Electric Light Orchestra
Biography
The Electric Light Orchestra's ambitious yet irresistible fusion of Beatlesque pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. ELO was formed in Birmingham, England in the autumn of 1970 from the ashes of the eccentric art-pop combo the Move, reuniting frontman Roy Wood with guitarist/composer Jeff Lynne, bassist Rick Price, and drummer Bev Bevan. Announcing their intentions to "pick up where 'I Am the Walrus' left off," the quartet sought to embellish their engagingly melodic rock with classical flourishes, tapping French horn player Bill Hunt and violinist Steve Woolam to record their self-titled debut LP (issued as No Answer in the U.S.). In the months between the sessions for the album and its eventual release, the Move embarked on their farewell tour, with Woolam exiting the ELO lineup prior to the enlistment of violinist Wilf Gibson, bassist Richard Tandy, and cellists Andy Craig and Hugh McDowell; despite the lengthy delay, Electric Light Orchestra sold strongly, buoyed by the success of the U.K. Top Ten hit "10538 Overture."
However, Wood soon left ELO to form Wizzard, taking Hunt and McDowell with him; Price and Craig were soon out as well, and with the additions of bassist Michael D'Albuquerque, keyboardist Richard Tandy, and cellists Mike Edwards and Colin Walker, Lynne assumed vocal duties, with his Lennonesque tenor proving the ideal complement to his increasingly sophisticated melodies. With 1973's ELO II, the group returned to the Top Ten with their grandiose cover of the Chuck Berry chestnut "Roll Over Beethoven"; the record was also their first American hit, with 1974's Eldorado yielding their first U.S. Top Ten, the lovely "Can't Get It Out of My Head." Despite Electric Light Orchestra's commercial success, the band remained relatively faceless; the lineup changed constantly, with sole mainstays Lynne and Bevan preferring to let their elaborate stage shows and omnipresent spaceship imagery instead serve as the group's public persona. 1975's Face the Music went gold, generating the hits "Evil Woman" and "Strange Magic," while the follow-up, A New World Record, sold five million copies internationally thanks to standouts like "Telephone Line" and "Livin' Thing."
The platinum-selling double-LP, Out of the Blue, appeared in 1977, although the record's success was tempered somewhat by a lawsuit filed by Electric Light Orchestra against their former distributor, United Artists, whom the band charged flooded the market with defective copies of the album. Columbia distributed the remainder of the group's output, issued through their own Jet Records imprint, beginning with 1979's Discovery, which notched the Top Ten entries "Shine a Little Love" and "Don't Bring Me Down." In the wake of ELO's best-selling Greatest Hits compilation, Lynne wrote several songs for the soundtrack of the Olivia Newton-John film Xanadu, including the hit title track. The next proper Electric Light Orchestra album, 1981's Time, generated their final Top Ten hit, "Hold on Tight." Following 1983's Secret Messages, Bevan left the group to join Black Sabbath, although he returned to the fold for 1986's Balance of Power, which despite the presence of the Top 20 hit "Calling America" received little interest from fans and media alike.
However, as Electric Light Orchestra's career descended, Lynne emerged as a sought-after producer, helming well-received comebacks from George Harrison (1987's Cloud Nine) and Roy Orbison (1989's Mystery Girl) and additionally re-teaming with both rock legends as well as Bob Dylan and Tom Petty in the hit supergroup the Traveling Wilburys. Lynne made his solo debut in 1990 with Armchair Theatre but otherwise spent the decade out of the limelight, instead producing material for Joe Cocker, Tom Jones, and Paul McCartney in addition to working on the Beatles' Anthology project. In 1988, meanwhile, Bevan formed Electric Light Orchestra Part II with vocalist Neil Lockwood, keyboardist Eric Troyer, and bassist Pete Haycock; although Lynne filed suit against the group (hence the "Part II" tag), a self-titled LP followed in 1991, with a live collection recorded with the Moscow Symphony Orchestra appearing a year later. Outside of 1994's Moment of Truth, subsequent ELO II releases have been live efforts as well. ~ Jason Ankeny, All Music Guide
Selected Discography
Billy Preston was a nice guy but Jeff lynne is my pick to be a 5th Beatle. Thanks for the great music Mr. Blue Sky.
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Saw ELO Wishbone Ash and Journey at the Philadelphia Spectrum unreal.
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I've been going to concerts since 1978, but one of greatest was when I took my mom to see E.L.O. in a small club in Houston TX called The Backstage. I was blown away by how good the band sounded, it was one of those rare moments in concert history where everything was perfect, almost magical, everyone was dancing in the isles singing along to every single hit song we all grew up with. Would love to see these guys again someday. Russell Blanton
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Zoom isn't listed because this description only goes into the 90's, and Zoom was 2001. It's not a bad album, either; more for fans of the original ELO sound.
