Devo
Biography
One of new wave's most innovative and (for a time) successful bands, Devo was also perhaps one of its most misunderstood. Formed in Akron, OH, in 1972 by Kent State art students Jerry Casale and Mark Mothersbaugh, Devo took its name from their concept of "de-evolution" -- the idea that instead of evolving, mankind has actually regressed, as evidenced by the dysfunction and herd mentality of American society. Their music echoed this view of society as rigid, repressive, and mechanical, with appropriate touches -- jerky, robotic rhythms; an obsession with technology and electronics (the group was among the first non-prog rock bands to make the synthesizer a core element); often atonal melodies and chord progressions -- all of which were filtered through the perspectives of geeky misfits. Devo became a cult sensation, helped in part by their concurrent emphasis on highly stylized visuals, and briefly broke through to the mainstream with the smash single "Whip It," whose accompanying video was made a staple by the fledgling MTV network. Sometimes resembling a less forbidding version of the Residents, Devo's simple, basic electronic pop sound proved very influential, but it was also somewhat limited, and as other bands began expanding on the group's ideas, Devo seemed unable to keep pace.
After a series of largely uninteresting albums, the band called it quits early in the '90s, and Casale and Mothersbaugh concentrated on other projects.
Gerald Casale and Mark Mothersbaugh both attended art school at Kent State University at the outset of the 1970s. With friend Bob Lewis, who joined an early version of Devo and later became their manager, the theory of de-evolution was developed with the aid of a book entitled The Beginning Was the End: Knowledge Can Be Eaten, which held that mankind had evolved from mutant, brain-eating apes. The trio adapted the theory to fit their view of American society as a rigid, dichotomized instrument of repression which ensured that its members behaved like clones, marching through life with mechanical, assembly-line precision and no tolerance for ambiguity. The whole concept was treated as an elaborate joke until Casale witnessed the infamous National Guard killings of student protesters at the university; suddenly there seemed to be a legitimate point to be made. The first incarnation of Devo was formed in earnest in 1972, with Casale (bass), Mark Mothersbaugh (vocals), and Mark's brothers Bob (lead guitar) and Jim, who played homemade electronic drums. Jerry's brother Bob joined as an additional guitarist, and Jim left the band to be replaced by Alan Myers. The group honed its sound and approach for several years (a period chronicled on Rykodisc's Hardcore compilations of home recordings), releasing a few singles on its own Booji Boy label and inventing more bizarre concepts: Mothersbaugh dressed in a baby-faced mask as Booji Boy (pronounced "boogie boy"), a symbol of infantile regression; there were recurring images of the potato as a lowly vegetable without individuality; the band's costumes presented them as identical clones with processed hair; and all sorts of sonic experiments were performed on records, using real and homemade synthesizers as well as toys, space heaters, toasters, and other objects. Devo's big break came with its score for the short film The Truth About De-Evolution, which won a prize at the 1976 Ann Arbor Film Festival; when the film was seen by David Bowie and Iggy Pop, they were impressed enough to secure the group a contract with Warner Bros.
Recorded under the auspices of pioneering producer Brian Eno, Q: Are We Not Men? A: We Are Devo! was seen as a call to arms by some and became an underground hit. Others found Devo's sound, imagery, and material threatening; Rolling Stone, for example, called the group fascists. But such criticism missed the point: Devo dramatized conformity, emotional repression, and dehumanization in order to attack them, not to pay tribute to them.
While 1979's Duty Now for the Future was another strong effort, the band broke through to the mainstream with 1980's Freedom of Choice, which contained the gold-selling single "Whip It" and represented a peak in their sometimes erratic songwriting. The video for "Whip It" became an MTV smash, juxtaposing the band's low-budget futuristic look against a down-home farm setting and hints of S&M. However, Devo's commercial success proved to be short-lived. 1981's New Traditionalists was darker and more serious, not what the public wanted from a band widely perceived as a novelty act, and Devo somehow seemed to be running out of new ideas. Problems plagued the band as well: Bob Lewis successfully sued for theft of intellectual property after a tape of Mothersbaugh was found acknowledging Lewis' role in creating de-evolution philosophy, and the sessions for 1982's Oh, No! It's Devo were marred by an ill-considered attempt to use poetry written by would-be Ronald Reagan assassin John Hinckley, Jr. as lyrical material.
As the '80s wore on, Devo found itself relegated to cult status and critical indifference, not at all helped by the lower quality of albums like 1984's Shout and 1988's Total Devo. With the band's shift toward electronic drums, Alan Myers had departed in 1986, to be replaced by ex-Sparks and Gleaming Spires drummer David Kendrick. Devo recorded another album of new material, Smooth Noodle Maps, in 1990, after which its members began to concentrate on other projects. Mark Mothersbaugh moved into composing for commercials and soundtracks, writing theme music for MTV's Liquid Television, Nickelodeon's Rugrats, Pee-Wee's Playhouse, and the Jonathan Winters sitcom Davis Rules. He also played keyboards with the Rolling Stones, programmed synthesizers for Sheena Easton, and sang backup with Debbie Harry. Buoyed by this success, Mothersbaugh opened a profitable production company called Mutato Muzika, which employed his fellow Devo bandmates. Jerry Casale, meanwhile, who directed most of the band's videos, directed video clips for the Foo Fighters' "I'll Stick Around" and Soundgarden's "Blow Up the Outside World." No reunions were expected, but as Devo's legend grew and other bands acknowledged their influence (Nirvana covered "Turnaround," while "Girl U Want" has been recorded by Soundgarden, Superchunk, and even Robert Palmer), their minimalistic electro-pop was finally given new exposure on six dates of the 1996 Lollapalooza tour, to enthusiastic fan response.
The following year, Devo released a CD-ROM game (The Adventures of the Smart Patrol) and accompanying music soundtrack, in addition to playing selected dates on the Lollapalooza tour. 2000 saw the release of a pair of double-disc Devo anthologies: the first was the half-hits/half-rarities Pioneers Who Got Scalped: The Anthology (on Rhino), while the second was the limited-edition mail-order release Recombo DNA (on Rhino's Handmade label), the latter of which was comprised solely of previously unreleased demos. In 2001, the Mothersbaugh and Casale brothers reunited under the name the Wipeouters for a one-off surf release, P Twaaang. Expectedly, there was no supporting tour, as the bandmembers returned back to their full-time jobs at Mutato Muzika. ~ Steve Huey & Greg Prato, All Music Guide
Selected Discography

