Dwight Yoakam
Biography
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. Like his idols Buck Owens, Merle Haggard, and Hank Williams, Yoakam never played by Nashville's rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn't respect all of country's traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the '90s.
Born in Kentucky but raised in Ohio, Yoakam learned how to play guitar at the age of six. As a child, he listened to his mother's record collection, honing in on the traditional country of Hank Williams and Johnny Cash, as well as the Bakersfield honky tonk of Buck Owens. When he was in high school, Yoakam played with a variety of bands, playing everything from country to rock & roll. After completing high school, Yoakam briefly attended Ohio State University, but he dropped out and moved to Nashville in the late '70s with the intent of becoming a recording artist.
At the time he moved to Nashville, the town was in the throes of the pop-oriented urban cowboy movement and had no interest in his updated honky tonk. While in Nashville, he met guitarist Pete Anderson, who shared a similar taste in music. The pair moved out to Los Angeles, where they found a more appreciative audience than they did in Nashville. In L.A., Yoakam and Anderson didn't just play country clubs, they played the same nightclubs that punk and post-punk rock bands like X, the Dead Kennedys, Los Lobos, the Blasters, and the Butthole Surfers did. What Yoakam had in common with rock bands like X, the Blasters, and Los Angeles was similar musical influences; they all drew from '50s rock & roll and country. In comparison to the polished music coming out of Nashville, Yoakam's stripped-down, direct revivalism seemed radical. The cowpunks, as they were called, that attended Yoakam's shows provided an invaluable support for his fledgling career.
Yoakam released an independent EP, A Town South of Bakersfield, in 1984, which received substantial airplay on Los Angeles college and alternative radio stations. The EP also helped him land a record contract with Reprise Records. Dwight's full-length debut album, Guitars, Cadillacs, Etc., Etc., was released in 1986 and was an instant sensation. Rock and country critics praised it and it earned airplay on college stations across America. More importantly, it was a hit on the country charts, as its first single, a cover of Johnny Horton's "Honky Tonk Man," climbed to number three in the spring, followed by the number four "Guitars, Cadillacs" in the summer. The album would eventually go platinum.
Hillbilly Deluxe, Dwight's 1987 follow-up, was equally successful, spawning four Top Ten hits: "Little Sister," "Little Ways," "Please, Please Baby," and "Always Late with Your Kisses." In 1988, Yoakam had his first number one hit with "Streets of Bakersfield," a cover of a Buck Owens song recorded with Owens himself. It was the first single off his third album, Buenos Noches from a Lonely Room, which continued his streak of Top Ten hits. "I Sang Dixie," the album's second single, went to number one, and "I Got You" reached number five. In 1989, Yoakam released a compilation album, Just Lookin' for a Hit, which went gold. "Long White Cadillac," taken from the collection, stalled at number 35 in the fall of 1989.
Although his 1990 album If There Was a Way didn't have as many Top Ten hits, it was a major success; it was his first album since his debut to go platinum. This Time, released in the spring of 1993, was an even bigger hit, spawning three number two singles -- "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You" -- and going platinum. After its release, Yoakam was silent for two years, returning in the summer of 1995 with Dwight Live, which didn't set the charts on fire. In the fall of that year, he released his sixth album, Gone, which went gold by the spring of 1996, although it didn't produce any major country hits. After 1997's Under the Covers, a collection of cover songs, Yoakam returned with the all-new A Long Way Home in 1998. Another compilation, Last Chance for a Thousand Years: Greatest Hits from the '90s, was released in 1999; its newly recorded version of Queen's "Crazy Little Thing Called Love" became Yoakam's biggest hit in six years, even hitting the lower reaches of the pop charts thanks to its exposure in a khakis commercial. Two albums followed in 2000: dwightyoakamacoustic.net, a bare-bones, all-acoustic revisitation of Yoakam's back catalog; and the more standard studio project Tomorrow's Sounds Today, which featured further collaborations with Buck Owens and a cover of Cheap Trick's "I Want You to Want Me."
In 2001, Yoakam debuted as a writer and director, also issuing the soundtrack South of Heaven, West of Hell to accompany it. Two years later, he debuted on a new label (Audium) with Population Me, while Reprise issued the compilation In Others' Words to compete with it. In 2004 he released Dwight's Used Records, a 14-track anthology of duets that appeared on other artists' albums, unreleased covers, and cuts Yoakam contributed to various tribute compilations. An album of all new material, the self-produced Blame the Vain, followed in 2005 along with the live album, Live from Austin, TX. An album of Buck Owens covers, Dwight Sings Buck, appeared in 2007. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography

