Dick Dale
Biography
Dick Dale wasn't nicknamed "King of the Surf Guitar" for nothing: he pretty much invented the style single-handedly, and no matter who copied or expanded upon his blueprint, he remained the fieriest, most technically gifted musician the genre ever produced. Dale's pioneering use of Middle Eastern and Eastern European melodies (learned organically through his familial heritage) was among the first in any genre of American popular music, and predated the teaching of such "exotic" scales in guitar-shredder academies by two decades. The breakneck speed of his single-note staccato picking technique was unrivalled until it entered the repertoires of metal virtuosos like Eddie Van Halen, and his wild showmanship made an enormous impression on the young Jimi Hendrix. But those aren't the only reasons Dale was once called the father of heavy metal. Working closely with the Fender company, Dale continually pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing the thick, clearly defined tones he heard in his head, at the previously undreamed-of volumes he demanded. He also pioneered the use of portable reverb effects, creating a signature sonic texture for surf instrumentals.
And, if all that weren't enough, Dale managed to redefine his instrument while essentially playing it upside-down and backwards -- he switched sides in order to play left-handed, but without re-stringing it (as Hendrix later did).
Dick Dale was born Richard Monsour in Boston in 1937; his father was Lebanese, his mother Polish. As a child, he was exposed to folk music from both cultures, which had an impact on his sense of melody and the ways string instruments could be picked. He also heard lots of big band swing, and found his first musical hero in drummer Gene Krupa, who later wound up influencing a percussive approach to guitar so intense that Dale regularly broke the heaviest-gauge strings available and ground his picks down to nothing several times in the same song. He taught himself to play country songs on the ukulele, and soon graduated to guitar, where he was also self-taught. His father encouraged him and offered career guidance, and in 1954, the family moved to Southern California. At the suggestion of a country DJ, Monsour adopted the stage name Dick Dale, and began performing in local talent shows, where his budding interest in rockabilly made him a popular act. He recorded a demo song, "Ooh-Whee Marie," for the local Del-Fi label, which was later released as a single on his father's new Del-Tone imprint and distributed locally. During the late '50s, Dale also became an avid surfer, and soon set about finding ways to mimic the surging sounds and feelings of the sport and the ocean on his guitar. He quickly developed a highly distinctive instrumental sound, and found an enthusiastic, ready-made audience in his surfer friends. Dale began playing regular gigs at the Rendezvous Ballroom, a once-defunct concert venue near Newport Beach, with his backing band the Del-Tones; as word spread and gigs at other local halls followed, Dale became a wildly popular attraction, drawing 1,000s of fans to every performance. In September 1961, Del-Tone released Dale's single "Let's Go Trippin'," which is generally acknowledged to be the very first recorded surf instrumental.
"Let's Go Trippin'" was a huge local hit, and even charted nationally. Dale released a few more local singles, including "Jungle Fever," "Miserlou," and "Surf Beat," and in 1962 issued his (and surf music's) first album, the groundbreaking Surfer's Choice, on Del-Tone. Surfer's Choice sold like hotcakes around Southern California, which earned Dale a contract with Capitol Records and national distribution for Surfer's Choice. Dale was featured in Life magazine in 1963, which led to appearances on The Ed Sullivan Show and the Frankie/Annette film Beach Party; he also released the follow-up LP King of the Surf Guitar, and went on to issue three more albums on Capitol through 1965. During that time, he developed a close working relationship with Leo Fender, who kept engineering bigger and better sound systems in response to Dale's appetite for louder, more maniacally energetic live performances.
Surf music became a national fad, with groups like the Beach Boys and Jan & Dean offering a vocal variant to complement the wave of instrumental groups, all of which were indebted in some way to Dale. But in 1964, the British Invasion stole much of surf's thunder, and Dale was dropped by Capitol in 1965. He remained a wildly popular local act, but in 1966, he was diagnosed with rectal cancer, which forced him to temporarily retire from music. He beat the disease, however, and soon began pursuing other interests: owning and caring for a variety of endangered animals, studying martial arts, designing his parents' dream house, and learning to pilot planes. In 1979, a puncture wound suffered while surfing off Newport Beach led to a pollution-related infection that nearly cost him his leg; Dale soon added environmental activist to his resumé. In addition to all of that, Dale performed occasionally around Southern California throughout the '70s and '80s.
In 1986, Dale attempted to mount a comeback. He first recorded a benefit single for the UC-Irvine Medical Center's burn unit (which had helped him recuperate from potentially serious injuries), and the following year appeared in the beach-movie sendup Back to the Beach. The soundtrack featured a duet between Dale and Stevie Ray Vaughan on the Chantays' surf staple "Pipeline," which was nominated for a Grammy for Best Rock Instrumental. In 1991, Dale did a guest spot on an album by the San Francisco-based Psychefunkapus, and a successful Bay Area gig got him signed with Hightone Records. The album Tribal Thunder was released in 1993, but Dale's comeback didn't get into full swing until, in 1994, "Miserlou" was chosen as the opening theme to Quentin Tarantino's blockbuster film Pulp Fiction. "Miserlou" became synonymous with Pulp Fiction's ultra-hip sense of style, and was soon licensed in countless commercials (as were several other Dale tracks). As a result, Tribal Thunder and its 1994 follow-up Unknown Territory attracted lots of attention, earning positive reviews and surprisingly strong sales. In 1996, he supported the Beggars Banquet album Calling Up Spirits by joining the normally punk- and ska-oriented Warped Tour. Adding his wife and young drum-playing son to his band, Dale refocused on touring over the next few years. He finally returned with a new CD in 2001, Spacial Disorientation, issued on the small Sin-Drome label. ~ Steve Huey, All Music Guide
Selected Discography

