Emmylou Harris
Biography
Though other performers sold more records and earned greater fame, few left as profound an impact on contemporary music as Emmylou Harris. Blessed with a crystalline voice, a remarkable gift for phrasing, and a restless creative spirit, she traveled a singular artistic path, proudly carrying the torch of "cosmic American music" passed down by her mentor, Gram Parsons. With the exception of only Neil Young -- not surprisingly an occasional collaborator -- no other mainstream star established a similarly large body of work as consistently iconoclastic, eclectic, or daring; even more than three decades into her career, Harris' latter-day music remained as heartfelt, visionary, and vital as her earliest recordings.
Harris was born on April 2, 1947, to a military family stationed in Birmingham, AL. After spending much of her childhood in North Carolina, she moved to Woodbridge, VA, while in her teens and graduated high school there as class valedictorian. After winning a dramatic scholarship at the University of North Carolina, she began to seriously study music, learning to play songs by Bob Dylan and Joan Baez. Soon, Harris was performing in a duo with fellow U.N.C. student Mike Williams, eventually quitting school to move to New York, only to find the city's folk music community dying out in the wake of the psychedelic era.
Still, Harris remained in New York, traveling the Greenwich Village club circuit before becoming a regular at Gerdes Folk City, where she struck up friendships with fellow folkies Jerry Jeff Walker, David Bromberg, and Paul Siebel. After marrying songwriter Tom Slocum in 1969, she recorded her debut LP, 1970's Gliding Bird. Shortly after the record's release, however, Harris' label declared bankruptcy, and while pregnant with her first child, her marriage began to fall apart. After moving to Nashville, she and Slocum divorced, leaving Harris to raise daughter Hallie on her own. After several months of struggle and poverty, she moved back in with her parents, who had since bought a farm outside of Washington, D.C.
There she returned to performing, starting a trio with local musicians Gerry Mule and Tom Guidera. One evening in 1971, while playing at an area club called Clyde's, the trio performed to a crowd that included members of the country-rock pioneers the Flying Burrito Brothers. In the wake of the departure of Gram Parsons, the band's founder, the Burritos were then led by ex-Byrd Chris Hillman, who was so impressed by Harris' talents that he considered inviting her to join the group. Instead, Hillman himself quit to join Stephen Stills' Manassas, but he recommended her to Parsons, who wanted a female vocalist to flesh out the sound of his solo work, a trailblazing fusion of country and rock & roll he dubbed "cosmic American music." Their connection was instant, and soon Harris was learning about country music and singing harmony on Parsons' solo debut, 1972's G.P. A tour with Parsons' backup unit, the Fallen Angels, followed, and in 1973 they returned to the studio to cut his landmark LP Grievous Angel.
On September 19, just weeks after the album sessions ended, Parsons' fondness for drugs and alcohol finally caught up to him, and he was found dead in a hotel room outside of the Joshua Tree National Monument in California. At the time, Harris was back in Washington, collecting her daughter for a planned move to the West Coast. Instead, she remained in D.C., reuniting with Tom Guidera to form the Angel Band. The group signed to Reprise and relocated to Los Angeles to begin work on Harris' solo major-label debut, 1975's acclaimed Pieces of the Sky, an impeccable collection made up largely of diverse covers ranging in origin from Merle Haggard to the Beatles. Produced by Brian Ahern, who would go on to helm Harris' next ten records -- as well as becoming her second husband -- Pieces of the Sky's second single, a rendition of the Louvin Brothers' "If I Could Only Win Your Love," became her first Top Five hit. "Light of the Stable," a Christmas single complete with backing vocals from Dolly Parton, Linda Ronstadt, and Neil Young, soon followed; Harris then repaid the favor by singing on Ronstadt's "The Sweetest Gift" and Young's "Star of Bethlehem."
For her second LP, 1976's Elite Hotel, Harris established a new backing unit, the Hot Band, which featured legendary Elvis Presley sidemen James Burton and Glen D. Hardin as well as a young songwriter named Rodney Crowell on backup vocals and rhythm guitar. The resulting album proved to be a smash, with covers of Buck Owens' "Together Again" and the Patsy Cline perennial "Sweet Dreams" both topping the charts. Before beginning sessions for her third effort, 1977's Luxury Liner, Harris guested on Bob Dylan's Desire and appeared in Martin Scorsese's documentary of the Band's legendary final performance, The Last Waltz. Quarter Moon in a Ten Cent Town followed in 1978, led by the single "Two More Bottles of Wine," her third number one. The record was Crowell's last with the Hot Band; one of the tracks, "Green Rolling Hills," included backing from Ricky Skaggs, soon to become Crowell's replacement as Harris' vocal partner.
