De La Soul
Biography
At the time of its 1989 release, De La Soul's debut album, 3 Feet High and Rising, was hailed as the future of hip-hop. With its colorful, neo-psychedelic collage of samples and styles, plus the Long Island trio's low-key, clever rhymes and goofy humor, the album sounded like nothing else in hip-hop. Where most of their contemporaries drew directly from old-school rap, funk, or Public Enemy's dense sonic barrage, De La Soul were gentler and more eclectic, taking in not only funk and soul, but also pop, jazz, reggae, and psychedelia. Though their style initially earned both critical raves and strong sales, De La Soul found it hard to sustain their commercial momentum in the '90s as their alternative rap was sidetracked by the popularity of considerably harder-edged gangsta rap.
De La Soul formed while the trio -- Posdnuos (born Kelvin Mercer, August 17, 1969), Trugoy the Dove (born David Jude Jolicoeur, September 21, 1968), and Pasemaster Mase (born Vincent Mason, March 27, 1970) -- were attending high school in the late '80s. The stage names of all of the members derived from in-jokes: Posdnuos was an inversion of Mercer's DJ name, Sound-Sop; Trugoy was an inversion of Jolicoeur's favorite food, yogurt. De La Soul's demo tape, "Plug Tunin'," came to the attention of Prince Paul, the leader and producer of the New York rap outfit Stetsasonic. Prince Paul played the tape to several colleagues and helped the trio land a contract with Tommy Boy Records.
Prince Paul produced De La Soul's debut album, 3 Feet High and Rising, which was released in the spring of 1989. Several critics and observers labeled the group as a neo-hippie band because the record praised peace and love as well as proclaiming the dawning of "the D.A.I.S.Y. age" (Da Inner Sound, Y'all). Though the trio was uncomfortable with the hippie label, there was no denying that the humor and eclecticism presented an alternative to the hardcore rap that dominated hip-hop. De La Soul quickly were perceived as the leaders of a contingent of New York-based alternative rappers which also included A Tribe Called Quest, Queen Latifah, the Jungle Brothers, and Monie Love; all of these artists dubbed themselves the Native Tongues posse.
For a while, it looked as if De La Soul and the Native Tongues posse would eclipse hardcore hip-hop in terms of popularity. "Me, Myself and I" became a Top 40 pop hit in the U.S. (number one R&B), while the album reached number 24 (number one R&B) and went gold. At the end of the year, 3 Feet High and Rising topped many best-of-the-year lists, including The Village Voice's. With all of the acclaim came some unwanted attention, most notably in the form of a lawsuit by the Turtles. De La Soul had sampled the Turtles' "You Showed Me" and layered it with a French lesson on a track on 3 Feet High called "Transmitting Live From Mars," without getting the permission of the '60s pop group. The Turtles won the case, and the decision not only had substantial impact on De La Soul, but on rap in general. Following the suit, all samples had to be legally cleared before an album could be released. Not only did this have the end result of rap reverting back to instrumentation, thereby altering how the artists worked, it also meant that several albums in the pipeline had to be delayed in order for samples to clear. One of those was De La Soul's second album, De La Soul Is Dead.
When De La Soul Is Dead was finally released in the spring of 1991, it received decidedly mixed reviews, and its darker, more introspective tone didn't attract as big an audience as its lighter predecessor. The album peaked at number 26 pop on the U.S. charts, number 24 R&B, and spawned only one minor hit, the number 22 R&B single "Ring Ring Ring (Ha Ha Hey)." De La Soul worked hard on their third album, finally releasing the record in late 1993. The result, entitled Buhloone Mindstate, was harder and funkier than either of its predecessors, yet it didn't succumb to gangsta rap. Though it received strong reviews, the album quickly fell off the charts after peaking at number 40, and only "Breakadawn" broke the R&B Top 40. The same fate greeted the trio's fourth album, Stakes Is High. Released in the summer of 1996, the record was well reviewed, yet it didn't find a large audience and quickly disappeared from the charts.
Four years later, De La Soul initiated what promised to be a three-album series with the release of Art Official Intelligence: Mosaic Thump; though reviews were mixed, it was greeted warmly by record buyers, debuting in the Top Ten. The second title in the series, AOI: Bionix, even featured a video hit with "Baby Phat," but Tommy Boy and the trio decided to end their relationship soon after. De La Soul subsequently signed their AOI label to Sanctuary Urban (run by Beyoncé's father, Mathew Knowles) and released The Grind Date in October 2004. Two years later the group issued Impossible Mission: TV Series, Pt. 1, a collection of new and some previously unreleased material. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

