Dionne Warwick
Biography
It is easier to define Dionne Warwick by what she isn't rather than what she is. Although she grew up singing in church, she is not a gospel singer. Ella Fitzgerald and Sarah Vaughan are clear influences, but she is not a jazz singer. R&B is also part of her background, but she is not really a soul singer, either, at least not in the sense that Aretha Franklin is. Sophisticated is a word often used to describe her musical approach and the music she sings, but she is not a singer of standards such as Lena Horne or Nancy Wilson. What is she, then? She is a pop singer of a sort that perhaps could only have emerged out of the Brill Building environment of post-Elvis Presley, pre-Beatles urban pop in the early '60s. That's when she hooked up with Burt Bacharach and Hal David, songwriters and producers who wrote their unusually complicated songs for her aching yet detached alto voice. Warwick is inescapably associated with those songs, even though she managed to build a career after leaving Bacharach and David that drew upon their style for other memorable recordings, such that she remains a unique figure in popular music.
Marie Dionne Warrick was born into a gospel-music family. Her father was a gospel record promoter for Chess Records and her mother managed the Drinkard Singers, a gospel group consisting of her relatives. She first raised her voice in song at age six at the New Hope Baptist Church in Newark, NJ, and soon after was a member of the choir. As a teenager, she formed a singing group called the Gospelaires with her sister Dee Dee and her aunt Cissy Houston (later the mother of Whitney Houston). After graduating from high school in 1959, she earned a music scholarship to the Hartt College of Music in Hartford, CT, but she also spent time with her group recording background vocals on sessions in New York. The Gospelaires are said to be present on such well-known recordings as Ben E. King's "Spanish Harlem" and "Stand By Me." They were at a Drifters session working on a song called "Mexican Divorce" composed by Burt Bacharach when Bacharach, attending the session, suggested Warwick might do some demos for him. She did, singing songs he had written with lyricist Hal David. Bacharach and David pitched one of the songs to Florence Greenberg, head of the small independent Scepter Records label, and Greenberg liked the demo singer enough to sign her as a recording artist. Bacharach and David wrote and produced her first single, "Don't Make Me Over," in 1962. When the record was released, the performer credit contained a typo; it read "Dionne Warwick" instead of "Dionne Warrick," and she kept the new name. (Her sister Dee Dee eventually became Dee Dee Warwick as well.)
"Don't Make Me Over" peaked in the Top 20 of the pop charts in early 1963, also reaching the Top Five of the R&B charts. Warwick's subsequent singles were not as successful, but in early 1964, she reached the pop and R&B Top Ten and the Top Five of the easy listening charts with "Anyone Who Had a Heart," which was also her first record to reach the charts in the U.K. (There, such singers as Cilla Black and Dusty Springfield sometimes would cover her records before her own versions had a chance to become hits.) "Walk on By" followed it into the Top Ten of the pop, easy listening, and U.K. charts in the spring of 1964, and it hit number one on the R&B charts. By then, the Beatles had arrived on the American scene, followed by the British Invasion, and for a while, pop artists like Warwick took a beating on the charts. Nevertheless, the singer continued to place singles and LPs in the rankings over the next couple of years and in the spring of 1966, she returned to the Top Ten of the pop charts and the Top Five of the R&B charts with "Message to Michael." Other, more modest hits followed, including the most successful U.S. recording of the title song from the movie Alfie, which reached the R&B Top Five and the pop Top 20 in the spring of 1967. That summer, Warwick topped the R&B LP charts with her gold-selling Here Where There Is Love album and by the fall, Scepter had amassed enough chart singles to issue Dionne Warwick's Golden Hits, Pt. 1, her first album to reach the pop Top Ten.
Curiously, Warwick's career reached a new level with a single not written by Bacharach and David, although they produced it. It was "(Theme From) Valley of the Dolls," written by André and Dory Previn and issued at the end of 1967. The record reached the Top Five of the pop, R&B, and easy listening charts. Its B-side, Bacharach and David's "I Say a Little Prayer," reached the Top Five of the pop and R&B charts, helping the single become a gold record and the Valley of the Dolls LP also made the Top Five of the pop and R&B charts and went gold. With that, Warwick was on a roll. Her next single, "Do You Know the Way to San José," reached the pop Top Ten and the R&B and easy listening Top Five in the spring of 1968 and won the Grammy Award for Best Contemporary Pop Vocal Performance, Female. In the winter of 1969, her version of "This Guy's in Love With You," re-titled "This Girl's in Love With You," made the pop and R&B Top Ten and the easy listening Top Five and in early 1970, "I'll Never Fall in Love Again" from Bacharach and David's score for the Broadway musical Promises, Promises made the pop Top Ten and topped the easy listening charts, bringing her another Grammy Award for Best Contemporary Vocal Performance, Female.
In 1971, Warwick added an "e" to the end of her name on the advice of a numerologist, retaining the new spelling until 1975. She also left Scepter Records and signed a deal with the major label Warner Bros. that included Bacharach and David as her writer and producer. The team produced the 1972 album Dionne, which was a modest seller, but then Bacharach and David split up in the wake of the critical and commercial failure of their work on a musical remake of the film Lost Horizon in 1973. Due to her contractual commitment, Warwick was forced to sue her old partners. A settlement was reached, but they would not work together again for many years and Warwick's career suffered.
Warwick bounced back with "Then Came You," a song she recorded with the Spinners, which topped the pop and R&B charts and reached the Top Five of the easy listening charts in October 1974, going gold in the process. It proved to be a one-off success, but Warwick (now without the "e") signed to Arista Records in 1979 and returned to the Top Five of the pop adult contemporary (formerly easy listening) charts with "I'll Never Love This Way Again," produced by labelmate Barry Manilow and featured on her first platinum-selling album, another LP simply titled Dionne. "Deja Vu," also from the album, was a Top 20 pop and number one adult contemporary hit. "I'll Never Love This Way Again" won Warwick her third Grammy for Best Pop Vocal Performance, Female; "Deja Vu" won her her fourth for Best Rhythm & Blues Vocal Performance, Female.
Warwick topped the adult contemporary charts in 1980 with "No Night So Long," but her next across-the-board hit did not come until she hooked up with the Bee Gees for her 1982 album Heartbreaker. Barry Gibb produced the gold-selling LP and the three Gibb brothers wrote the title song, which made the pop Top Ten and topped the adult contemporary charts. In 1985, Warwick was reconciled with Bacharach and she organized a charity recording of his and Carole Bayer Sager's song "That's What Friends Are For" to benefit AIDS, featuring Elton John, Gladys Knight, and Stevie Wonder, in addition to herself. The record topped the pop, R&B, and adult contemporary charts in the winter of 1985-1986, the album Friends on which it was included went gold, and the song earned Warwick her fifth Grammy for Best Pop Performance by a Duo or Group with Vocal. In 1987, Warwick topped the adult contemporary charts and reached the Top Five of the R&B charts with "Love Power," a duet with Jeffrey Osborne that was another Bacharach/Sager composition.
Warwick enjoyed less commercial success after the late '80s. She parted ways with Arista Records after her 1995 album Aquarela Do Brazil. In 1998, she issued Dionne Sings Dionne, an album consisting largely of re-recordings of her hits, on River North Records. ~ William Ruhlmann, All Music Guide
Selected Discography