Released in 1979, Blue Kentucky Girl was her most country-oriented work to date, an indication of what was to come a year later with Roses in the Snow, a full-fledged excursion into acoustic bluegrass. In the summer of 1980, a duet with Roy Orbison, "That Lovin' You Feelin' Again," hit the Top Ten; a yuletide LP, Light of the Stable, followed at the end of year. Shortly afterward, Harris quit touring to focus on raising her second daughter, Meghann. Evangeline, a patchwork of songs left off of previous albums, appeared in 1981. Shortly after, Skaggs left the Hot Band to embark on a solo career; his replacement was Barry Tashian, a singer/songwriter best known for fronting the 1960s rock band the Remains.
In 1982, drummer John Ware, the final holdover from the first Hot Band lineup, left the group; at the same time, Harris' marriage to Ahern was also beginning to disintegrate. After 1981's Cimarron, Harris and the Hot Band cut a live album, Last Date, named in honor of the album's chart-topping single "(Lost His Love) On Our Last Date," a vocal version of the Floyd Cramer instrumental. Quickly, they returned to the studio to record White Shoes, Harris' final LP with Ahern at the helm. Her most far-ranging affair yet, it included covers of Donna Summer's "On the Radio," Johnny Ace's "Pledging My Love," and Sandy Denny's "Old-Fashioned Waltz."
After leaving Ahern, she and her children moved back to Nashville. There, Harris joined forces with singer/songwriter Paul Kennerley, on whose 1980 concept album The Legend of Jesse James she had sung backup. Together, they began formulating a record called The Ballad of Sally Rose, employing the pseudonym Harris often used on the road to veil what was otherwise a clearly autobiographical portrait of her own life. Though a commercial failure, the 1985 record proved pivotal in Harris' continued evolution as an artist and a risk taker; it also marked another chapter in her personal life when she and Kennerley wed shortly after concluding their tour. Angel Band, a subtle, acoustic collection of traditional country spirituals, followed, although the record was not issued until 1987, after the release of its immediate follow-up, Thirteen.
Harris, Dolly Parton, and Linda Ronstadt had first toyed with the idea of recording an album together as far back as 1977, only to watch the project falter in light of touring commitments and other red tape. Finally, in 1987, they issued Trio, a collection that proved to be Harris' best-selling album to date, generating the hits "To Know Him Is to Love Him" (a cover of the Phil Spector classic), "Telling Me Lies," and "Those Memories of You." The record's success spurred the 1990 release of Duets, a compilation of her earlier hits in conjunction with George Jones, Willie Nelson, Gram Parsons, and others. Fronting a new band, the Nash Ramblers, in 1992 she issued At the Ryman, a live set recorded at Nashville's legendary Ryman Auditorium, the former home of the Grand Ole Opry. At the time of the record's release, Harris was also serving a term as President of the Country Music Foundation.
In 1993, she ended her long association with Warner Bros./Reprise to move to Asylum Records, where she released Cowgirl's Prayer shortly after her separation from Paul Kennerley. Two years later, at a stage in her career at which most performers retreat to the safety of rehashing their greatest hits again and again, Harris issued Wrecking Ball, perhaps her most adventuresome record to date. Produced by Daniel Lanois, the New Orleans-based artist best known for his atmospheric work with U2, Peter Gabriel, and Bob Dylan, Wrecking Ball was a hypnotic, staggeringly beautiful work comprised of songs ranging from the Neil Young-penned title track (which featured its writer on backing vocals) to Jimi Hendrix's "May This Be Love" and the talented newcomer Gillian Welch's "Orphan Girl."
A three-disc retrospective of her years with Warner Bros., Portraits, appeared in 1996, and in 1998 Harris resurfaced with Spyboy. Following the release of Trio II later that year, she and Ronstadt again reunited, this time minus Parton, for 1999's Western Wall: The Tucson Sessions. In 2000, Harris returned with Red Dirt Girl, her first album of original material in five years, featuring appearances from Bruce Springsteen, Patti Scialfa, Jill Cuniff, and Patty Griffin. She also made an appearance on the soundtrack for O Brother, Where Art Thou?, along with a number of traditional blues, country, and folk artists. In 2003, Harris released Stumble into Grace; two years later, she collaborated with Conor Oberst on I'm Wide Awake, It's Morning, as well as recording a version of "The Scarlet Tide" with Elvis Costello for the soundtrack to Cold Mountain. The retrospective The Very Best of Emmylou Harris: Heartaches & Highways was also released in 2005 on Rhino Entertainment. All the Roadrunning, a collection of songs written with Mark Knopfler over the course of seven years, was released in 2006. In 2007, Harris sang a duet with Anne Murray on Murray's 2008 album Duets: Friends and Legends. The Brian Ahern-produced All I Intended to Be appeared in 2008. ~ Jason Ankeny, All Music Guide
Selected Discography