The Impossible: Mission Tv Series Pt. 1 (Explicit)
2006

Live At Tramps, NYC, 1996
2004

The Grind Date (Explicit)
2004

Timeless: The Singles Collection
2003

AOI: Bionix (Explicit)
2001

Art Official Intelligence: Mosaic Thump
2000

Stakes Is High
1996

Buhloone Mindstate
1993

De La Soul Is Dead
1991

3 Feet High And Rising
1989
I got "3 Feet High & Rising" when it came out in '89. It was great. Too bad there's nothing like De La Soul now...
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Word Up to Eric and Thomas King. I totally agree. I do not see the hype with these new cats. Being from Philly the groove has always been layed back and smooth. When acts like Gang Starr, De La Soul, Tribe Called Quest, Jungle Brothers, Pete Rock & CL Smooth and oh yeah my boys The Roots hip hop infused hip hop with jazz, it was on and poppin. The list can on and on. Props to C-Knowledge (Digable Plants), DJ Cash Money, DJ TAT & my bro DJ Brother Jamar.
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Hip Hop is too large to put in a box or stick it to a certain region! Its a culture with different facets... Why would anyone want to contain it. Just enjoy it... Damn.
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de la is the s**t!!!!!! hands down apart of what created hip hop!!!!! opinion from me, myself and I
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if you think "higher minded" hip-hop only comes from the east coast then you have no business forming an opinion on anything in life. Just listen to common market...as well as many others. Good hip-hop has nothing to do with where you are from...that is such a narrow minded viewpoint.
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t king is right. if your like me you 've always loved that higher minded east coast rap / hip hop scene. no room for that bragadocia of the west coast guys.
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I just saw De La in concert this past weekend and they still got it!!!
What a show... we need to get back to some GOOD hip hop! |
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Thomas King: I completely agree..
Anybody can put out an album nowadays, you don't even gotta have skillz. It is a shame. These cats nowadays have killed the culture of the real hip hop. aight! peace |
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In my mind, NO rap artist/group of today can top what Tribe, Brand Nubians, De La, EPMD, Black Sheep, Mos Def, Common (I could go on) did for Hip Hop back in the 90's. That is/was the Golden Age of Hip Hop.
When I want to relax with couple of cold ones, I pop in Tribe, Brand Nubians, De La, EPMD, Black Sheep, Mos Def, Common, etc. I'm tired of hearing about Cristal, BenZs, Rolls, getting shot, shooting people, selling drugs, pimping, etc. I don't own or do any of that. |
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i like de la souls concept behind mixing rap with jazz influences but a tribe called quest perfected it.
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This is one of the GREATEST "Real Hip-Hop" groups of all time. This is one prime example of where MCs and DJs come together in PURE HARMONY... I could go on about the De La for quite some time,... BUT , I really don't need to YOU ALL KNOW !!!! The De La
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THIS IS HIP HOP. Actually it is more than that. De La Soul is powerful, inspiring, and all around makes you want to move.
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DE LA SOUL IS THE BEST OF THE BEST....STAY UP BROTHER!!!! PEACE YALL!!!! ATL..
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Man i use to listen to this group back in my bar hoping days. that was back in 1988-1993. so much fun... I am still loving this genre. I say just keep it as ONE LOVE and keep the soul brotha's. peace and smooches to ya....
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these brothers continue to demonstrate their lyrical mastery consistantly . Their delivery and content has been dope since the days of 3 ft high and rising. The production years later is still crazy fresh, nothing like anyone else who is out or who has been. There is no mistaking these cats with anyone else period. This is not a usual crew, word up.
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Seems like the 80s and 90s were greater times for hip-hop than now. these guys are great!
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this hip hop i like-mfdoomg e t o b o y s a t o l l a h t u p a c m o n i e l o v e s l i c k r i c k m a d l i b and thats about it...
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From 3 feet high and Rising till forever it seems. These cats are monumental pillars in hip hop history and are still putting out hits without becoming watered down or outdated. These are genuine true to the core kings of hip hop and they've been that way creating history for more than 2 decades. Understand how unusual that is. There are only a small handful of hip hop artists who have really had this kind of longevity.
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I GOT JUST ABOUT EVERYTHING FROM THIS GROUP. 2 BAD U DONT HEAR THIS KIND OF HIPHOP ANYMORE. THE RADIO SUCKS AND PLAY BULLSHIT ALL DAY. EVEN IN NEW YORK, YEAH, I SAID IT...Q
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The Radio dosent play De La and the like, because of perpetrators like Cl**r Ch**nel own all the airwaves. Sad really for all these kids today. On a lighter note finally got to see them this year on the Rock the Bells tour after almost 2 decades of listening to em.
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I think there has to be room for all different type of genres within rap itself and isn't unfortunate that enough of us didn't encourage and support the perptuation of groups like De la, Tribe, Leaders, Pharcyde, Group Home, Gang Star, BlackMoon, and others as well aswe have supported some of tha dope a** gansta sh*t
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Anybody catch 'em on VH1 Hip Hop Honors? Funky fresh, dope, def, etc. etc.
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I saw them Live with Tribe in 93 @ City Garden in Trenton NJ.. Front row.. Such a great show..They tunes are as good today as they were back then.. They dont age.
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peace to de la soul
i love rap & hip hop culture but i disagree that gangsta rap killed it i think this bull s**t nowadayz is killin it but some of the gangsta s**t is fresh 2pac biggie |
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They helped keep hip hop alive while gangsta rap was killing it. Nothing but love for De La Soul always!
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De La is the greatest! Notice how they 1) are still together making excellent music!, 2) never broke up to make solo projects, and 3) Have probably the illest live show, I have ever seen-and I've seen just about everybody, that keeps it real! I can't stress that enough! If you haven't seen them live, you have to! SERIOUSLY!
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If you haven't had the pleasure to experience their show LIVE, damn ... lyrical poets - ill grooves ...
- C |
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Long Island Wildin'....
*sigh* it is a shame that these guys stayed real and kept creating cool, original music while many others sold out and De La Soul gets no credit for staying true. |
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There is no good music in mainstream because mainstream is no good. True artists today are coming to light but are not totally mainstream. If you want good music, you have to dig deep.
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man I love these guys... why isn't any good music mainstream anymore?!?! Sad
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