Summer Surf
2007

Checkered Flag
2007

King Of The Surf Guitar
2007

Mr. Eliminator
2007

Surfer's Choice
2006
Was there ever a time when we didn't have surf music? It seems a lifetime ago, living in Santa Monica in the 50's and early 60's, riding around with my older brother in our parent's '57 Bel Air, and listening to KRLA on the old AM radio. Shining times. All the great music, nothing like the raucous dissonance of today. Glad to know Dick is still making the great sound. Long live Dick Dale and surf!
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One of my all time favourites. And the appeal of his music is broad.
If you don't know who Dick Dale is, give his tunes a listen. You'll probably dig his sound, regardless of your primary music tastes. |
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The man's a legend and a phenomenon. I just wish Pandora had his Calling Up Spirits Album.
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Like Jimi Hendrix says: Surf music will never be the same again. I personally do not hear any BB King and R&B in this song. It sounds more arabic hindu asian phillipino ha wai to me. Who is Dick Dale? Friend of Leo Fender, study history. Maybe musicology of rock and metal is mixed up with politics, giving credit to slave church music and blues like sitting by dock of all day -- in accordance with Hollywood politics. Look what Hollwood did to Voodu.
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I saw Dick Dale twice, in Tampa. He plays right handed guitars upside down with his left hand! He also plays sax and drums. He put out SO MUCH ENERGY! I bought a shirt. It says "I'm a Dick Head"!
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Just saw Dick Dale at Hells Kitchen in Tacoma, last night. 90 minutes of greatness-- the crowd was really geared up for him- packed house at a small dirty venue- Perfect place, my ears are still ringing.
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I took my 2 sons to see Dick at the Ventura Theater last Sunday. WOOOOOOOOOOO O O O O
OOOOOWWWWWWW W . The guy absolutely kicked butt!!!!!!!! After he played, I got to shake his hand & he signed our ticket stubs. He is the Best! |
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he rocks and i met him the legond dick dale and he signed my long board at the rockabilly festaval
blake anthony klenner |
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I agree with everyone here: Dick Dale is the best, the original, the master, on and on... a genuine legend in the world of guitar.
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a shredding god . here is to you dick dale , a true musical heroe , and inspiration for all of us
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Incredible beyond anybody ,simply the best when you are thinking of surf music!
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The Absolute Greatest! A genuine incredible individual. I have had the opportunity to listen to him for a lifetime and he was generous enough to dedicate a song and dance to my wife and I in Ocean City. Maryland during a concert in 2007. By far, Dick Dale represents the beginning and the end of the surf guitar for the world.
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kings die and are forgotten... . legends like dick will live forever! keep on ridin in the pipeline.
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That is one hell of a great review. Thank you Steve Huey, and of course Dale!
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I saw Dick Dale in the movie "Muscle Beach Party" with Frankie Avalon and Annette Funicello last night on AMC movie channel...gr e a t music.
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and he comes to little old San Marcos, TX every year... I never miss it.
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you know what needs to be done, A GUITAR HERO BATTLE BETWEEN DICK DALE AND JOE STUMP.
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To take a page from the internets song book, EPIC WINNNNNNNNNN N N N N N N N N N N N N .
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