Harry Nilsson
Biography
Although he synthesized disparate elements of both rock and pop traditions, singer/songwriter Harry Nilsson was at heart a maverick whose allegiance belonged to neither. His initial series of albums in the late '60s made him a personal favorite of the Beatles, who found a natural affinity with his knack for catchy melodies, witty lyrics, and extraordinary vocal range. Thought of as a songwriter first and a performer second, he became a pop star himself in the late '60s and early '70s with "Everybody's Talking" and "Without You." He lost some of his original audience, however, with subsequent detours into pre-rock styles of pop, and did little recording over the last 15 years of his life.
Nilsson had been struggling to make inroads into the music business for over five years before his critically acclaimed 1967 album, Pandemonium Shadow Show. He made demos, sang commercial jingles, and shopped songs, all the while keeping his job at a Los Angeles-area bank. In the mid-'60s, he wrote a few songs with Phil Spector that were recorded by the Ronettes and the Modern Folk Quartet; occasionally he released records of his own. The Monkees recorded his "Cuddly Toy," and the Yardbirds did "Ten Little Indians" on a single in their waning days. But Nilsson didn't quit his bank job until after the release of Pandemonium Shadow Show, which gave him creative rein in the studio for the first time, and showcased his three-and-a-half-octave voice to full advantage.
The album caught the attention of the Beatles (helped, no doubt, by its ingenious medley of classic Beatle tunes, "You Can't Do That"). John Lennon and Paul McCartney named him as their favorite American singer at a press conference, an extraordinary accolade for an unknown. (Nilsson was sometimes even rumored to be joining the group.) Three Dog Night took his "One" into the Top Ten in 1969, and Nilsson's second LP, Aerial Ballet, continued the ambitious pop/rock direction of his debut, marrying his slightly eccentric, bouncy (if sometimes precious) tunes to baroque orchestral production. When one of its songs, "Everybody's Talkin'," was used as the theme for the Midnight Cowboy film, Nilsson had his first Top Ten hit. The irony was that, although Nilsson was primarily identified as a singer/songwriter, the song was actually a cover of a composition by folk-rocker Fred Neil.
But Nilsson would never be content to be pigeonholed into definite categories, as demonstrated by his two 1970 albums. One was devoted entirely to covers of songs by Randy Newman (then just emerging as a performer); another was his soundtrack to an animated children's special, The Point (including the hit "Me and My Arrow"). And it was another cover (of a Badfinger album track) that gave him his biggest single, the number one smash "Without You." Yet Nilsson didn't cash in on his stardom in a conventional manner; he never performed in concert (there were occasional television appearances), preferring to craft his artistry in the studio.
"Without You" appeared on 1971's Nilsson Schmilsson, which included a couple of other hits, the faux-tropical "Coconut" and the surprisingly gritty "Jump Into the Fire," which rates as his hardest-rocking cut. During the first half of the 1970s, he continued to broaden his range from the well-crafted, peppy, sensitive tunes that had dotted his early releases, cutting some tougher, more sour work. He lost some of his constituency, however, with 1973's A Little Touch of Schmilsson in the Night, a collection of pre-rock pop standards with an orchestra conducted by arranger Gordon Jenkins (most noted for his work with Frank Sinatra). His affection for the music wasn't entirely surprising, as there had always been a strong Tin Pan Alley flavor to much of his writing, but it wasn't exactly in step with the times.
Much of Nilsson's notoriety stems from a period in the mid-'70s when he was a drinking buddy of John Lennon in Los Angeles (where Lennon was living during a separation from Yoko Ono). The drunken pair were thrown out of L.A.'s Troubadour club in a well-publicized incident, following which Lennon offered to produce Nilsson's next album. The timing was not opportune; Nilsson lost his voice during the sessions, rupturing one of his vocal cords, keeping it a secret out of fear that Lennon would abandon the project. Released as P**sy Cats, it was his last album to make the Top 100. During the same period, he also embarked on a project with another L.A.-based ex-Beatle, Ringo Starr, acting and writing music for the little-seen Son of Dracula film.