All I Intended To Be
2008

Songbird: Rare & Forgotten Gems
2007

The Very Best Of Emmylou Harris
2005

Stumble Into Grace
2003

Red Dirt Girl
2000

Profile 2 - The Best of Emmylou Harris
1984

Roses In The Snow
1980

Profile: Best Of Emmylou Harris
1978

Quarter Moon In Ten Cent Town
1978

Pieces Of The Sky
1975

Elite Hotel
1975
There are a couple of artists who've been lent the voice of an angel, Emmylou is one. I've loved her for years.
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I have loved her music for thirty years and there is none better.
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The voice of an angel. And nobody makes gray hair look better or sexier. I'm on board the "gets more beautiful" bandwagon.
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Used to not like her...too much pop, money, ego, etc. Bottom line: I like her, and the talent is a gift. Hopefully she realizes that...and one suspects she very much does, in a much more real way than many (yes, that's a guess, but hopefully true). Keep it up as long as you want (not older, but better rings true).
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SSSSSSSMMMMM M M M M M O O O O O O O O O O O O O O O O O O O O O T T T T T T T T T T T T H H H H H H H H H H H H H H
not so much country twangin' just pure |
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She does get more beautiful each year. It isn't you. She is an angel on earth.
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One of the most recognizable female voices around. She just continues to astound me. And is it just me, or does she get more beautiful with each year.
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I saw her playing live at McCabe's Guitar Shop in LA when Pieces of the Sky was just released. I could tell that night that we had a new angel in the world. I only wish I had been able to tell her that.
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Jack, you did it better than they did; how about a voice handed down from above and handled with loving care by it's owner. Emmylou is so beautiful in so many ways it is impossible to ennummerate, suffice to say hers is a voice of an angel and I know of no one who does not love what she has done with her amazing career. I might add I am a huge Gram Parsons fan, so thanks to him, too
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Why is this bio written in th epast tense?! I was worried that we'd lost an amazing artist... How about:
"...Though other performers may sell more records and earn greater fame, few will leave as profound an impact on contemporary music as Emmylou Harris. She is blessed with a crystalline voice, a remarkable gift for phrasing, and a restless creative spirit. She traveles a singular artistic path..." : ) |
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Emmylou Harris is on the very short list of most beautiful voices ever. Like Patsy Cline, Emmylou could read the back of a cereal box and bring a tear to your eye. The first time I heard Emmylou's version of "Sweet Dreams", she immediately went to the top of my favorites list - behind only Patsy. Her song writing is very underrated. You'd have to search long and hard to find a better song the "Boulder to Birmingham".
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I've had the pleasure of meeting Emmy, and she is one of the most down-to-eart h people you're ever gonna meet. One of the most distinctive voices of "our time". I don't think the BIO said that she was married to Graham Parsons, just that he was her "mentor".... .
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Daniel Thompson: Start chronologica l l y , like when she sang with her husband, the late Grahm Parsons of the Flying Burrito Brothers. Watch some video clips of them together and follow Emmylou's continuing musical evolution to the present. NEVER BUY ANYBODY'S GREATEST HITS ALBUM. Every album is a unified mood (like Sgt. Pepper, for example) a conception. Emmylou,even as she ages and turns gray, (Thanks, Emmylou, for not changing that) continues to be the most beautiful woman in the world.
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It's not sad to admit! I just started a Traditional Country station on my Pandora page and am hearing her voice for the first time as well. Her song "Leaving Louisiana In The Broad Daylight" is playing now and I love it! It's off of her album Quarter Moon In Ten Cent Town. Never heard of it until now, perhaps try that one out? Or if you have iTunes, preview her songs on there? Or create a Pandora station with her type of music on it? Hope that helps ya!
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sad to admit this, but have only recently heard this voice.
anyone recommend a starter-albu m for a new fan? greatest hits? |
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the best voice i have ever heard.saw her many times in texas in 70s what a lady.
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"Defying Graity" is one of Emmylou`s best songs,she has so many,been around for a long time and still a pretty lady,got to see her and the "Hot Band" several years ago,she has been up front for many years..Thank s Pandora
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Please add her duet with Sarah McLachlan on Sarah's new compilation album, Rarities B-Sides and Other Stuff 2
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Luxury Liner is my favorite Emmylou album. All the Road Running is great, too, and I hope she and Mark Knopfler do another together.
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A very unique and very talented voice. Her collaboratio n with Mark Knopfler within the past few years was great. She is an American Treasure.
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One of the sweetest tender voices I have heard. She is tops in my book.
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grew up listening to her because of my late brothers and they helped me to appreciate the way she can turn a phrase and breathe life into music. She is definately one of my "comfort artist" choices for any occasion.
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Well I was mighty pleased at the "Red Dirt Girl" collection and the GP work. I used to think that Emmy Lou had used her music to "tour" the nation (lots of regional influences).
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I love her! So glad I got to hear her live at the New Orleans Jazz Fest in the early 2000s!
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consistent-k n o w s when to keep her mouth shut- a professional .
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What ABOUT KNOFFLER >>>>>>AND THE ROADRUNNER ALBUM>>>>>>S O SWEET>>>SO GOOD<<<<>><<
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Emmylou Harris' angelic voice hasn't changed in 30 years. If it has, it's only gotten better. Certainly a gift from God for all to enjoy.
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another chapel hill angel. she and joni are untouchable for their spirits. only neko case can attempt to carry their torch. long live the female artist! there are too few.
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