Danzig
Biography
During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish, graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metal subject matter, but took the concept of darkness to an extreme. After the demise of Samhain, Danzig formed his own eponymous band with Samhain guitarist John Christ, ex-Rosemary's Babies drummer Eerie Von on bass, and longtime hardcore drummer Chuck Biscuits (D.O.A., Black Flag, Circle Jerks); this band would prove a more effective vehicle for Danzig's obsession with the dark side. While that obsession can seem cartoonish at times, there is more to the band than meets the eye -- Danzig obviously relishes casting himself as the menacing, evil heavy metal frontman, and his theatricality often seems to indicate that his posturing is not meant to be taken very seriously. At the same time, the darkness of Danzig's vision has increasingly expressed itself over the band's career in a heavily romanticized, brooding, gothic sensibility, more quietly sinister and darkly seductive than obviously threatening or satanic, and the group's music progressed from simple, blues-based heavy metal riffs to more atmospheric, coldly haunting song textures that attempt to sonically replicate the feel of the lyrics.
Glenn Danzig cofounded the Misfits in Lodi, NJ, in 1977. When the hardcore band broke up in 1983, Danzig formed the metallic, brooding Samhain in order to experiment with different sounds, but that project imploded as well. The band Danzig was put together in 1987, and quickly inked a deal with Rick Rubin's Def American label. Their self-titled debut found Danzig playing the satanic metal singer role to the hilt, even if the band's songs sounded much the same. Danzig II: Lucifuge followed in 1990, and it broadened the band's musical palette, expanding on the simple blues riffs of the debut with more extensive forays into that style. Danzig III: How the Gods Kill marked a full-fledged entry into the realm of gothic romanticism, working to create moods rather than pounding heavy metal aggression; "Dirty Black Summer" and "How the Gods Kill" became staples on MTV's Headbanger's Ball.
Danzig next released a solo project, Black Aria, a quasi-operatic attempt at classical instrumentals depicting the fall of Satan from heaven. The band broke through into the mainstream in 1993, when a live video for "Mother," a song originally released on Danzig, became an inescapable smash on MTV and even charted as a single, nearly cracking the Billboard Top 40. Meanwhile, Danzig contributed a track entitled "Thirteen" to Johnny Cash's acclaimed 1994 effort American Recordings. The more experimental Danzig 4 was released in 1994 and entered the charts at number 29, but its quiet, moody, atmospheric subtlety didn't find as much favor with the band's new audience as the anthemic "Mother," while some longtime fans dismissed it as mellow and therefore commercial.
During the supporting tour, Chuck Biscuits left the band and was replaced by Joey Castillo. Following the tour, Danzig broke up the band and formed a new version featuring ex-Prong guitarist/vocalist Tommy Victor, drummer Castillo, and bassist Josh Lazie; this lineup released Blackacidevil on Halloween 1996. Blackacidevil was ignored by both the press and the public, falling out of the charts after a mere three weeks. 6:66 Satan's Child followed in 1999; Live on the Black Hand Side appeared two years later. In 2002 and 2004 Danzig released the stripped-down I Luciferi and Circle of Snakes, both returns to form that found the artist emulating the simplistic brutality of his 1988 debut. Black Aria II arrived in fall of 2006. ~ Steve Huey, All Music Guide
Selected Discography

The Lost Tracks
2007

Circle Of Snakes
2004

6:66 Satans Child
1999

How The Gods Kill
1992

Lucifuge
1990

Danzig
1988

Black Aria II
after all is said and done and someone drains all of my blood-danzig is awesome !
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Okay Glenn Danzig is frickin awesome i loved him in the Misfits. He is the frickin best.
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i don't know where the song page is and don't tell me because i'm too busy playing nirvana and radioheads 8 track in my bath tub and if i get electrocuted big fat glenn will be the last voice i'm hering-i mean fat and sassy and rauncy and too short-glenn- g o o d b y e cruel woooooorld.
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you have to admitt he's very good looking-nice and short and nice and fat-perfect tool for me and the nasty nuns.
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I hate it when people talk about a song on the band page. what f**kin' song are you referring to? make comments on a SONG on the SONG page. kthnxbai!
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Yea Glenn pushed that fat dude to get his speed freak gut off of his forehead. Vivian from the Southside Kings ate poop from dudes in prison because Aryans are just stronger than his doughy a** and he likes to push people around that are obviously smaller and more talented.
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your dorks. Glenn got knocked out by some lardass from Southside Kings or some shyt like that. Can't really remember the exact name cuz they sucked. Danzig's stuff is hit and miss. The good is fuggin' awesome. The bad- it's just horrible.
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I wish they would use the original cover of "Lucifuge". I really don't need to see Danzig's chest hair.
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I would have to agree with G. Whittington. Glenn Danzig is a douche nozzle (I like that a LOT!) He's notorious for having Napoleon complex and if the drugs haven't completely dulled my sense of memory I believe he got knocked out by someone in Pantera once for being a douche nozzle. Other than that he used to be sexy and he used to be talented. The Misfits were the best! (Better than the Cult though? I don't think so...Ian Astbury rocks!)
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growing up a young metalhead, their wasn't any other musician I thought was more scary than Glenn. Danzig is awesome, he doesn't scare me anymore though mostly b/c I am 6'5 and he's like 5'2 but he is still one of the most evil rockers in the business hands down.
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Dazing is way more awesome than the Cult. It would be the Cult opening for Dazing in terms of talent
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Love this guy! His Black Aria (the first more than the second) represents one of my favorite albums to write to. I love the cover art on his albums, too. I saw him with Type O Negative in Chicago a LONG time ago. Great, great show.
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As a very petite girl I can testify that dynamite comes in a small package! Glen is one of the most intense performers out there. Scary, but intense.
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Yea really, dudes twice Glenn's size wish they had half his talent...Uhh Rick Rubin, Johnny Cash, Johnny Christ, Chuck Biscuits, Eerie Von, Doyle, Hank III etc...Can anyone say respect? I'll say it again, Gotta kiss the ring of the Don baby.
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DANZIGS NOT ONLY EXTREMLY SEXY BUT ALSOVERY TALENTED HE IS WHAT EVERY WOMAN WANTS AND EVERY MAN WANTS TO BE!
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I think Glen Danzig's work is better now than when he was in the Misfits. "Black Aria" is really good. And I think I'll say f**k for good measure.
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I haven't had enough asterisks this week: ************ * * * * * * * * * * *********** ********* ************ * * * * * * * * * * * * * * * * * * * ************ * * * * * * * * * * * * * * * ****** ************ * * * ************ * ******** ************ * * * * * * * * * * * * * * * * * ******** ************ * * * * ************ * * * * * ************ * * * * * * * * * * * * * * * * * ***** ******** ************ * * * * * * * ************ * * * * * * * * * * * * * ****** !
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