we won't forget you Curtis.
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Absolutely mandatory music for everyone...b u t especially for "we who are darker than blue"
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Curtis was one of the most listen to when Iwas a child he could make u see about the world and how other groups of people look at blacks.his songs is in high demand by OLd Schooler like me
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What a true testament of the human spirit without alienating-- a n d that is soul-- to me.
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where's curtis mayfield live; "stare and stare", "we people who darker than blue",and please never forget "billy jack" true socially liberating music
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im yo momma im yo daddy im that nigga in the alley im yo docta when you need want some coke have some weed you know im yo friend yo main boy in the end im yo pusha man....like my other brothers that miss that funk an soul keep on pushn
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One of the greatest musical minds to ever live, way ahead of his time. I love and miss his sound!!!!!!! ! ! ! ! ! ! ! ! ! ! !
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CURTIS MAYFEILD WAS BEFORE HIS TIME JUST LIKE MARVIN GAYE, LEROY HUTSON,SAM COOKE, OTIS REDDING ,ISSAC HAYES,BARRY WHITE,JESSIE BELVIN,AND MANY MORE BLACK BROTHERS WHO LEFT US WAAAAAAAY TOO EARLY R.I.P.MAY GOD BLESS THE MUSIC YOU ALL LEFT US.....
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Mayfield, was the master of message music.
Genius with harmony. The breaks in his musical arrangements are fantastic. Mayfield is the man!!!!! |
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