Danzig
Biography
During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish, graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metal subject matter, but took the concept of darkness to an extreme. After the demise of Samhain, Danzig formed his own eponymous band with Samhain guitarist John Christ, ex-Rosemary's Babies drummer Eerie Von on bass, and longtime hardcore drummer Chuck Biscuits (D.O.A., Black Flag, Circle Jerks); this band would prove a more effective vehicle for Danzig's obsession with the dark side. While that obsession can seem cartoonish at times, there is more to the band than meets the eye -- Danzig obviously relishes casting himself as the menacing, evil heavy metal frontman, and his theatricality often seems to indicate that his posturing is not meant to be taken very seriously. At the same time, the darkness of Danzig's vision has increasingly expressed itself over the band's career in a heavily romanticized, brooding, gothic sensibility, more quietly sinister and darkly seductive than obviously threatening or satanic, and the group's music progressed from simple, blues-based heavy metal riffs to more atmospheric, coldly haunting song textures that attempt to sonically replicate the feel of the lyrics.
Glenn Danzig cofounded the Misfits in Lodi, NJ, in 1977. When the hardcore band broke up in 1983, Danzig formed the metallic, brooding Samhain in order to experiment with different sounds, but that project imploded as well. The band Danzig was put together in 1987, and quickly inked a deal with Rick Rubin's Def American label. Their self-titled debut found Danzig playing the satanic metal singer role to the hilt, even if the band's songs sounded much the same. Danzig II: Lucifuge followed in 1990, and it broadened the band's musical palette, expanding on the simple blues riffs of the debut with more extensive forays into that style. Danzig III: How the Gods Kill marked a full-fledged entry into the realm of gothic romanticism, working to create moods rather than pounding heavy metal aggression; "Dirty Black Summer" and "How the Gods Kill" became staples on MTV's Headbanger's Ball.
Danzig next released a solo project, Black Aria, a quasi-operatic attempt at classical instrumentals depicting the fall of Satan from heaven. The band broke through into the mainstream in 1993, when a live video for "Mother," a song originally released on Danzig, became an inescapable smash on MTV and even charted as a single, nearly cracking the Billboard Top 40. Meanwhile, Danzig contributed a track entitled "Thirteen" to Johnny Cash's acclaimed 1994 effort American Recordings. The more experimental Danzig 4 was released in 1994 and entered the charts at number 29, but its quiet, moody, atmospheric subtlety didn't find as much favor with the band's new audience as the anthemic "Mother," while some longtime fans dismissed it as mellow and therefore commercial.
During the supporting tour, Chuck Biscuits left the band and was replaced by Joey Castillo. Following the tour, Danzig broke up the band and formed a new version featuring ex-Prong guitarist/vocalist Tommy Victor, drummer Castillo, and bassist Josh Lazie; this lineup released Blackacidevil on Halloween 1996. Blackacidevil was ignored by both the press and the public, falling out of the charts after a mere three weeks. 6:66 Satan's Child followed in 1999; Live on the Black Hand Side appeared two years later. In 2002 and 2004 Danzig released the stripped-down I Luciferi and Circle of Snakes, both returns to form that found the artist emulating the simplistic brutality of his 1988 debut. Black Aria II arrived in fall of 2006. ~ Steve Huey, All Music Guide
Selected Discography

The Lost Tracks
2007

Circle Of Snakes
2004

6:66 Satans Child
1999

How The Gods Kill
1992

Lucifuge
1990

Danzig
1988

Black Aria II
7..8...9... ding ding ding. Fight over. TRUE punk guy knocking ego driven corporate puppet ou FTW!
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Meeting the guy that decked Glenn in the faaaaace would still be better than meeting Glen The Giant Douche!
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I'd like to go to the Phoenix DMV and shake that guys hand for knocking out an a-hole with no talent! Good job sir!
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I love people who act like Glenn getting punched means something. I'm from Phoenix and that guy works at the DMV! I know that you can go visit him, he's a nobody. He's the guy who punched someone famous, who cares? Danzig's music and his influence remain solid. But no one would know who that other guy was if it weren't for Danzig and his fame.
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hey moomoo this page is to comment on great artists like danzig, not for you to insult someone. so grow up!! anyway old danzig or new, glenn has that voice that sets him apart from the others. only one word to describe him. AWESOME...
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Old Danzig is cool.
Anyone that goes by the moniker "moomoo" must be some 15 year-old deuchebag looking for attention. |
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I enjoy Danzig's early work much better but he is still out there kicking a**.
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I got to this page in only six mouse clicks from Kenny G's profile...th e r e really is a six degress of Kenny G...Kenny is the master...
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it ended when misfits did...not to sound negative... i mean, can i sound more negative than satan's own drama queen? yeah, i guess so. misfits was great.
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Whoever wrote this article doesn't know what he's talking about at times. "Samhain guitarist John Christ"? John Christ was never in Samhain; only Eerie Von was.
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I saw glenn in New Orlens on holloween... h e had a concert at his mansion there..it was truly an epicly evil event!! Bow down mortals!!
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I would like to see Glenn fight a real bowed-up midget , who is just on the verge of being too tall to be classified as a midget...... . . . . . . . . . . . . . . . . . . . . .
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THE MISFITS WAS & ALWAYS WILL BE THE BEST PROJECT OF HIS CAREER. STILL THOUGH SAMHAIN STILL WAS A GREAT BAND ASWELL
BGDKNK-C.C.P . |
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Haven't missed a blackest of the black since its inception. I try to pretend that I don't see that bald spot. HE IS SO FREAKING HOT!!!! I have been in love with him since about 1987. He still rocks hard.
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danzig is probably an inch shorter than henry rollins and that is about knee-high-to - a - g r a s s h o p p e r ! angry, short folks tend to rock heavily!
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like 5-2 I believe, saw him live a few years back--he's losing his hair as well!
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OK, I have got to know: how short is Glen? Not to poke fun at him, I'm just really curious.
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Danzig is one of the most influential artists of all time. After all these years he still holds true to himself. Be it Misfits, Samhain or Danzig...he' s awesome.
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omg, im these guyss namesake. no joke. my name is Danzig because of "mother". Love the music, hate the name!!
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