Echo & The Bunnymen
Biography
Echo & the Bunnymen's dark, swirling fusion of gloomy post-punk and Doors-inspired psychedelia brought the group a handful of British hits in the early '80s, while attracting a cult following in the United States. The Bunnymen grew out of the Crucial Three, a late-'70s trio featuring vocalist Ian McCulloch, Pete Wylie, and Julian Cope. Cope and Wylie left the group by the end of 1977, forming the Teardrop Explodes and Wah!, respectively. McCulloch met guitarist Will Sergeant in the summer of 1978 and the pair began recording demos with a drum machine that the duo called "Echo." Adding bassist Les Pattinson, the band made its live debut at the Liverpool club Eric's at the end of 1978, calling itself Echo & the Bunnymen.
In March of 1979, the group released its first single, "Pictures on My Wall"/"Read It in Books," on the local Zoo record label. The single and their popular live performances led to a contract with Korova. After signing the contract, the group discarded the drum machine, adding drummer Pete de Freitas. Released in the summer of 1980, their debut album, Crocodiles, reached number 17 on the U.K. charts. Shine So Hard, an EP released in the fall, became their first record to crack the U. K. Top 40. With the more ambitious and atmospheric Heaven Up Here (1981), the group began to gain momentum, thanks to positive reviews; it became their first U.K. Top Ten album. Two years later, Porcupine appeared, becoming the band's biggest hit (peaking at number two on the U.K. charts) and launching the Top Ten single "The Cutter."
"The Killing Moon" became the group's second Top Ten hit at the beginning of 1984, yet its follow-up, "Silver," didn't make it past number 30 when it was released in May. Ocean Rain was released that same month to great critical acclaim; peaking at number four in Britain, the record became the Bunnymen's first album to chart in the U.S. Top 100. The following year was a quiet one for the band as they released only one new song, "Bring on the Dancing Horses," which was included on the compilation Songs to Learn & Sing. De Freitas left the band at the start of 1986 and was replaced by former Haircut 100 drummer Mark Fox; by September, de Freitas rejoined the group.
Echo & the Bunnymen returned with new material in the summer of 1987, releasing the single "The Game" and a self-titled album. Echo & the Bunnymen became their biggest American hit, peaking at number 51; it was a success in England as well, reaching number four. However, the album indicated that the group was in a musical holding pattern. At the end of 1988, McCulloch left the band to pursue a solo career; the rest of the band decided to continue without the singer. Tragedy hit the band in the summer of 1989 when de Freitas was killed in an auto accident. McCulloch released his first solo album, Candleland, in the fall of 1989; it peaked at number 18 in the U.K. and number 159 in the U.S. Echo & the Bunnymen released Reverberation, their first album recorded without McCulloch, in 1990; it failed to make the charts. McCulloch released his second solo album, Mysterio, in 1992. Two years later, McCulloch and Sergeant formed Electrafixion, releasing their first album in 1995. In 1997, the duo re-teamed with Pattinson to re-form Echo & the Bunnymen, issuing the LP Evergreen. Two years later, they returned with What Are You Going to Do with Your Life?
The new millennium brought Echo & the Bunnymen back to the basics. The British press touted the band's storybook flair found on 1983's Ocean Rain and figured such spark would be found on their ninth album, Flowers. Issued in spring 2001, it reflected McCulloch's dark breezy vocals and Sergeant's signature hooks. Live in Liverpool, a concert disc capturing the band's two gigs at Liverpool of Performing Arts while on tour in support of Flowers, followed a year later. For 2005's Siberia, McCulloch and Sergeant joined producer Hugh Jones for the band's most classic effort since their 1997 comeback. A second proper live album, 2006's Me, I'm All Smiles, captured the Bunnymen's gig at Shepherds Bush Empire while on tour in support of Siberia. In early 2008, the band announced that they would be releasing their next album, The Fountain, as well as playing a show at Radio City Music Hall to celebrate their 30th anniversary. ~ Stephen Thomas Erlewine, All Music Guide
Selected Discography
"Bring on the Dancing Horses" sounds better in the studio than live. When it heard it live, I was like, "Damn, what happened? Good tune nevertheless .
