DJ Shadow
Biography
DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. Mo' Wax released a longer work in 1995 -- the 40-minute single in four movements "What Does Your Soul Look Like," which topped the British indie charts -- and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Dr. Octagon plus the Mo' trip-hop supergroup UNKLE.
Davis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. The odd white suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early years into the heyday of crews like Eric B. & Rakim, Ultramagnetic MC's, and Public Enemy, groups that prominently featured DJs in their ranks. Davis had already been fiddling around with making beats and breaks on a four-track while he was in high school, but it was his move to the NorCal cow town of Davis to attend university that led to the establishment of his own Solesides label as an outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Reconstructed from the Ground Up mixtapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks spread widely through the DJ-strong hip-hop underground, eventually catching the attention of Mo' Wax. Shadow's first full-length, Endtroducing..., was released in late 1996 to immense critical acclaim in Britain and America. Preemptive Strike, a compilation of early singles, followed in early 1998.
Later that year, Shadow produced tracks for the debut album by UNKLE, a longtime Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, The Private Press, was released in June 2002. The following year Shadow released a mix album, Diminishing Returns, and in 2004 he released a live album and DVD, Live! In Tune and on Time. In 2006 his long-awaited third solo album, The Outsider, came out, but instead of following the blueprint he used on his past two records, Shadow enlisted help from Bay Area rappers like Keak da Sneak, E-40, and Lateef, as well as David Banner and Q-Tip. ~ Sean Cooper, All Music Guide
Selected Discography

The Outsider
2006

Endtroducing..... (Deluxe Edition)
2005

In Tune And On Time (Live)
2004

The Private Press
2002

The Private Press (Explicit)
2002

Preemptive Strike
1998

Endtroducing.....
1996
Nice stuff, kinda sounds like El-P, except more into the whole downbeat sound.
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I agree Dan. Shadow is sick, but the Outsider is no where near as good as his other stuff.
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The summer of 97 I first heard Midnight in a perfect world, opened my mind. It was an Epiphany.
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what is the name of the track he made that was on a soundtrack to an indie movie? kind of had a surf guitar feel to it....
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Cut Chemist can sure do some complex stuff, but Shadow's style is way better than CC's (though The Outsider generally sucked).
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I actually first heard him through the Outsider album and while I like his earlier stuff a little more right now, I always go back and listen to it. It has some really legit featured artists and the tracks show alot of originality in the beats and the lyrics are f**king hard (check out the track Seein Thangs w/ Banner).
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Organ donor is such a sick song...i cant figure out the song that uses that same beat
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When I first heard Organ Donor at Tower Records in Boston in the 90's, I had to have it. I've never gotten sick of Entroducing since...
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I loved watching dj shadow in,I can't quite remember the name of the movie where he spent alot of time in a basement searching through thousands of records. In other words, he is amazing! Premptive strike disk 2 My personal fav.
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>A bit too "Gangstar" for me.
I'm going to assume that you heard one of the rap tracks on the Outsider and you're not saying that its too 'Gangstarr' because DJ Premier and DJ Shadow are not very similar and nothing can EVER be too Gangstarr. also shadow fking owns |
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A bit too "Gangstar" for me. But no one can deny the guy can lay down a decent track.
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I love Dj Shadow! My dream would be to one day sit down and collaborate on some sick beats with him
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I love DJ Shadow.. Some of the Outsider isn't my style but this guy is a genius and we should all respect everything he does.. Don't fall into the pit of Hate.
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I agree with those who say DJ Shadow's Outsider album is a good one. More people should take the time to listen to it for what is has to offer in terms of style, as opposed to its lyrics, although the nod to early rap and hip-hop from the 80's and nineties makes it fun to listen to.
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So many people on here bash "Outsider" and talk about going "back to his roots". You ever heard of progression and "pushing the envelope"? He tried something new and there are many people who loved and gave it great reviews.
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He also did the soundtrack for the movie Dark Days a documentary about New York City's Mole people- the Subway tunnel homeless community.
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DJ Shadow's music is not only timeless but it is ageless. I was drawn into trip hop as soon as I heard him. Good Times yes sir
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First time I saw DJ Shadow live, a switch got flicked on in my brain. That show changed the way I listen to music forever.
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Dj Shadow has cemented my love for trip hop/experime n t a l forever. Truly a re-inventor of the genre.
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Stem Long Stem (Cops and Robbers Mix)...I highly recommend it if you can find it. It has DeNiro and Pacino voice overs from the movie "Heat." It is epic, and I encourage you to find this at all costs. I am a cop, and it gives me chills every time I hear it. It is almost as good as the extended version of Midnight in a Perfect World.
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when "endtroducin g " came out i was shocked and it changed my life as it did for many of you, then i heard it live on "in tune and on time"...that s life changing
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Entroducing is a great achivement, the Outsider not so much. Shadow needs to get back to the old sound most of the guys he worked with on Outsider had that catch phrase crap rap sound. Hasnt it gotten old that rappers say the same thing over and over and get paid that much for it (Ex: Mike Jones). DJs have a deeper understandin g of music and dont stand in the spotlight to sell music they work hard and never stop tweaking and experimentin g . Hooked on Shadow always though.
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Endtroducing changed my life also. It made me want to become a Dj and gave me a whole new view on hip hop. I was also very depressed before I discovered this album and when I did it was the turning point. That was 3 years ago and I now own a dj setup. It brought a whole new meaning to my life.
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What happened to this dude? I'm not the type of cat to walk away from an artist because he/she decides to expirement, but when they hit the snooze button, I can't help but wonder.....
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