Engelbert Humperdinck
Biography
Ultrasmooth balladeer Engelbert Humperdinck was often billed as "the King of Romance," and for millions of fans around the world, he more than lived up to that title. Despite the strange name and the latter-day ads hawking his music on late-night TV, Humperdinck was one of the finest middle-of-the-road balladeers around, a sensitive lyric interpreter with excellent vocal technique and a three-and-a-half-octave vocal range. During his heyday in the late '60s and early '70s, Humperdinck cultivated the image of a mysterious heartthrob, sporting shaggy sideburns and a flamboyant wardrobe that, when coupled with his rich, silky crooning, drove female fans wild. He was especially popular in Europe and his native U.K., and his worldwide record sales -- counting both albums and singles -- eventually totaled well over 100 million. Like his friendly rival Tom Jones (with whom he shared a manager for many years), he later settled into a comfortable niche as a stalwart of the Las Vegas entertainment circuit.
Humperdinck was born Arnold George Dorsey on May 2, 1936, in Madras, India. His father worked as an engineer for the British Army, and the family returned to England when Arnold was seven, settling in Leicester. Arnold took up the saxophone at age 11, but didn't really try his hand at singing until 17, when his friends talked him into entering a small local singing contest. Not only did he earn a standing ovation, he also impressed the audience with a knack for comic impressions, particularly Jerry Lewis (which he often included in his later live shows). In fact, his Lewis impression gave him his first stage name, Gerry Dorsey. He started singing in nightclubs, but after finishing school, he put his budding music career on hiatus to serve in the military through 1956.
When Dorsey returned, he got the chance to record for Decca in 1958, but the lone single released, "I'll Never Fall in Love Again," flopped. He managed a few appearances on British television, most prominently on the show Oh, Boy!, and toured with Marty Wilde; the exposure helped him become a popular concert attraction in his own right, even though he had no hits of his own. His career was nearly derailed in 1961 when he contracted tuberculosis, which kept him completely out of commission for six months; once he recovered, he found that England's burgeoning rock & roll movement was pushing more traditional pop out of the spotlight.
As Gerry Dorsey, he struggled for several years until he got in touch with former roommate Gordon Mills in 1965. Once the lead singer of a skiffle group called the Viscounts, Mills had moved into artist management, and at the time was enjoying breakout success with Tom Jones. It was Mills who suggested that Dorsey change his name to the well-nigh unforgettable Engelbert Humperdinck, after the 19th century Austrian composer who adapted Hansel and Gretel into an opera. To create an air of mystery around the singer, Mills insisted that he refrain from any contact with his fans following concerts, even if that meant escaping through windows. The gimmicks worked, as the newly christened Humperdinck scored a new deal with Decca. His first two singles, "Dommage Dommage" and "Stay," were released in 1966, and both missed the charts. But the third time proved to be the charm. In 1967, Humperdinck cut a pop-ballad version of "Release Me," previously a hit for country singer Ray Price and R&B chanteuse Esther Phillips; Humperdinck's cover made the song a standard. Given some exposure by the singer's last-minute addition to a bill at the London Palladium, it rocketed to the top of the British charts and sold over a million copies, ultimately keeping the Beatles' seminal double-sided hit "Penny Lane"/"Strawberry Fields Forever" out of the top spot. It also went to number four in America, where the accompanying album made the Top Ten.
"Release Me" kicked off a streak of seven straight Top Five hits in the U.K., which lasted into 1969. Those hits included "There Goes My Everything," the million-selling number one "The Last Waltz," "Am I That Easy to Forget," "A Man Without Love," "Les Bicyclettes de Belsize," and "The Way It Used to Be." While they weren't as successful on the American pop charts (none reached the Top Ten), they all made the Top Ten on the easy listening charts; his albums of the 1967-1970 period sold well too, as his first six all landed in the Top 20. Humperdinck's string of easy listening hits continued apace in the early '70s; 1970 brought "Winter World of Love," "Sweetheart," and "My Marie," and the following year "Another Time, Another Place" and "When There's No You." By this time, Humperdinck had become a hugely popular live act, touring extensively on the cabaret and nightclub circuits, and became a regular in Las Vegas as well.