The upper register of Nilsson's voice, which was ultimately his greatest asset, had been permanently (though not irredeemably) damaged. After a few rather unsuccessful late-'70s album, Nilsson withdrew from the studio into family life and other business ventures, spending much of his energies campaigning for gun control after Lennon was shot in 1980. In failing health in the 1990s, diagnosed with diabetes and suffering a massive heart attack, he died in early 1994, just after finishing the vocal tracks for a new album. ~ Richie Unterberger, All Music Guide
Selected Discography
"WITHOUT YOU" WAS A NEAT SONG BY HARRY,DIDN`T LIKE ALOT OF HIS SONGS BUT HE HAS BEEN A TRUE TALENT.JUST BECAUSE I DIDN`T LIKE ALOT OF SONGS MEANS NOTHING..
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I think it's interesting the Beatles liked him so much. He has a beautiful voice.
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A big whale just got loose in my brandy... and I think he's starting to sing.
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Yes CNK, he wrote the song "Cuddly Toy" for the Monkees. I don't know if it was a hit single but was played on their tv show.
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Jump into the Fire. A love song of obsession, passion, addiction, all bundled into one. Total blissfulness , but only if you have experienced it. Just do it over and over and over.....
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NILSON RULES!!!!
He has, of course, a "little voice", but a lot of feeling whenever he sings. He puts his heart in the song, and that's what matters!!! I wish I could afford all his albuns. That's all, and thanks for the music. I enjoy Pandora, and make use of it as a background whenever I'm in the computer. |
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is that davy jones in that pics with him?
i saw this interview of micky dolenz and davy jones (who starred in 'the point' ) and it was really awesome cuz they talked about how coool it was that they had known him for like 10 years at that time. |
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I loved this artist. My kids grew up singing the songs from The Point.
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I discovered Harry a couple years ago, always heard and liked his music but never really realized the same guy was making all these different songs. Anyhow, I have a nearly full collection now, hes amazing, one of the greatest ever.
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my favorite album of harrys is Nielson does ????? I can't remember his name - another composer who is a little off the wall, you might say. wears glasses, plays piano.
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"The Point" had to be one of his greatest works. All that midnight stoning with John Lennon must have paid off, the album was just genius.
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I dated a girl who liked Nilsson. Haven't seen her since 1976, but listen to Harry all the time. Terrific albums, despite the, um, variety, across the board. Love "Nilsson Knnillson" and "Flash Harry." There are some brilliant videos of Nilsson on youtube. My brother and I are two of the perhaps 200 people who saw "Son of Dracula" in Missouri. I say that any performer who worked with all four Beatles deserves some respect, but Nilsson earned it even without that.
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He was a great artist . Very diverse.His version of without You will always be the best . His version blows all others away. Especially Badfingers ,and they wrote it!
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This is my wife's favorite, I can't listen to it too much it makes me tear up too much...The man can sing, and the music's just too much...
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Way ahead of his time........ . . . . e x c e p t i o n a l talent.....o n e of a kind....miss him everyday.... . . . . . . . .
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The song "everybody's talking at me" is incredible and embodies so many memories and the deepest of feelings for me of those times so long ago
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Harry Nilsson was the greatest. He created a huge body of amazing music. Give him 10 minutes, you'll be hooked.
McdBird |
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I cherished his albums at the time, and still do.
They were so eclectric. His two surprise masterpieces 'Nilsson Schmilsson' and 'Son of Schmilsson' hit with an unexpected jolt. They were an odd mix, containing three types of distinct music on one album: (1) soft melodic ballads (2) hard rock (3) tongue-in-ch e e k playful humor We wanted more but never got it. It was enjoyable while it lasted. |
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I wish they would release "Son of Dracula" on VHS or DVD! it is an awesome picture, and Nilsson's performance is tear-jerking ! !
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you need to get the compilation/ t r i b u t e album: for the love of harry, everyone sings nilsson
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