Duty Now For The Future/New Traditionalists
1994

Greatest Misses
1990

Shout
1984

Freedom Of Choice
1980

Q: Are We Not Men? A: We Are Devo!
1978
The "Flower Pot" hats, actually called "Energy Domes", were intended (according to the band) to channel the energy leaving their bodies into their voices, but to me it was all about having fun and not taking ourselves so seriously.
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Greatest hits is called HOT POTATOS
This is what your looking for, The best is on this one |
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Funny, reading all of these comments you would think Devo is a thing of the past, WRONG, they're still hard at it, providing fans with BIG FUN! In fact they are playing in Del Mar (California) on Aug 30th. If you've never seen Devo before there's still time to catch their act, you won't be disappointed , I've seen Devo more times than I can remember and they always bring a smile to my face. Q: Are we not men? A: We are Devo....
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Devo was to techno pop what Nirvana was to grunge or the English Beat was to Ska. Its a pity that Pandora doesn't play selections from the album that included songs like Peek-a-boo and Time out for Fun. It was the follow up album to Freedom of Choice. I think it was called Oh No ! Its DEVO! They were sporting their Potato Head costumes.
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Great band. Saw them here in SF in 03-ish doing a free live show at the Civic Center during our lunch hour. I was surprised they sounded so good. The lyrics still resonate with me. They made some pretty great observations on society.
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"devoid of tallant from akron im ashamed !" --lol, apparently, there is no spellcheck in the penitentiary , , , ,
Dev-o raised me, for that era, they were one of the few deep thinking bands out there. - Mr Kamikaze, Mr DNA |
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Like the B-52's which came after them, Devo was a 'fun' band... not necessarily a 'party' band, but a group offering highly original material, blended with showmanship and performance antics (often bordering on the silly).
Because of their originality and bizarre lyrics and visuals, much of the public could not understand what all the fuss was about, but those who did had much to entertain. |
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saw them in san diego and vegas a couple years ago. spastic fantastic!
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The mighty electro pioneers of Akron Ohio! They attended Kent State University and decided to change the world of music forever.
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mongoloid - the cooooolest band ever - 49 years old seen a ton of live acts - and these guys are in my top five - saw DEVO in a small club in the 70's and the club rocked. thumbs up!!! no one will ever copy cat them.
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I'm now 39 years old, and grew up loving DEVO! Favorites include "Gut Feeling / Slap Your Mammy Down", "Planet Earth", "Beautiful World" and "Devo Has Feelings Too"... "besides, God insn't dead, he's in your head (right where he ought to be)" My only regret is that I never got to see them live. Devo, this old guy wishes you'd come around again!
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DEVO, a crazy bunch of talented guys from Akron, Ohio who happened to record great electronic punk music in the 70's, 80's and beyond. Led by Mark Morthesbaugh , who is now a music producer, creating film scores and TV programs and commercials, most famous for cartoons on The Nickelodeon Network.They were also were one of the first "New Wave" bands and took advantage of the use of music videos before MTV.They were a great band to see live as well, a lot of fun.
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DEVO. Keeping up wasn't the problem with the band. It was can bands keep up with them? DEVO music has longevity, some of the bands that stole ideas and riffs from DEVO cannot say "longevity". Much less, "what were their name again". Best song "Can't get no satisfaction " .
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DEVO! GOTTA LOVE 'EM THEN & NOW, OR MAYBE ESPECIALLY NOW- JUST MAKES ME FEEL GOOD.
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devo made great music
and their concept/idea of de-evo-lutio n has proven to be right on point.. just take a close look at mankind..... |
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