Humperdinck concerts were such a profitable enterprise, in fact, that the singer's management began to de-emphasize recordings, instead encouraging him to continue touring. As a result, the chart placements of his less frequent new material were suffering considerably by the mid-'70s. In late 1976, after signing a new deal with Epic, Humperdinck did return to make his second appearance in the American Top Ten with "After the Lovin'," an adult contemporary chart-topper that also made the lower reaches of the country charts. The album of the same name made the Top 20 and gave him his biggest-selling LP since 1970. Humperdinck topped the adult contemporary charts one last time with 1979's "This Moment in Time," and had his last chart single in 1983, with "Til You and Your Lover Are Lovers Again."
Humperdinck continued to make a profitable living on tour and in Las Vegas, still commanding a sizable female following; by this time, his act featured several celebrity impressions -- not just Jerry Lewis, but Dean Martin, Elvis Presley, and Julio Iglesias. Compilations of his work were heavily advertised through direct-marketing campaigns on American television, keeping his sales at a steady pace; he also re-recorded much of his material in different languages, helping maintain his popularity across Europe. He attempted a recording comeback with the 1987 album Remember I Love You, which featured a duet with Gloria Gaynor and wound up earning him a Golden Globe Entertainer of the Year award. The lounge revival of the '90s helped bring traditional pop and smooth crooning back into fashion, and Humperdinck found himself with a new hip cachet; he capitalized by recording "Lesbian Seagull," a song for the Beavis and Butt-Head Do America soundtrack, in 1996. He followed it with a foray into contemporary dance-pop, The Dance Album, for the Interhit label in 1998; a new version of "Release Me" had some success in the dance clubs. In 2003, the Hip-O label issued Definition of Love, a new album featuring standards, rock oldies, and more recent pop hits by the likes of Aerosmith and Robbie Williams. ~ Steve Huey, All Music Guide
Selected Discography
I adore him. I've followed him for years and I'm 78 years old! Please play more of his songs.
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have to go to work, i am already late just can't turn this station off, love this music.
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total love with this song. every who is running this radio station I LOVE YOU...
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this is just great songs, I don't wan't to go to work. want to listen all night long.
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love this song can dance all night to this, thanks for playing this song
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My late husband & I saw him at an outdoor concert in Laughlin, NV in 10/04. It was simply great. We both liked him a lot. Especially his "After The Loving". Hope he comes back to Dallas now that I live here.
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I loved Engelbert's early music, think it was the late 60's or early 70's when the original songs were the best.
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Engelbert is the Greatest, My hubby was a fan before I was.
I Adore the King Of Romance. My hubby and I have seen him 3 times in concert, And the last time my hubby got me back stage I met The King Of Romance. He is A Man With Class and Chrisma. He is My Fella. He has 2 CD'S coming out any day. One Is A Taste Of Country The other Cd isLegacy Of Love. There is none other like Engelbert He Is A Man With Class And Chrisma With A Capitol C. He is my Fella, There Is none other like him |
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I have loved Englebert's music, since I was a teen. Last night, in my ballroom class, they played his song:The Last Waltz. Between that and the gentleman I was dancing with, I was floating on air. So romantic. Can you believe, I have most of his original albums, but none have The Last Waltz on them! Guess I'll have to buy a new CD, to hear it over and over, again. Sigh..
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NOW IT`S JUST "ENGELBERT"B U T STILL A GREAT TALENT THAT ALWAYS SEEMS TO SING THE SONGS WE LIKE TO HEAR..I HAVE A RELATIVE WHO WOULD CLIMB OVER BROKEN GLASS TO HEAR HIM SING ONE SONG..YES,A WOMAN..
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Do you know when a song just grabs you are brings you back to that first time you heard it. this song does this so. thank you pandora I havent heard this song in years And I have to say I forgot all about it.
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My Mom took me to see Engle when I was 12...and I fell in love!
48 now...and still in love! |
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Marilyn says: Saw him at the Meyerson in Dallas last month. It was a breath taking performance. He is awesome.
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great great great Iam one of his fans that go back as far as 1950 i will always love him
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I have been to many his show's over the years, they are great. Never tire of listening/se e i n g him, he is a terrific entertainer. Even at the age he is now, he still has that romantic, charm about him.
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I think Engelbert is the greatest love singer of all times. He puts everything he has into a song. that leaves you feeling good.
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