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i agree with christopher ...maybe because it reminds me of a different stage of my life...and now when i listen ..especially to ocean rain, seven seas, the game, lost and found...love this music...
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I saw them with New Order and Gene Loves Jezebel too! It was at the Forum in L.A.
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These guys werent touring back in my concert days had they been, I would have been there....... G r e a t sound.
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Saw them twice. Once with an opening act I don't remember and once as a triple bill with New Order and Gene Loves Jezebel. LOVE them! One of my fave bands. Would love to see them again.
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I DIG THE STYLE AND THE LYRICS,COULD HAVE USED HEAVIER GITUARS, ALL IN ALL A GREAT SOUND,SUGAR KISSES AND KILLING MOON ARE MY FAVS |
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I saw them 2 years ago in Orlando, Fl. They had the lights down for the WHOLE show, I guess Ian didn't want anyone to look at him. Ha! Vocally and musically, it sounded GREAT.
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Remastering these guys was a good idea though their live performances in the early eighties were super bad. I used to catch them at the 688 club on Spring Street in Atlanta where the real Athens scene played.
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The karaoke comments here are funny. I like Bunnymen enought to give them thumbs up, but not enough to start a station, much less buy a CD.
But I've also taken up singing Black Sabath karaoke while drinking Red Death in a haunted victorian house/bar. Get lots of compliments and ppl cant' believe a girl can DO ozzy. And driving home at 3am in the rain, i appologize for putting Bauhaus in my CD player, only to discover that friends actually LIKED it. but i'm being truthful/ser i o u s here. so! |
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I have liked them ever since I discovered them through the movie "Donnie Darko" so appropriate for that movie, if you seen it you understand. :)
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When bunnies were introduced to the plains of Australia, they flourished, prospered and reproduced beyond expectation.
They had few natural predators to keep their numbers down. I personally am not a fan of rabbit... or any other wild game. I'd eat it if it was all there was. (that would help get those Australian hare numbers down a bit) |
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bring on the dancing horses is still a seminal song for those of us not lost in the hairspray and ripped jeans crowd in the 80's. thank god for manchester, liverpool and london; or axl rose would be considered talented!
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HEY DUDEs......g o t h ann and robotic LM like the bunnymen!!.. . . . . . . . a n d . . . . . . . . r e m e m b e r . . . . . . . . t h e y have very, very few natural enemies since the coyote-uglie s were dramatically thinned by gingivitis.. . . . . p r o b a b l y exacerbated by their smack habit....... .
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"It's hard to sing while on smack."
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Bunnymen??? What?
You've got to be kidding. Bunnymen? On the planet 'Zakarious' Bunnymen are quite common, but they're all dieing off due to the great carrot famine of '06!!!! |
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I saw them in 86 or 87 in Kansas City...with an opening band..
Can anybody remember who they were touring the USA with then? |
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This is one of my favorite bands from the 80's, besides my two favorite bands, Def Leppard and Duran Duran. I still listen to all of them while drinking Coor's light. Also, just for fun, I like to sing Def Leppard songs on karaoke night at my local bar called Middle America!
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I'd like to thank this band for adding to my reasons to live during the terrible, terrible 80's. I wasn't forced to resort to listing to dumb bands like Def Leppard and Duran Duran. I was able to successfully avoid hair bands and stay an angry youth. I'm grateful that I'm not drinking Coor's light and lip synching at some keroke show in middle america. I am victorious and you had something to do with it.
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Y'all really need to add the album "Reverberati o n " . It was a great phase with a neat singer. It is really a shame they didn't continue that mode of psychedellia .
Don't bother with their more dreadful works like "Evergreen". |
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