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If you can find Jeff Lynne's 'Armchair Theatre'--- get it. Great solo effort....wh a t am I talking about...ELO was Jeff Lynne. Along with producing Tom Petty, George Harrison, Roy Orbison, etc, etc.....more talent than 12 people should have......
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I liked them even when I was really little. They had so many good songs during that time.
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My most favorite band from the 70's for sure. I remember always listening to my little transistor radio in my grandmother' s basement waiting for Evil Woman or Sweet Talkin' Woman to come on. Their music brings back memories of the days from my youth for sure. I only wished they had stayed together long enough that I could have seen them in concert. Sadly, I think Secret Messages was their last good album. Not that Balance of Power was bad, but the end was obvious at that point.
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ELO is just about my favorite group ever! Every so often I pop an ELO CD in the car player and rock on up the road! Take that, you booming rap and hip-hop players!
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ELO, the best mix of classic rock and classical music ever (my apologies to the Moody Blues). They made every thing from a hard rocker like "Ma Ma Ma Belle" to the discoesque rock of "You Shine A Little Love". My favorite group ever and many ELO songs evoke emotion of a certain time in my life. Such emotion is really never forgotten, just replayed in the mind like an old 8 track.
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ELO is my favorite group - bar none! The depth and moods of their music are phenomenal! I love all their songs, from the sad and haunting "Waterfall" to "Rockaria!" - upbeat music that you can't help moving to!" I have everyone of their albums and I've started collecting them in cds. Theirs was the only posters I ever had on my walls in my teens. Like I said - PHENOMENAL!
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An essential addition to the soundtrack of my life. This band always takes be back to a place that I dearly miss. Great music, great sound!
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When I was a child there was an ELO song with a jungle intro that frightened me to no end
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Fantastic group- my all time favorite. My older brother had "Out of the Blue" on vinyl and I heard that album for the first time when I was 8 or 9 years old. Loved them ever since, and he gave me the original vinyl several years back and is one of my most treasured material items. "Time" is my favorite (I think the lyrics on "Time" which were current then are spooky to listen to now- "remember the good old 1980's when things were so uncomplicate d . . . " ) , with "Out of the Blue" a close second. I wi
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In concept I should love ELO since I love the artists that are similar, but I just can't get into their music. Don't know why, they just don't appeal to me.
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When I was a kid the hardcore rockers were all anti ELO, but I had every album and saw them twice in concert. Got to tell you, the Out of the Blue tour with the giant spaceship opening up and the smoke coming out and the lasers - - the height of 70s overproduced rock concerts. Best show I've ever seen still, 30 years later. Does anyone remember spinning the record backwards on Fire on High to get the words just right, and then being able to quote them backwards? If so, you might be a 48 year
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Playing a stringed instrument in high school, I used to do my own form of "karaoke" by playing along with their song "Kuiama." And in concert they were fantastic!
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in my top ten of worst bands ever. I'm begging you, Pandora, please do not play ELO on any of my stations again!
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one of my favorite bands, I first heard ELO in the late 1970s, several years ago I bought the Zoom DVD concert tour, great concert of classic songs
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My favorite all time band. Their "biography", however, can not be complete without the sad mention of the "Lip Sync" scandal (at the end of the Space Ship era) that led to their decline from legendary and fully deserved heights. And, as I said earlier, they're still and always will be my all time fav.
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If you really listen to Jeff Lynn's songs he absolutly loved rock-n-roll. He understands what it means.
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These guys are pretty good. Didn't realize till now how many albums they made. And they're STILL making music.
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good stuff, I thought I was the only one who liked them till I went to the record store, hahahahaha
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listen to mr.blue skies everyday and i bet you get it all accomplished . i t ' s religious.po s i t i v e music.live by it.
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I was introduced to ELO when I won a album (yes vinyl!!!!) titled A New World Record by a band I had never heard of. I was 15 in the year 1976 and when I heard the cut, "Telephone Line", I was hooked on the band from then on. Classic, clean, melodious music. They dont make it like that anymore.
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The 70s began with 'no Beatles' to lead the way. The decade didn't hold much promise. But a few groups stepped-up to the task of supplying us with Beatlesque type of music. ELO was at the forefront.
Simply superb. Thank you Jeff (why isn't it spelled Geoff??). |
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When I was in the Air Force stationed at Luke AFB, this what was the bomb. The ELO rocked on and still sound good.
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I grew up in Europe so I'm shocked that they didn't get as much play time in the U.S. Still have the vinyl - it was my first album I ever purchased in the PX
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