The Best Of Dionne Warwick
2005

The Very Best Of Dionne Warwick
2000

The Definitive Collection
1999

Aquarela Do Brasil
1995

Friends Can Be Lovers
1993

Dionne Warwick Sings Cole Porter
1990

Greatest Hits 1979-1990
1989

The Dionne Warwick Collection
1989

Friends
1985

Dionne
1979
Dionne manages to combine class, style, talent & an ability to evoke emotions without verging into oversinging or hystrionics. . . . . . . . . a b s o l u t e l y love her!
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Nelson Salsa saids, the days of Alfie, message to michael, etc just great sounding music.
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Dionne's voice just sets the mood along with the arrangements of Bacharach & David . Even her Arista days set a tone of care free and positive times....
She's been a Big part of my Music life . I've met with her and Have become life long friends of many of her associates.. . Thank you Dionne for 40 + years of bringing us such moments to remember ... |
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What a great voice from such a great woman...brin g s back a lot of great memories.
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I offer all the positive encourage that can be give to Dione. Life has had it's twist and turns for her as it does for most folks. I love the music that she sang early in her career and her voice is still very pretty. Good luck in all your musical endeavors and may you continue to make great and wonderful music.
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dionne warrick has a beautiful alto voice. i always enjoy music!!!!!!! ! ! ! !
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Have you hear the album - Track of the Cat? I think it was one of her most underated albums.
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Inimitable style and a source of great nostalgia for me as I recall listening to her on the radio, while growing up bereft of a stereo in the former British Guyana:-)
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I can remember seeing and hearing Dionne Warwick for the first time when I was 12 years old (am now 58) - she blew us away with "Don't Make Me Over" and over these many years has been a true joy to listen to. She comes from a talented family - what a sad commentary to see how Whitney has let a lowlife like Bobby Brown ruin that poor girl's career and life. I would have loved to hear her and Dionne do an album or even a concert together.
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looking for album, 1972 (?), Front cover White Shirt, Black slacks..anyo n e know anything about this record..wher e to find?
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She sings in a sweet soft voice within her music, which I really appreciate in an artist.
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stylish beautiful, one and only ,graceful dionne,popul a r always her style
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Dionne is one of my favorite artist and I especially like her recordings when she was with Bacharach
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If you love Dionne Warwick, check out her younger sister Dee Dee Warwick. Her music is more R&B/Soul, but you can her the similarities in their vocals.
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I love Dionne Warwick. My dad introduced me to her when i was little. Her smooth approach brought a special touch to both pop & R & B audiences.
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You must listen to "Will You Still Love Me" on the definitve collection album. This truly shows here gospel roots and strength. She is one of the best intrepreters on music. I love all her music.
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Listen to her sing the theme to Valley of The Dolls - blows me away! Love her!
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I grew up listening to Dionne Warwick and love to hear her sing, she has such control over her voice. Her music is timeless and classy. I agree they should show the reruns of Solid Gold or maybe have a show like it instead of the shows we have now.
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I truly enjoyed listening to Dionne Warwick though realizing how skillful she really is with her vocal cords and knowing music is when she hosted "Solid Gold" she proved she could sing with any and every artist as well as groups and sound goooooooood/ g r r r r r r r r r r r r r r r r r r r e a t ! It was awesome being entertained as Warwick and others performed on that show. A televison station need to show Solid Gold's re-runs with Dionne Warwick as host. My father loved Dionne Warwick as well.
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