Dwight Sings Buck
2007

Blame The Vain
2005

Live From Austin, TX (Live)
2005

Dwight's Used Records
2004

The Very Best Of Dwight Yoakam
2004

Population: Me
2003

In Other's Words
2003

Dwightyoakamacoustic.net
2000

Tomorrow's Sounds Today
2000

Last Chance For A Thousand Years
1999
i always liked d-wight until i bought his acoustic album. now i'm a lifelong fan and can't imagine a record collection w/o some D.Y.
|
||
I just love Dwight Yoakam!!! Always have, always will!!! Grew up to his music, and still crankin it today... 20 years later!!! True Country, thru and thru!!!
|
||
i've always been impressed by dwight's recognition of what's real country music !
|
||
I enjoy listening to Mr. Yoakam's music. His CD's are fantastic and I turn up the radio whenever one of his songs is playing. What I enjoy the most about Mr. Yoakam is attending his concert. I had the privilege of attending his concert at the Quechan Casino and Resort in Southern California. Everyone that attended got their monies worth. He is an amazing performer and I have never seen anything like him. The energy he and his band generate is contagious. I had so much fun that night.
|
||
Dwights is just the best Country artist out there. He's not a cross between country and some other kind of music. Country music isn't rap, dance, new wave, etc. His music isn't packaged to sell, it's just him doing his thing.
|
||
I believe that the country music profession misses out on a lot of good artists, simply because they are a little different in thier style and presentation . I'm glad this artist stuck to his guns like some others have done in the past. So today when I want to hear good country, I don't tune in to the so called new country. I look for guys like Dwight Yoakam and his rough cut style of country.
|
||
Dwight's songs gripped my heart and wouldn't let go after moving from the country to New Jersey. I would like to see an album filled with old songs he wrote and recorded along with some other greats like George Jones, Haggard, Jennings, etc.
Tear jerkers every one. His voice captures the emotion in a very special way that only he can do in his own way. |
||
Love this guy... (in a guy sort of way... no, I mean love his singing.
|
||
i just love Dwight I got to see him once would like to see him again in CA.
went with my Daughter she is a county lover too so was my little mommy, just love Dwights voice too. |
||
Ah, my Spiritual Fiance....lo v e this man and his fine, fine voice.
|
||
How true it is, the fan group is a more alternative collection of taste and that is such a relief. I never was a top 40 kind of girl.
|
||
Always been a fan of Dwight. The strange part is that I am not a big fan of country. Go figure.
|
||
Go get 'em Dwight. Another favorite of mine. Heck, I love all of 'em in one way or another.
|
||
The more I hear DY the more I like his sound and style. This song in particular.
|
||
No one can copy this style of music....... . . . T h i s music comes from the soul.
|
||
Dwight is awesome. I have all these albums. But nothing beats his live show.
|
||
Dwight sings...from the deapths of his soul, he sings......l i k e all men, he must be mortal, yet the energy given in his songs speaks of the rare existence of echos heard in the hollows and valley's of his native land......oh , not hard to hear his stylish rock and roll also....The one thing you can ALWAYS count on from Dwight is his harmonious sound...as for myself, only Pink Floyd can penetrate that eerie place in our minds where all is well when we hear "the sound".....D w i g h t gives us "the soun
|
||
Love dwight yoakum's music. I took a picture of dwight in Las Vegas in 2002 or 2003. I'd love to share it with him. Where could I send It.
|
||
The best in the business, if you like the pure, simple country sound...Dwig h t never worried about the money, he performed the songs the way he wanted to...
|
||
My my my, I want to just be his back up vocal!!!! I have been braught up on Dwight! Doesn't get better than his stuff, beyond looks, his musical mind is awesome!!
|
||
Greatest artist that this country will ever know. Tops in style!!! Noone does it like you Dwight. You are the past, present, and future.
|
| report abuse |








